	('9cpm-7h71', 'Kuda Miskiiy - Gaafaru (KFA-GFR-3)', 'Maldives', '4.7363369910239', '73.501461609465', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Drone DJI Phantom 4 Pr for photogrammetry.', 'The sole remaining coral stone mosque on the island. This small mosque currently serves as the island’s only mosque for women. While documenting this structure a date of 1269 AH (1853 CE) was discovered, inscribed into one of its beams. Parts of the earlier structure were renovated in 2002.  The coconut thatch roof has been replaced with corrugated metal.', '2019-02-19', '2019-02-19', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', 'yes'),
	('9d0a-as76', 'Flanders Field American Cemetery', 'Belgium', '50.873692', '3.453569', 'Published', 'To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document eight military cemetery chapels dedicated to the American armed forces throughout Europe. CyArk digitally documented the Flanders Field American Cemetery using techniques in laser scanning, photogrammetry, and aerial drone photography. CyArk\'s digital reconstruction of the Flanders Field Cemetery chapel and its surrounding landscape allows people who are unable to physically visit the site to experience the monument and remember the people who gave their lives for their country and the Allied cause on Belgium soil.', 'Established in 1921 in the northwest region of Belgium, Flanders Field American Cemetery\'s name was inspired by a poem written by World War I veteran\'s poem. The second stanza of "In Flanders Fields" reads: "We are the Dead. Short days ago. We lived, felt dawn, saw sunset glow. Loved and were loved, and now we lie. In Flanders fields." Constructed in 1930, the cemetery\'s white limestone Chapel sits in the center the lush grass site surrounded by 368 plots. The white cross headstones mark the graves of American soldiers from the 91st, 37th, 27th, and 30th AEF Divisions who lost their lives in nearby battles. World War I resulted in the largest loss of life the world had experienced to date, and the cemetery and chapel reflect a cultural shift to memorialize the lives of each individual soldier following the war. Prominent French-born American architect and World War I veteran, Paul P. Cret designed the site\'s chapel. The cemetery and chapel survived the ravages of another world war just a decade after its construction, remaining an enduring reminder of the relationship between the United States and Belgium and the sacrifices people of both nations made together on the battlefields.', '2016-08-12', '2016-08-12', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/OQIypzAgu2E7Lg', 'https://cyark.org/projects/flanders-field-american-cemetery', 'world war I, soldiers, battle, memorial', 'yes'),
	('9dky-cg25', 'IDN-ACH-BRN-PLM-S-001-F-0001-Headstone', 'Indonesia', '5.196651', '96.525822', 'Unpublished', 'There is a grave with a pair of "Plang Pleng" type of gravestones. On the east side, there is a round stone (Sakrah) at the foot. Around the area, there are many pottery and ceramic fragments.\nField Notes\nAccording to information around the 1970s, the pair of gravestones were moved from the area by the beach.\nThe landscape around the site has changed a lot due to the creation of ponds. The pottery and ceramic fragments are widely scattered around the pond area.', '', '0000-00-00', '2021-10-22', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('9fyj-4p76', 'MAHS-IDN-ACH-ABS-MRY-S-002-F-0001', 'Indonesia', '5.591998', '95.512038', 'Unpublished', '', 'This feature is the main outer perimeter wall of the fortification. It consists of two parallel walls, with the space between filled with rubble and sand to create a walkway around the entire fortification. The outer wall is about 3.26 m high, while the inner wall is about 1.55 m high. The walls are made of andesite stone with lime plaster. The outer wall construction is not made perpendicular, and the top tends tilt to the inside, making the bottom of the wall wider than the top. The wall is about 4.5 m thick at its base. The distance between the outer wall and inner wall is about 3.3 m. There are some embrasures on the outer wall, four embrasure on each side, for a total of 16 embrasure. The embrasure are set at regular intervals around the wall. There is a staircase from the outside that connects with the top hallway attached to the outer wall. There is also a staircase on the inside that is attached to the southeast wall.', '0000-00-00', '2021-06-16', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('9k1y-3633', 'California Tower and Museum of Us - Balboa Park ', 'United States of America', '32.7317883635', '-117.1526210827', 'Published', 'Quick scans of Balboa park entry plaza, entryway to the Museum of US, and interior of the California Tower. Drone photogrammetry ', 'Constructed as part of two expositions in 1911 and 1935, San Diego\'s Balboa park is home to a number of world class museums and features a wide array of Spanish colonial revival architecture. ', '2014-06-14', '2014-06-14', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'california, san diego, park, museum', 'yes'),
	('9q3d-b036', 'Jaulian', 'Pakistan', '33.7649002', '72.8749771', 'Published', 'Digital Heritage Trails Project-\nPhotogrametry using a DJI Mavic 3 enterprise with RTK position fixing enabled. Photos were were captured using a 20 MP 4/3 CMOS sensor in RAW (.DNG) format. Objectives were to produce a high resoltion 3D model of the site.', 'Jaulian was constructed between the 2nd and 4th centuries in the early days of Buddhist expansion out of the Indian subcontinent in the Ancient state of Gandhara. Centered around the confluence of the Kabul and Swat rivers in Modern day Pakistan and Afghanistan, the region attained its greatest florescence during the Kushan Kushan between the 1st and 4th centuries CE. Jaulian is part of the Taxila archeological site, home to the ruins of a once thriving ancient city and center of learning in Gandhara. It was along the trade routes of Taxila Valley that buddhism is believed to have spread. The Buddhist monastery and associated stupas of the Jualian archaeological complex shed light on the early evolution and spread of Buddhism along the Silk Road. The complex of Jaulian consists of the main stupa and twenty-seven subsidiary stupas located around the main stupa and two adjacent courts. An additional fifty-nine chapels are located around the courts and feature scenes from the Buddha\'s life. Several structures related to monastic life, including monk quarters, assembly hall, kitchen, and store room complete the complex. With access to land routes to the Parthian (Persian) Empire in the West, seaports along India\'s West coast, and the Central Asian corridor of the Silk Road, Gandhara was well situated to benefit from commercial activity. The Kushan Empire fostered commerce through cultural inclusion, borrowing characteristics of their Hellenistic, Persian, and Indian influenced subjects , which allowed them to more easily engage in trade with their neighbors. This cultural fluidity is also visible in the blend of architectural features on the stupas at Jaulian, which show Greek, Persian, and Roman characteristics within the Buddhist complex.', '2015-11-16', '2015-11-22', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/KgJSGKbs9pLGLw', 'https://cyark.org/projects/jaulian', 'buddhist, monastery, taxila, kushan, stupa, archaeology, ', 'yes'),
	('9qbf-bq75', 'Lourdes Grotto', 'France', '43.097417', '-0.058268', 'Published', 'Early in 2013, the Sanctuary of Lourdes Grotto sustained severe damage from flooding. In collaboration with Organization & Networks (ON) and Christofori Und Partner, CyArk digitally documented and reconstructed the Lourdes Grotto using a Leica C10 and Leica HDS6000. The 3D model that this technology generated helped ensure that the architectural integrity and detail remains in the archival record. ', 'Our Lady of Lourdes Grotto is a highly revered Catholic pilgrimage site, visited by roughly 6 million pilgrims each year. Located in the small market town of Lourdes in the foothills of the Pyrenees mountains, Lourdes Grotto is famous for the Marian apparitions witnessed by several individuals, beginning with Bernadette Soubirous in 1858.', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'pilgrimage, Pyrenees, Gothic', 'yes'),
	('9sz5-sj52', 'Wat Yan Ang Thong (MAHS-THA-AYA-PKH-BAY-S-001)', 'Thailand', '14.43467', '100.38222', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, Thailand and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone.', 'This historic Wat is located strategically on the banks of the Noi River in Ban Yai Subdistrict, Phak Hai District, Phra Nakhon Si Ayutthaya Province. Wat Yan Ang Thong (MAHS-THA-AYA-PKH-BAY-S-001) was formerly known as Wat Chulalok, was established in 1824 and constructed during the reign of King Rama III. It received royal title (Wisungkhamsima) in 1827.\n\nThe Ubosot is located on the east of the complex and is marked by eight boundary stones (sema). The Vihara is situated at the opposite end of the axis and features a cruciform plan with an ornamented roof consisting of a multi-tiered tower (prang). Symmetrically situated between each wing, there are stupas (chedi).\n\nThis Buddhist temple complex is enclosed by walls, within which stand two main buildings: the Ubosot (ordination hall) and the Vihara (Buddha image hall). The Ubosot is situated on the east side of the complex, marked by eight boundary stones. On the opposite end of the axis, the Vihara showcases a cruciform plan with an ornate Prang roof and multi-tiered structures. Stupas (Chedi) are symmetrically positioned between each wing outside of the Vihara.\n\nThe southern quarter of the temple is reserved as monk residences. It consists of the Kutis, or the monk\'s monastery, a sermon hall, and a bell tower. Most of the buildings were constructed in traditional Thai styles.\n\nAccording to the current management, Kutis have double functions. Kuti Wang Na in the front and Kuti Wang Lang in the back also serve as museums for public display and education. The exhibitions include collections of antiques and art objects.', '2023-06-09', '2023-06-12', '2024-04-03', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en ', 'https://sketchfab.com/3d-models/wat-yan-ang-thong-ayutthaya-thailand-fae8feaea3cc4e2087138b57fffd6e52', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'ancient sites,historic sites,religious buildings,religious structures,sacred sites,sacred space', NULL),
	('9t2g-8z25', 'Makam Cot Bada Baroeh 1', 'Indonesia', '5.219153', '96.745996', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BRN-PSN-S-004) is a cemetery with several older graves and some new graves. The older graves are marked with gravestones in the form of standing slabs carved from stone. Many round stones (sakrah) have also been placed on the ground as grave markers.', '2021-10-04', '2022-02-04', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('9tmb-xh27', '956 - 998 Valencia St and 21st st. - Map the Moment', 'United States of America', '37.757338', '-122.421355', 'Published', 'The documentation of this site was part of the Map the Moment project, intended to capture spontaneous and temporary changes to the public streetscape. This data was collected by Brian Tolle, Susanna Douglas, and Joseph McGovern and was processed by Pavel Matoušek. The team used a Fujifilm X-Pro 1 to scan this site.', 'We wanted to document a full block of plywood murals, and chose this block for the mural’s relatively diverse points of view. Since businesses had been forced to temporarily close because of the CoViD-19 pandemic, their plywood-covered windows became canvases for artists, as well as protesters in the Black Lives Matter Movement.', '2020-06-13', '2020-06-13', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, San Francisco, murals', NULL),
	('a2qs-7813', 'Makam Jeurat Manyang', 'Indonesia', '5.545284', '95.329413', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BNA-LBT-S-001)  is an Islamic cemetery complex filled with 24 historic carved gravestones. The graves are placed in a row on a mound of earth that is raised about 1 meter above the surrounding ground level. The graves are placed longitudinally west-east with an orientation facing west (toward the Qibla) and are marked with gravestones of various shapes and sizes. Most of the gravestones are pairs of standing slabs carved from sandstone; many are ornamented with floral and geometric motifs and inscriptions in Arabic script.', '2021-10-25', '2022-02-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('a3cv-2n03', 'Koila Ghata Baptist Church', 'Bangladesh', '22.805701692892', '89.576868493241', 'Published', 'The Koila Ghata Baptist Church was documented by students and faculty from Jahangirnagar University, Khulna University as well as staff from CyArk as part of the RED (Rapid Emergency Documentation) program. The building was documented with both terrestrial and aerial photogrammetry and terrestrial LiDAR.', 'Koila Ghata Baptist Church also known as Rupsha Baptist Church is the oldest church in Khulna city, located at Rupsha Stand Road. It was established in 1821 (local belief) for the British residents in this area. This 200-year-old church has been partially performing till today. The church represents the symbol of religious harmony and is still being used for cultural gatherings and ceremonies by the neighbouring communities.', '2022-02-26', '2022-02-28', '2022-10-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', '', 'Koila Ghata Baptist Church, Rupsha, koilaghata, koylaghat, Baptist church, Khulna church, Bangladesh', NULL),
	('a4mc-7x15', 'IDN-ACH-PID-PID-S-002', 'Indonesia', '5.369093', '95.928207', 'Unpublished', 'The site is in a cemetery area close to settlement.', '', '0000-00-00', '2021-10-01', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('a4wg-pm35', 'Plaza of the Three Cultures - Tlatelolco', 'Mexico', '19.451217515378', '-99.13688118255', 'Published', 'With support from the U.S. Ambassador\'s Fund for Cultural Preservation through the U.S. Embassy in Mexico City, CyArk traveled to Tlatelolco to provide training to local professionals and digitally document several historic buildings within the Tlatelolco neighborhood. Project partners produced an educational tour and high-resolution data to support conservation of these important resources. Trained workshop participants worked with CyArk to document six buildings in Tlatelolco that were damaged from the September 2017 earthquake using photogrammetry and laser scanning. Documentation was completed on the Church of Santiago Tlatelolco, The ex-convento of Tlatelolco, the Plaza of Three Cultures, select portions of the Tlatelolco archaeological site, the Chihuaha building and portions of the Centro Cultural universitario Tlatelolco. This project was made possible with support from the U.S. Embassy in Mexico and completed in partnership with the Centro Cultural Universitario at UNAM, the Secretaria de Relaciones Exteriores, and the Instituto Nacional de Antropologia e Historia.', 'Located just North of the historic center of Mexico city, Tlatelolco is the location of many important events in Mexico\'s history and serves as a touchstone for remembering past tragedies and losses while also showing the resilience and innovation exemplified in this neighborhood. ', '2022-03-23', '2022-03-31', '2023-04-04', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/story/4AWBz6rjt6gfEA', 'https://cyark.org/projects/plaza-tres-culturas/Guided-Tour/ptc-lng-es', 'tlatelolco, mexico, mexico city, plaza, mexica, aztec, recorrido, tapestry', NULL),
	('a6s9-pz65', 'Funadhoo Mosque  ( GNI-FUD-1 )', 'Maldives', '-0.303585117', '73.42791825', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using  Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry.', 'The Funaado Mosque on Fuvamulah is abandoned, and its roof has collapsed. The surrounding complex contains a well, a shrine (ziyaarat), and small cemetery that is, however, still in active use. This mosque is believed was built by Funaado Adhuru Dhon Muhammadhu kaleygefaanu. The original mosque was most similar to the Kedeyrey miskiy but it has been destroyed and renovated.  Earlier there used to be a Veranda at the south of the mosque as well. However it has been destroyed in the latest renovation.', '2018-10-16', '2018-10-16', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', NULL),
	('a80z-ax56', 'La Verna', 'Italy', '43.707116', '11.930771', 'Published', 'In September 2014 CyArk staff traveled to Italy to document the catholic sanctuary of La Verna with LiDAR laser scanning. The project also included a training workshop with thirty american students who were in Florence on a study abroad program.', 'The Sanctuary of la Verna is a monastic complex perched on the limestone cliffs of Monte Penna within the Appenine Mountains in the Italian province of Arezzo.  The buildings are reached after a steep ascent, and found between sloping ridges in the thick of a monumental forest.  It is a destination for pilgrims who wish to see where St. Francis of Assisi received the stigmata.  Interlocking religious buildings have grown up around the original church making La Verna the most important place of devotion for Franciscans.									', '2014-04-09', '2014-04-11', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'la verna, assisi, italy, church, ', 'yes'),
	('a89a-6z54', 'Shyamsunder Nabaratna Mandir', 'Bangladesh', '22.876444', '88.985389', 'Published', 'The Shyamsunder Nabaratna Mandir was documented by students and faculty from Jahangirnagar University and Khulna University as part of the RED (Rapid Emergency Documentation) Program. The building was documented with both terrestrial and aerial photogrammetry.', 'Shyamsunder Nabaratna Mandir\' also known as ‘Sonabaria Math’ is located at Sonabaria, Kalaroa, Satkhira. It is a Hindu temple built by Hariram Das (Durgapriya Das) in 1767 AD. Navaratna (nine gems) temple is a typology of Hindu temples. Navaratna (nine gems) temple is a typology of Hindu temples. This type of temple consists of three distinct levels and a unique architectural pattern. Shyamsundar Temple is one of the surviving navaratna temples of the country, and is famous for its brilliant architectural style and terracotta decorations.', '2022-03-25', '2022-03-26', '2022-10-19', 'CC BY-NC-SA', '', '', '', '', NULL),
	('a8y8-k745', 'Ushaiger Mosque Rooftop', 'Saudi Arabia', '25.339061458818', '45.178527832031', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360 degree by 180 degree spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design.', 'This is a shot from the roof of main mosque of Ushaiger along the roof and down into the courtyard. Ushaiger is one of the oldest towns in the Saudi region of Najd and it was a major stopping point for pilgrims coming from Kuwait, Iraq and Iran to perform Hajj or Umrah. It was mostly abandoned 50 years ago, but is now being reconstructed and people have started to move back in. Also see http://thompsonsinsaudi.blogspot.com/2011/04/ushaiger-village.html Quoting this website: coordinates 25°20′33″N 45°11′0″E. ... 200 kms each way of easy highway from Riyadh. As part of a training exercise for a group of scientists and engineers from KACST in Riyadh, Tom DeFanti and Andrew Prudomme went with the group to shoot these CAVEcams and also attempt some structure from motion (SfM) image capture. Thanks to Saleh Al-Harti, Mohammed Alfarhan, Azzam Asuhaibani, and Badr Altasan of KACST who got us to this amazing museum, and helped us photograph this reconstructed town.', '2013-04-01', '2013-04-29', '2022-05-04', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', 'http://thompsonsinsaudi.blogspot.com/2011/04/ushaiger-village.html', 'Ushaiger, Saudi Arabia, KACST, hajj, umrah, Najd, Nejd, inside, cavecam', 'yes'),
	('akm7-ma43', 'Maaloodhuge - Baarah (HAF-BRH-3)', 'Maldives', '6.8188923903', '73.2102267687', 'Published', 'The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and a Nikon D750 for photogrammetry.', 'This structure was formerly used as a Mawloodhu-Ge, as recital hall for deovotional readings of texts to celebrate the birth of the Prophet Muhammad. After new forms of islamic reformism became popular in the Maldives in the 1980s, these practices were abandoned. The Mawloodhu-Ge was built on the site where Mohamed Thakurufaanu and his two brothers stayed while working on their famous boat named Kalhuoh Fummi. ', '2020-01-29', '2020-01-29', '2020-05-07', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nd/4.0', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Islamic, Indian Ocean', 'yes'),
	('am9e-2637', 'Santuario di Santa Maria Regina di Anglona - Tursi', 'Italy', '40.2445018234', '16.5572265147', 'Published', 'Low quality scans of the exterior, and full scans of the interior', 'Largely constructed in the 12th century, as an expansion to a small 8th century segment.', '2013-00-00', '2013-00-00', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'church, tursi', 'yes'),
	('anvt-a528', 'Teotihuac&aacuten - Pyramid of Quetzalcoatl', 'Mexico', '19.69077492', '-98.842605', 'Published', 'In December 2009, a small team from CyArk and Leica Geosystems traveled to Teotihuac&aacuten, Mexico to collaborate with Mexico\'s INAH and the World Monuments Fund to digitally preserve the Pyramid of Quetzalcoatl also known as the Temple of the Feathered Serpent. The team utilized laser scanning and digital photography to document the temple in support of conservation work on site.', 'Located 32 kilometers (20 miles) northeast of Mexico City, Teotihuac&aacuten, dating from 100 BCE to 750 CE, is one of the largest Mesoamerican sites and features expansive urban causeways and massive pyramids. The name Teotihuac&aacuten translates to \'the city of the gods\' in the Nahuatl language of the Aztec people, who conquered the area over 700 years after the collapse of the Teotihuac&aacuten culture. Teotihuac&aacuten was laid out on a grid and functioned as a city with a densely-populated and fully-urbanized central zone that was carefully planned by its founders. Teotihuac&aacuten\'s greatest period of fluorescence coincided with the construction of the Pyramid of Quetzalcoatl around 200-225. At its peak, the city is believed to have supported a population exceeding 125,000 people making it the largest pre-Columbian settlement in the Americas.', '2009-12-17', '2009-12-21', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/0AJSg3DmS9GOJA', 'https://cyark.org/projects/teotihuacn', 'teotihuacan, mexica, texcoco, valley of mexico, pre-Columbia, mesoamerica', 'yes'),
	('armv-kz44', 'Sugar Mills of Florida - the Dummett Sugar Mill Ruin', 'United States of America', '29.3552391', '-81.106418', 'Upcoming', 'A spatial documentation survey was conducted at the Dummett Sugar Mill Ruins in Volusia County, FL., in April 2009. At this time, the mill and its site plan region, were digitally recorded using TLS survey techniques. From these data, a 3D model of the site and registered laser scan data was archived with the idea that these data would stand as a snap shot of current conditions at the site, and could prove useful to conservators, engineers, and architects at a later date. Following the survey a wall collapsed at the ruins and the site data along with a comparative survey was used for engineering and restoration work.', 'The Dummett Sugar Mill in Volusia County, Florida, consists of ruins that are associated with the circa 1825 sugar factory with rum distillery that was part of an operation owned by Thomas Dummett. Using a boiler that Dummett purchased from Barbados, the mill is thought to have been the first steam-operated mill in the region. The ruins today are managed by the Florida Department of Environmental Protection/Florida Park Service, and consist of the foundation, northern wall of the structure, two chimneys, portions of the kettle structure, and water supply features. The mill was constructed from coquina and brick, with the bricks used to line the heating areas of the mill. The north wall contains masonry arches as an architectural support mechanism for stress-relief on the structure.', '2009-11-21', '2009-11-22', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://www.academia.edu/4101880/Terrestrial_Laser_Scanning_GPR_and_CAD_Stabilization_Survey_of_the_Dummett_Mill_Ruins_Florida_8VO241_', 'sugar, ruins, plantations, industrial, Florida Park Service, heritage, Florida, historic preservation, USF', ''),
	('as7e-1y57', 'Fontana delle Piazza Santa Maria - Rome', 'Italy', '41.889521320970', '12.470297015436', 'Published', ' Attenni, Martina & Griffo, Marika & Inglese, Carlo & Ippolito, Alfonso & Lo, Eric & Rissolo, Dominique. (2021). Flexibility of Dense 3D Data Capture: Rapid Documentation of Monumental Fountains in Rome. Studies in Digital Heritage. 5. 62-74. 10.14434/sdh.v5i1.31442. http://dx.doi.org/10.14434/sdh.v5i1.31442', 'The Fountain in Piazza Santa Maria in Trastevere is a fountain located in the square in front of the church of Santa Maria in Trastevere, Rome, Italy. It is believed to be the oldest fountain in Rome, dating back, according to some sources, to the 8th century. The present fountain is the work of Donato Bramante, with later additions by Gian Lorenzo Bernini and Carlo Fontana', '2018-07-10', '2018-07-10', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'http://dx.doi.org/10.14434/sdh.v5i1.31442', 'fontana, fountain, Rome', 'yes'),
	('asw2-9420', 'Kandang (F2)', 'Indonesia', '5.545951', '95.316254', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BNA-BTR-S-001) was formerly part of the palace grounds of the Aceh sultanate. Its was largely destroyed by an invading Dutch force in 1874. Four stone structures, however,  remain standing to this day: The Gunongan, Kandang, Patarana Stone, and Pinto Khob. The Gunongan, Kandang, and Patarana Stone are all in very close proximity to one another, while the Pintu Khob is a little further away to the northeast, now separated from the site of the other three by a modern street. In the 17th century, however, all four structures were part of a landscaped area of the palace with a stream (Krueng Daroy) running through it. But the condition of the landscape has undergone many changes since then and is now incorporated into the modern construction of the city of Banda Aceh.\n\nThe building (MAHS-IND-ACH-BNA-S-001-F-0002) is a roughly square enclosure of thick, ornamented masonry walls measuring 21.65 meters in length, 21.5 meters wide, 3.4 meters high, and about 1.1 meter thick. The base of the outer wall, is decorated with (pucok reubong) motifs at each corner and under the pillar ornaments. Engaged columns extend from the foot to the top of the wall, ornamented with floral vine motifs (tumpal).The wall widens at the top to support 12 floral bud ornamental antefixes. At the top center of the east, north, and west sides there is an antefix which is wide in shape with curves decorated with floral vines.\nThe access to the inside is only from the gate on the south side. A 2.4 meter wide gate is connected by stairs going up to the inside. The ground level on the inside is about 1.37 meters higher than the ground level on the outside. The inside is an open area. In the middle, it has a square platform with sides 11 meters wide built on a stone and brick foundations. In the middle filling with leveled soil. Between the walls and the platform, there is a circular corridor with brickwork flooring.', '2021-07-09', '2021-07-09', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('axqd-fm85', 'Timurid Pavilion', '', '', '', 'Upcoming', '', '', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY', 'https://creativecommons.org/licenses/by/4.0', NULL, '', '', NULL),
	('axyh-ft88', 'Corbelled Houses of Karoo - Carnarvon', 'South Africa', '30.96993', '22.12949', 'Published', 'The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.', 'The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'corbel, karoo, northern cape, south africa', 'yes'),
	('az9d-mx47', 'Mesa Verde National Park- Balcony House', 'United States of America', ' 37.161509', '-108.464460', 'Published', 'CyArk documented Balcony House at Mesa Verde National Park over two days in February 2017 using LiDAR and terrestrial photogrammetry. The two technologies were combined to generate a textured 3D model of the site which was then sliced to generate drawings. CyArk was able to document the site in a short amount of time and undertook this expedition as research and development to understand the resolution possible given a limited amount of time. A final report as well as all of the architectural drawings were provided to the park at the completion of the project.', 'Mesa Verde National Park\'s archaeological sites spans over 700 years of Native American history from 600 - 1300 CE. The renowned cliff dwellings, the height of the Puebloans\' architecture, include more than 600 alcove sites. Balcony House overlooks Soda Canyon, about 700 feet above the narrow and rugged canyon. The canyon provided a number of important resources used in the everyday lives of the Ancestral Puebloan people. The site contains numerous buildings comprised of 40 rooms, and gets its name from its well preserved balcony. Balconies were common in the cliff dwellings, although only a few have survived to this day. There were not only access points into the second story of the buildings but also spaces used for work or drying food. A common feature in ancestral pueblo sites are kivas, also found at the Balcony house. These were circular subterranean structures that were used for both religious rituals and political meetings. While larger kivas were likely the social center for the whole community, smaller ones were the ritual and social center for specific families. ', '2017-02-22', '2017-02-25', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/AQICXBsdZeHfLg', 'https://cyark.org/projects/mesa-verde', 'ancestral puebloan, cliff dwelling, native american, adobe, colorado, puebloan', 'yes'),
	('b3jg-7146', 'Samarkand Registan', 'Uzbekistan', '39.654797', '66.975734', 'Unpublished', 'Data from Samarkand\'s Registan was collected in 2013 with a Leica P20 laser scanner. CyArk collaborated with Smart Scanning Solutions to digitally capture and document the site that once served as the hub of the Timurid Empire. ', 'Samarkand is a city in south-eastern Uzbekistan and one of the oldest continuously inhabited cities in Central Asia. Evidence suggests that the city may have been founded between the 8th and 7th centuries B.C. The city flourished due to its strategic location on the Silk Road between China and the Mediterranean. The Registan -- or \'sandy place\' in Farsi -- lies at the heart of Samarkand. It is a public square that is flanked on three sides by ornately decorated madrasahs, Arabic for \'school.\' Each madrasah\'s facade is covered with intricate mosaics, many of which are comprised of abstract geometric patterns. ', '2013-10-19', '2013-10-22', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'madrasah, Islam, Uzbekistan', NULL),
	('b66h-p364', 'Tule Lake National Monument', 'United States of America', '41.8866958', '-121.37408', 'Published', 'CyArk was awarded a grant by the National Park Service\'s Japanese American Confinement Sites Grant Program to create 3D digital recreations of sites associated with the US government\'s World War II incarceration of over 120,000 Japanese Americans who lived along the West Coast. Tule Lake is one of three sites of Japanese American incarceration that CyArk documented in 2011. The few structures that remain at the sites serve as reminders of democracy\'s fragility in times of conflict. To further illuminate this history, CyArk used laser scanning and photogrammetry to document the site\'s buildings and topographical features, processing the data in combination with historical records to create a 3D digital reconstruction of what the site was like during World War II. CyArk\'s digital reconstruction of Tule Lake provides a unique opportunity for people to connect with this difficult history and ensure that it is never forgotten.', 'Tule Lake is one of ten World War II camps where the US government confined Japanese Americans, the majority of whom were US citizens. Of the ten camps, Tule Lake\'s legacy remains particularly controversial. In 1943 the US government turned the Tule Lake camp into a "Segregation Center" where they incarcerated Japanese Americans who they deemed "disloyal" based on an ill-conceived questionnaire. People incarcerated at the Tule Lake Segregation Center ended up there for a variety of complex reasons, many having nothing to do with their loyalty to the United States. Commenting on the questionnaire answers that landed people in the "Segregation Center," a government official stated, "We can recognize that the answers wrung from them under the strains and perplexities with which they were faced is no more an indication of disloyalty than medieval trials by torture were an evidence of witchcraft."', '2011-11-22', '2011-11-27', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/fALyJX7_Nih1IQ', 'https://cyark.org/projects/tule-lake', 'incarceration, incarceration sites, japanese american, confinement, camp, ww2', 'yes'),
	('b7wr-zt40', 'C. A. Belden House 2004 Gough St. - Map the Moment', 'United States of America', '37.792112', '-122.425871', 'Published', 'The documentation of this site was part of the Map the Moment project, intending to capture spontaneous and temporary changes to the public streetscape. In this case, the sidewalk became a canvas where messages of peace and justice were written in chalk. This data was collected by Brian Tolle, Susanna Douglas, and Joseph McGovern and was processed by Dr. Gildas Sidobre. The team used a Fujifilm X-Pro 1 to scan this site.', 'Many businesses had been forced to temporarily close because of the CoViD-19 pandemic, and covered their windows with plywood, many of which were painted with murals. Similarly, streets and sidewalks became canvases for artists, as well as protesters in the Black Lives Matter Movement. This site was chosen because on June 11th, 2020 racist accusations against a resident of the property while he was stenciling \'Black Lives Matter\' in chalk, were captured on video and posted to Twitter. \n\nReference: Serrano, Alejandro. \'SF man who stenciled \'Black Lives Matter\' on home speaks out after video goes viral,\' San Francisco Chronicle, June 15, 2020.', '2020-06-20', '2020-06-20', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, San Francisco, public art', NULL),
	('b8zn-9a17', 'Trypillian Culture Artifacts at the National Museum of the History of Ukraine', 'Ukraine', '50.458467', '30.515928', 'Published', 'Archaeological objects at the National Museum of the History of Ukraine were documented by the members of NGO SLR "Archaic" and the staff of the Museum. Field capture methodology is based on the SfM photogrammetry with several scenes', 'Trypillian culture is a unique phenomenon of European prehistory, marked by the notwithstanding settlements with thousands of inhabitants (sometimes called photocopies), remarkable pottery and artistic expressions (figurines and clay models, decorations, etc.), and developed agricultural practices. A huge collection of these cultural artifacts represents its unique values in almost every Ukrainian archaeological museum. However, the collection from the National Museum of the History of Ukraine is one of the oldest and richest of that kind. For more details please review the <a href="https://drive.google.com/file/d/15nz2TvWeyFvJE3seSRMw561VrtIaqVpb/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-12-13', '2023-02-01', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/partner/national-museum-of-the-history-of-ukraine', 'https://nmiu.org/', 'Ukraine, Eneolithic, Trypillia, art', 'yes'),
	('bb7q-rn71', 'Kuda Ziyaarat (KFA-HMF-1 )', 'Maldives', '4.3096624034306', '73.570168215182', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a  Drone DJI Phantom 4 Pr for photogrammetry.).', 'This cemetery site formerly included a coral stone mosque, which was razed after the construction of a large new mosque next door. The largest standing structure on site is the Kuda Ziyaarat (mausoleum shrine) making the burial of Hasan Badr al-Din - an Arab migrant who had served as a judge (qadi) on the island, as well as a sundial, and over 200 carved coral gravestones.', '2019-03-19', '2019-03-20', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', NULL),
	('bezr-xd16', 'Dhonbandaara Miskiiy - Hura (KFA-HRA-1 )', 'Maldives', '4.3318677035801', '73.600371801177', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).', 'The island of Huraa in Kaafu Atoll was home to Sultan Ghazi Hasan Izz al-Din, whose commissioned the construction of a mosque on this site in 1753. While the original structure on this site has been since been replaced,  the Dhonbandaara Miskiiy compound includes a large number of older coral gravestones, bisthaan (burial enclosures), and a ziyaarat (mausoleum shrine).', '2019-03-20', '2019-03-22', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', 'yes'),
	('bfzm-v295', 'Great Mosque - Kilwa Kisiwani', 'Tanzania', '-8.959099', '39.498286', 'Published', 'In 2018, CyArk digitally documented three monuments at Kilwa Kisiwani, UNESCO World Heritage Site in Tanzania as part of the Heritage on the Edge program. CyArk utilized aerial and terrestrial photogrammetry as well as LiDAR or laser scanning to document the monuments. CyArk also hosted a one day workshop with ICOMOS and local heritage managers to train site stewards in digital documentation techniques and practices. The documented structures include the Gereza, Malindi Mosque, and the Great Mosque. Site manager will utilize the resulting documentation to better understand the impacts of climate change on the heritage site which is particularly at risk due to its close proximity to the coastline. ', 'Kilwa Kisiwani was inscribed into the World Heritage List (with Songo Mnara) in 1981 as an exceptional testimony to the expansion of the Swahili coastal culture, the spread of Islam in East Africa and the extraordinarily extensive and prosperous Indian Ocean trade from the medieval period up to the modern era. The Great Mosque of Kilwa is the oldest standing mosque on the East African coast. ', '2018-12-11', '2018-12-19', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/project/heritage-on-the-edge-kilwa-kisiwani', '', 'tanzania, kilwa, swahili, east africa', 'yes'),
	('bg71-j789', 'Heart of Neolithic Orkney - Skara Brae', 'Scotland', '59.048712', '-3.341800', 'Published', 'In 2010, Historic Environment Scotland partnered with CyArk and the School of Simulation and Visualisation to document five of Scotland\'s UNESCO World Heritage Sites in five years. These sites include the Antonine Wall, St. Kilda, Edinburgh, New Lanark and Neolithic Orkney. Neolithic Orkney is a grouping of neolithic monuments in the Orkney archipelago on the Northeast coast of Scotland that provide a rare glimpse into prehistoric life in Northern Europe. Documentation efforts at Neolithic Orkney focused on several key archaeological sites including Skara Brae, the Ring of Brodgar, Maeshowe and the Stones of Stenness. In August 2010, the project partners used LiDAR, or laser scanning, to record the present condition of the structures as well as the surrounding context for use in monitoring and to support the ongoing management of the sites. ', 'Some 5,000 years ago, the prehistoric people of the Orkney Islands began building extraordinary monuments out of stone. Each of the four Heart of Neolithic Orkney sites is a masterpiece of Neolithic design and construction in itself. But together they represent one of the richest surviving Neolithic landscapes in Western Europe. The series of important domestic and ritual monuments gives us incredible insights into the society, skills and spiritual beliefs of the people who built the monuments. Skara Brae is a domestic settlement whose stone walls, passageways and stone furnishings - including beds and \'dressers\' - survive to the present day.', '2010-08-01', '2010-08-31', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://www.historicenvironment.scot/visit-a-place/places/skara-brae/', 'cairn, stone circle, archaeology, prehistory, chambered tomb, ', 'yes'),
	('bhkm-1y77', 'Bascilica of Santa Croce in Florence', 'Italy', '43.768727110458', '11.262044152622', 'Upcoming', 'from Wikipedia: The Basilica di Santa Croce (Italian for \'Basilica of the Holy Cross\') is a minor basilica and the principal Franciscan church of Florence, Italy. It is situated on the Piazza di Santa Croce, about 800 metres southeast of the Duomo, on what was once marshland beyond the city walls. Being the burial place of some of the most notable Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, it is also known as the Temple of the Italian Glories (Tempio dell\'Itale Glorie).', '	\nFlorence As It Was has multiple aims within its broad goal of recreating selected structures in the city as they appeared in the year 1500. The pointclouds and photogrammetric models we build certainly serve their purposes as visual portals into the past, but the translations of early modern descriptions, transcriptions of contemporary documents, and the creation of a database of people, places, and things weaves these images into layers of information that help us interpret what we see. Intended as a study tool (as opposed to a substitution for the real thing), this project provides users with a combination of the type of original source materials that historians of art and architecture in particular typically use when crafting scholarly works. Its multi-variances routinely force us to make choices and adhere to a list of priorities as we go. We have progressed deliberately and with an eye toward posting the most original portions of our work first, and then filling in the gaps later on. We have concentrated much of our attention on the physically and politically challenging work of securing permissions, traveling to Florence, and then using state-of-the-art technology to scan the most important structures in the city before editing and modeling those scans so that they reflect accurately the dimensions and color patterns of those buildings.', '2022-02-17', '2022-02-17', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://florenceasitwas.wlu.edu/', 'Firenze, church', NULL),
	('bmye-2s53', 'Parva Domus - do not publish', 'San Marino', '43.936261077698', '12.446812278509', 'Unpublished', 'A multi-modal scan was performed of the Parva Domus including terrestrial lidar and photogrammetry, and aerial drone.  The dataset includes 88 lidar scans, 387 drone images, and 300 terrestrial images. As this build was an active government building at the time of the scans, the scope of the interior scans is limited, and no interior photogrammetry was performed beyond the building\'s entryway.  ', 'The Parva Domus is a historic building and central government office atop San Marino\'s Mount Titano,  and is included in the area designated a Unesco Heritage site in 2008. In 2017 a survey was undertaken by the Cultural Heritage Engineering Initiave (CHEI), then called CISA3, in partnership with the University of the Republic of San Marino. This survey covered the whole of the mountain and historic center, and special focus was given to important structures, including the three towers: The Guaira, the Cesta, andthe Montale,  the Palazzo Pubblico, the Parva Domus, the Piazza della Liberta, and the Bascilica di San Marino, Chiesa di San Pietro, all of which are made available as datasets on OpenHeritage3D.', '2016-07-13', '2016-07-16', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'unesco, mountain, medieval, italy, tower', NULL),
	('bnx3-n887', 'IESSO Archaeological Park', 'Spain', '41.787438', '1.289705', 'Published', '633 photos from DJI Phantom 4 Pro + 1387 photos from GoPro9 + 1324 photos from Sony A7 RII + Canon 16-35mm f/2.8L lens', 'Iesso, located in the present-day town of Guissona, is one of the few Roman cities in Catalonia on which the present-day city has not been completely superimposed. This gives it considerable archaeological potential. In addition, it is one of the most well-documented examples of urban activity that unfolded in Catalonia in 100 BC: a crucial historical moment in which the urban network inherited by our current cities, began to be constructed.\nAncient Iesso was an important inland capital of the empire. About 20,000 people lived there and it occupied twice as much ground as Barcino. In Roman hands, the city experienced 700 years of prosperity, based on agriculture and intense commercial activity. The original town was surrounded by walls and the streets arranged around two axes, the cardo maximus, on a north-south orientation, and the decumanus maximus, running from east to west, following the usual urban plan of Roman cities.\nThe constructive and commercial activity of Iesso continued up to the Visigothic period (6th century), even though the period that followed the dissolution of the Roman Empire in Guissona was a historic moment of unknown force.\nNowadays, the Archaeological Park of IESSO offers the perfect example in which to discover the development and the transformation of the Roman city over time. Notable are the large public baths, with an advanced system for the circulation of water, the remains of a facility to produce wine and a large manorial house organised around a central courtyard.', '2020-11-23', '2020-12-09', '2021-04-17', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', '', '', 'remains, roman, archaeology, baths', 'yes'),
	('bpy9-hd05', 'Junipero Serra Cenotaph', 'United States of America', '36.542916', '-121.919933', 'Published', 'The Fr. Juniperó Serra cenotaph was documented by CyArk in 2015 with LiDAR laser scanning. ', 'The Fr. Juniperó Serra cenotaph by sculptor Jo Mora was completed in 1924 at the Carmel Mission. The centaph consists of an empty sarcophagus carved from locally quarried travertine marble with bas-relief panels. A life-size bronze sculpture of Serra lies atop the monument, his bare feet resting on a grizzly bear. Three additional life-size bronze sculptures by Mora adorn it: Fr. Juan Crespí, who predeceased Serra, stands at the head, praying over him, as if to welcome him into Heaven. Kneeling at Serra\'s feet are Fr. Fermin Lasuen, who succeeded Serra as the president of the missions of Baja and Alta California; and Fr. Julian Lopez, a friar at the Carmel Mission.', '2015-07-21', '2015-07-21', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'cenotaph, junipero serra, missions, carmel, california', 'yes'),
	('bsj9-3880', 'Neusu Aceh Cemetery 3', 'Indonesia', '5.539189', '95.318995', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BNA-BTR-S-012) is an Islamic cemetery complex containing at least 12 historic graves marked by traditional Batu Aceh gravestones standing on a mound. The graves are in a row extending east-west, with each grave oriented north-south so that it faces the Qibla (west). The site continues to be used as family cemetery and also contains at least 5 modern graves which use cement grave markers.', '2021-12-08', '2022-04-29', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('c2ys-a430', 'Auto Tree', 'United States of America', '37.17233905', '-122.2218202', 'Published', 'In the fall of 2020, wildfires raged across California. The CZU Lightning Complex Fire significantly impacted the park, including the historic headquarters as well as many iconic old growth trees. In the spring of 2021, CyArk digitally documented the impact of the fire on the iconic trees and the headquarters area utilizing LiDAR, photogrammetry, and survey technology. The data was used to create a series of Google Arts and Culture exhibits about the impact of the fire, resilience of the Redwoods, and the history of the park. ', 'Big Basin Redwoods State Park is the oldest park in California. It is home to the largest continuous stand of ancient coast redwood trees, some predating the Roman Empire. The park\'s iconic old growth redwood trees that tower hundreds of feet above the forest floor have witnessed centuries of transformation including significant fires and weather events. In the fall of 2020, wildfires raged across California. The CZU Lightning Complex Fire significantly impacted the park, including the historic headquarters as well as many iconic old growth trees. In the spring of 2021, CyArk digitally documented the impact of the fire on the iconic trees and the headquarters area. ', '2021-03-22', '2021-03-26', '2023-10-05', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/project/redwoods', 'https://cyark.org/projects/big-basin-redwoods-state-park/overview', 'big basin, california, state park, wildfire, redwood', NULL),
	('cb63-bs37', 'Anhenunge\' Miskiyy (KFA-KSD-5)', 'Maldives', '4.9594713314026', '73.462854221428', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a Drone DJI Phantom 4 Pr for photogrammetry).', 'Former concrete mosque of uncertain, but modern date. During the Presidency of Maumoon Abdul Gayoom (1978-2008) the building was used for women to take fardhu or tarawih prayer on Ramadan. According to Husheedh Rashadh, a local resident, the mosque was maintained by the local council at that time. The building is no longer in use but survives in fair condition. The building lies within a small compound defined by an older coral rubble wall (KFA-KSD-5-S1).  The compound appears to now be used for cultivating plants.', '2019-02-11', '2019-02-11', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', NULL),
	('cbtd-5b18', 'Square Tower House - Mesa Verde National Park', 'United States of America', '37.166195', '-108.491617', 'Published', 'In June 2005 Texas Tech University, the University of California at Berkeley, CyArk, and INSIGHT Digital undertook a research project in collaboration with the National Park Service to better understand how digital documentation could assist conservation activities at Mesa Verde National Park. Several archaeological sites at the park were documented as well as several artifacts housed in the site museum to demonstrate the advantages and capabilities of high definition survey and documentation. The project was funded by the Kacyra Family Foundation.', 'The Square Tower House is one of the stops on the Mesa Top Loop Road driving tour and the tower is the tallest structure in Mesa Verde National Park. In 1906 52,073 acres (81 sq mi) of a mesa top and its canyons were designated the Mesa Verde National Park. In 1976 the site became a designated wilderness preserve, and in 1978 it became a UNESCO World Heritage Site. The park was formed to protect and preserve the more than 700 years of Native American history located within its boundaries which are represented by over 4,000 archaeological sites. These Native Americans, known as the Anasazi by the Navajo and the Ancestral Puebloans to the National Park Service, are most famous for their cliff dwellings. \n', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'mesa verde, pueblo, cliff dwelling, ancestral puebloan, nps, national park', 'yes'),
	('ccsw-rv09', 'Benteng Kuta Po Daniet', 'Indonesia', '5.638506', '95.408144', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'Some ruins at this site (MAHS-IDN-ACH-ABS-MRY-S-005) are still recognizable are the walls of circular stone structures and fortified walls. Around those ruins are many scattered stone that may have originally been part of structures on this site', '2021-05-08', '2021-05-08', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('cgtd-6v75', 'Sivu\'ovi', 'United States of America', '34.799559', '-109.885414', 'Upcoming ', 'In 2011, the National Park Service and CyArk collaborated to digitally preserve Sivu\'ovi, Petrified Forest National Park. The main goals of the project were to document the Sivu\'ovi sites and the surrounding landscape and to create a base digital record of Sivu\'ovi for use in archaeological research, conservation, education, and tourism. Many of the sites are situated on the edge of the bluff, which creates serious erosion problems. Theft of petrified wood is also a major concern, and nearly 14 tons of the fossil wood disappear from the forest each year. The documentation process included digital photography, terrestrial laser scanning, traditional survey, and HDR panoramic photography. ', 'The Arizona Petrified Forest National Park contains one of the world’s largest concentrations of petrified wood, historic structures, archaeological sites and fossils. Scattered throughout the park are traces of nearly 13,000 years of human history and culture. Located in the southern portion of the Petrified Forest National Park, Sivu\'ovi is an extensive site containing the remains of a large Basketmaker II period pit house village and several small Pueblo period rubble mounds. ', '2011-12-21', '2011-12-24', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'Arizona, desert, Basketmaker II', NULL),
	('ck42-e122', 'Rock Art Sites of Somaliland - Dhagah Kureh', 'Somaliland', '9.65236568', '44.1657753', 'Published', 'In September 2013, CyArk digitally documented Laas Geel, Dhagah Nabi Galay and Dhagah Kureh rock shelters using laser scanning and photogrammetry.  The project was conducted in partnership with the Horn Heritage Charity, a nongovernmental organization that works to protect and promote the archaeological heritage of the Horn of Africa and ICCROM, the International Centre for the Study of the Preservation and Restoration of Cultural Property.  CyArk also provided a training workshop to  heritage professionals from Somaliland. The expedition was made possible through a generous donation from the Government of Switzerland.', 'The complex cave and rock shelters of Laas Geel, Dhagah Kureh, and Dhagah Nabi Galay lie just 30-45 minutes outside of Hargeisa, the capital of Somaliland, a self-declared republic and autonomous region of Somalia. Exhibiting outstanding Neolithic rock art, the sites\' cave paintings are considered to be some of the best preserved rock paintings in all of Africa. The images provide valuable information about some of the earliest pastoralists living in this region. The paintings, dated to the third and second millennia BC, depict the herding of humpless cows, sheep and goats, as well as the hunting of antelopes, giraffes, and other wild animals.', '2013-09-10', '2013-09-15', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/5wLCLQamXaTLLw', 'https://cyark.org/projects/rock-art-sites-of-somaliland  ', 'somalia, somaliland, hargesia, laas geel, cave paintings, cave art, horn of africa, granite', 'yes'),
	('crdv-x169', 'xxxxxxMt. Titano Historic Center Street Survey', 'San Marino', '43.937808343243', '12.444682885360', 'Unpublished', 'Using Lieca BLK360 g2 terrestrial LiDAR and photogrammetry, this un-constrained survey consists of 81 laser scans and 1227 images and was performed as part of a study on municipal earthquake resilience within the historic city center of San Marino. Data was captured on a foggy and rainy day, causing some noticeable noise. This dataset is a followup to a previous survey performed in 2017 (https://doi.org/10.26301/89td-rv98)', 'Perched atop Mount Titano, the historic city center of San Marino boasts both cultural and architectural significance. As one of the oldest republics in the world, its heritage reflects a rich tapestry of medieval history and enduring traditions. The city\'s well-preserved fortress walls, narrow cobblestone streets, and ancient towers evoke a sense of timelessness, transporting visitors to another era. Its commanding position offers breathtaking panoramic views of the surrounding countryside. The city center serves as a living testament to San Marino\'s independence and resilience, captivating visitors with its unique blend of history, culture, and stunning architecture. The site was registered as a UNESCO World Heritage site in 2008.', '2024-03-04', '2024-03-04', '0000-05-13', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://whc.unesco.org/en/list/1245/', 'UNESCO, streets, piazza, square, italian', NULL),
	('csrk-x586', 'Nafeesatha Mosque (KFA-KSD-6 )', 'Maldives', '4.958935885', '73.46204392', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a Drone DJI Phantom 4 Pr for photogrammetry).', 'Modern concrete mosque built on the private property of Nafeesa Idhrees who still prays there and after who it is named.  Used by local women during Ramadan Tharaweeh prayer. The date of construction is unknown but it is thought to have been built during the Presidency of Maumoon Abdul Gayoom (1978-2008).', '2019-02-11', '2019-02-11', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', NULL),
	('cw7a-wp35', 'Kuruhinna Tharagaandu (KFA-KSD-1)', 'Maldives', 'N 0329579', '0548048', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).', 'Kuruhinna Tharaagandu on the island of Kaashidhoo (KFA-KSD-1) is the location of the ruins of a Buddhist Monastery site dating back to the fifth century CE.', '2019-02-05', '2019-02-09', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Buddhist Site, Indian Ocean', 'yes'),
	('cwze-5241', 'Mahd adh Dhahab Slag Mound 2', 'Saudi Arabia', '23.671148619233', '40.918439626720', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360 degree by 180 degree spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design.', 'This is the site of an ancient copper mine about 25km from the\n    gold mine Mahd Ad-Dahab\n    (http://en.wikipedia.org/wiki/Mahd_adh_Dhahab ). https://www.googl\n    e.com/maps/d/viewer?msa=0&mid=zHyVlGArjT-g.kboHEPf9xDow (Dan\n    Sandin) and https://www.google.com/maps/d/viewer?msa=0&mid=zHyVlGA\n    rjT-g.kiD5zu5Nu6wE (Dan Sandin). The mine shaft is visible. Thanks\n    to Marie-Laure Boulot, Laurence Hapiot, Adel Saad, Steve Cutchin,\n    Tom Levy, Neil Smith, Greg Wickham,  and KAUST.', '2012-09-11', '2012-10-25', '2022-05-04', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', 'https://www.google.com/maps/d/viewer?msa=0&mid=zHyVlGArjT-g.kboHEPf9xDow', 'copper mine, Mahd Ad-Dahab, archeology, cavecam', 'yes'),
	('cyeq-w568', 'Historic New Harmony', 'United States of America', '38.131486', '-87.936872', 'Upcoming', 'Historic New Harmony, a division of the University of Southern Indiana, teamed up with CyArk to scan some of New Harmony’s most prominent buildings. Using LiDAR technology (specifically, a Faro S120), the team was able to digitally document the Lenz House, among other historic buildings. ', 'Historic New Harmony is a cluster of historic sites in New Harmony, Indiana, managed by the University of Southern Indiana and the Indiana State Museum & Historic Sites. Since 1985, HNH has sought to preserve the historic district’s utopian legacy, inspire innovation, and promote progressive thought through its educational programs & collections.', '2015-09-15', '2015-09-15', '2021-04-20', 'CC BY', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'Indiana, ', NULL),
	('d51v-fq77', 'Brandenburg Gate', 'Germany', '52.5162506', '13.3777055', 'Published', 'CyArk partnered with the Landesdenkmalamt Berlin and the Institute of Photogrammetry at the University of Stuttgart to scan Brandenburg Gate as well as the entire Pariser Platz in 2015 in preparation for Germany\'s 25th anniversary of reunification. Using LiDAR technology and photogrammetry, the site was digitally recorded to complement a historical archive of documentation and conservation materials housed in Berlin\'s Senatsverwaltung f&uuml;r Stadtentwicklung und Umwelt (Senate House for Urban Development and Environment). The project was completed through the generous support of Iron Mountain. ', 'For over 200 years, Brandenburg Gate has been an icon for a transforming German identity. Brandenburg Gate was commissioned by Prussian Emperor Frederick William II, to represent peace at the end of the 18th Century.  When Napoleon invaded Berlin in 1806, he sacked the bronze quadriga and took it back to Paris.  After Napoleon\'s defeat, the quadriga was returned, with an added Iron Cross to commemorate the victory. The gate became a central symbol for the Nazi Party, only to become inaccessible for years to come after the demise of the Nazis and the division of Germany. It was walled off from both sides with concrete and barbed wire when Germany, and consequently, Berlin, was divided into two. However, with the fall of the German Democratic Republic, better known was East Germany, in 1989, the Brandenburg Gate has again become central in symbolizing a reunited country\r\n', '2015-08-23', '2015-08-26', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/xAKC1G0yXShSKA', 'https://cyark.org/projects/brandenburg-gate', 'prussia, city, berlin, neoclassical, column', 'yes'),
	('D6988C', 'Ranokot', 'Pakistan', '24.4766212', '67.4938485', 'Upcoming', 'The Digital Heritage Trails Project (DHTP) involves the documentation of endangered archaeological sites in the Indus Delta region in Southern Pakistan. DHTP has developed high-precision 3D representations, or "digital copies", of these sites to support effective site management, heritage conservation efforts, and climate impact mitigation. The project has also created a digital heritage trail called the "Lost Cities of the Indus Delta". The heritage trail is an exciting and innovative explorative experience, curated to provide a public audience with an online, interactive, and immersive experience, while exploring the rich history of the Indus Delta region.\n\n \n\nMaritimEA is joined by partner organisations, Kaspar Consulting and Apparatus/Chrononaut, in developing the project with the generous support of the Cultural Protection Fund, British Council and the UK Department of Culture, Media & Sport.\nPhotogrametry using a DJI Mavic 3 enterprise with RTK position fixing enabled. Photos were were captured using a 20 MP 4/3 CMOS sensor in RAW (.DNG) format. Objectives were to produce a high resoltion 3D model of the site.', 'The Ranokot fort is believed to be associated with the Dharaja state, one of many fiefdoms within the deltaic region that existed during the decline of the Mughal Empire in the 18th century. While the Mughal governorship was based in Thatta and supported by the Kalhoras, the Ranas of Dharaja ruled the western delta region. Ranokot was one of their primary strongholds. The fort is located in an agricultural area of Mirpur Sakro. While historically it helped protect the adjacent waterways, it now lies over a mile away from the closest river creek.\r\n', '2024-06-11', '2024-06-11', '2025-04-01', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', 'https://lostcitiesofthedelta.org/home/', '', NULL, 'yes'),
	('D6F30V', 'Ratukot', 'Pakistan', '24.74719444', '67.23405556', 'Upcoming', 'The Digital Heritage Trails Project (DHTP) involves the documentation of endangered archaeological sites in the Indus Delta region in Southern Pakistan. DHTP has developed high-precision 3D representations, or "digital copies", of these sites to support effective site management, heritage conservation efforts, and climate impact mitigation. The project has also created a digital heritage trail called the "Lost Cities of the Indus Delta". The heritage trail is an exciting and innovative explorative experience, curated to provide a public audience with an online, interactive, and immersive experience, while exploring the rich history of the Indus Delta region.\n\n  \nPhotogrametry using a DJI Mavic 3 enterprise with RTK position fixing enabled. Photos were were captured using a 20 MP 4/3 CMOS sensor in RAW (.DNG) format. Handheld photography was undertaken using a Sony A7IV with images saved in RAW format. Objectives were to produce a high resoltion 3D model of the site.', 'Located on Mushaq island in the northwestern Indus delta, Ratukot was possibly a Sasanian era military fort and customs port. Its primary function would have been to protect the port city of Banbhore that lay 29 kms to the east. From the 20th century onwards, however, the island has largely been swept underwater, with large parts of the island being submerged at high tide. Sea level rise in this part of the delta has also resulted in undermining the fort structure.\n\nThe origins of the fort are as yet undetermined, however, archaeologists have discovered pottery sherds dating to the Sassanian or early Islamic period. Historical sources also document Sassanian influence and control of the delta region during the fifth century AD. The Sassanians recognised the coastal region’s importance in the maritime network of the Indian Ocean and often built forts along the coast for protection against pirates.\n', '2024-05-01', '2024-05-01', '2025-04-01', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', 'https://lostcitiesofthedelta.org/home/', '', NULL, 'yes'),
	('D6JS3T', 'Jam Jaskar Goth', 'Pakistan', '24.667299', '67.447412', 'Upcoming', 'The Digital Heritage Trails Project (DHTP) involves the documentation of endangered archaeological sites in the Indus Delta region in Southern Pakistan. DHTP has developed high-precision 3D representations, or "digital copies", of these sites to support effective site management, heritage conservation efforts, and climate impact mitigation. The project has also created a digital heritage trail called the "Lost Cities of the Indus Delta". The heritage trail is an exciting and innovative explorative experience, curated to provide a public audience with an online, interactive, and immersive experience, while exploring the rich history of the Indus Delta region.\n\n \nPhotogrametry using a DJI Mavic 3 enterprise with RTK position fixing enabled. Photos were were captured using a 20 MP 4/3 CMOS sensor in RAW (.DNG) format. Objectives were to produce a high resoltion 3D model of the site.', 'Deep in the mudflats of the Indus Delta, this unnamed fort remains submerged most of the year, emerging only during the low tide for a few months. The local name for the site is Jam Jaskar Goth, named after the local chief of the area, however, its historical name and identity remains a mystery. The visible parts of the site include a square shaped fort, a graveyard, a kiln, and a large mosque. Stone slabs with Kufic inscriptions found at the site indicate a possible age around the 13th century.\n', '2024-04-25', '2024-04-25', '2025-04-01', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', 'https://lostcitiesofthedelta.org/home/', '', NULL, 'yes'),
	('D6PK5R', 'Lahiri Bandar', 'Pakistan', '24.63013889', '67.36983333', 'Upcoming', 'The Digital Heritage Trails Project (DHTP) involves the documentation of endangered archaeological sites in the Indus Delta region in Southern Pakistan. DHTP has developed high-precision 3D representations, or "digital copies", of these sites to support effective site management, heritage conservation efforts, and climate impact mitigation. The project has also created a digital heritage trail called the "Lost Cities of the Indus Delta". The heritage trail is an exciting and innovative explorative experience, curated to provide a public audience with an online, interactive, and immersive experience, while exploring the rich history of the Indus Delta region.\n\n \nPhotogrametry using a DJI Mavic 3 enterprise with RTK position fixing enabled. Photos were were captured using a 20 MP 4/3 CMOS sensor in RAW (.DNG) format. Handheld photography was undertaken using a Sony A7IV with images saved in RAW format. Objectives were to produce a high resoltion 3D model of the site.', 'Lahiri Bundar is an 11th century port located in the lower Indus Delta in Sindh in modern Pakistan. Through the centuries, it has been an important trading port for the region, connecting Central Asia and the hinterlands of the Indus river to the trade networks of the Indian Ocean. Ships from Arabia, Persia, and the Ottoman Empire brought goods to the port to be taken to the city of Thatta and further inland. The port eventually declined in the 18th century as gradual sedimentation due to riverine alluvial flows made its harbours and anchorages unusable.', '2024-04-24', '2024-04-24', '2025-04-01', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', 'https://lostcitiesofthedelta.org/home/', '', NULL, 'yes'),
	('D6T881', 'Banbhore', 'Pakistan', '24.750938', '67.521623', 'Upcoming', 'The Digital Heritage Trails Project (DHTP) involves the documentation of endangered archaeological sites in the Indus Delta region in Southern Pakistan. DHTP has developed high-precision 3D representations, or "digital copies", of these sites to support effective site management, heritage conservation efforts, and climate impact mitigation. The project has also created a digital heritage trail called the "Lost Cities of the Indus Delta". The heritage trail is an exciting and innovative explorative experience, curated to provide a public audience with an online, interactive, and immersive experience, while exploring the rich history of the Indus Delta region.\n\n \nPhotogrametry using a DJI Mavic 3 enterprise with RTK position fixing enabled. Photos were were captured using a 20 MP 4/3 CMOS sensor in RAW (.DNG) format. Objectives were to produce a high resoltion 3D model of the site.', 'The ancient port city of Banbhore flourished between 1st BC to 13th century AD as an important node in the sea and land trade networks of the Indian Ocean. It is conjectured to be the 1st century coastal city of Barbarikon, as described in the Periplus of the Erythraean Sea, or the 8th century city of Debal, the earliest foothold for Arab armies in Sindh.\n\nThe archaeological record shows three main occupation periods: the Scytho-Parthian (1st century BC-2nd century AD), Hindu-Sassanian (3rd-8th centuries AD), and lastly the Islamic period characterised by the Umayyad and Abbasid dynasties (8th-13th centuries). As a fortified city, Banbhore had 46 bastions on its walls, a well, a mosque, a temple, and a loading dock on which vessels would load and unload people and goods.', '2024-06-05', '2024-06-07', '2025-04-01', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', 'https://lostcitiesofthedelta.org/home/', '', NULL, 'yes'),
	('d785-9q97', 'Kuruhinna Tharagaandu 1&3  (KFA-KSD-1&3 )', 'Maldives', '4.9567585965788', '73.462977716133', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a Drone DJI Phantom 4 Pr for photogrammetry.', 'The remains of Buddhist Monastery structures dating to at least the fifth century CEm. It is constructed from coarse coral stone with lime plastering and mouldings, infilled with chipped coral stone and sand. Most of the structures are completely destroyed. ', '2019-02-09', '2019-02-09', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Buddhist Site, Indian Ocean', NULL),
	('d8vx-ah49', 'Women\'s Rights National Historic Park - Elizabeth Cady Stanton House', 'United States of America', '42.912619', '-76.788366', 'Published', 'In October 2019 CyArk traveled to Seneca Falls, New York to document three buildings associated with the Women\'s Rights National Historic Park. Each site bore witness to important events that were central to the first women’s rights convention. In collaboration with the National Park Service, CyArk created LiDAR scans with a Faro S350 to document the Wesleyan Chapel, the Elizabeth Cady Stanton House, and the Hunt House, helping preserve these important places and the stories that they tell.', 'Elizabeth Cady Stanton (1815-1902) was an effective proponent of women\'s rights for over half a century. She was influential in organizing a women’s rights convention in Seneca Falls in 1848 which is widely viewed as the beginning of the modern feminist movement. After co-writing the Declaration of Sentiments for the convention, she continued as one of the women’s rights movement’s most dynamic orators and philosophers. She lived in this house from 1847 until 1862, before moving to New York City and continuing her civil reform advocacy efforts. ', '2019-10-12', '2019-10-12', '2021-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'suffrage, vote, New York', 'yes'),
	('d998-rd62', 'Kastro Apalirou', 'Greece', '37.011576', '25.452661', 'Published', 'In the summer of 2016, CyArk in collaboration with the Hellenic Republic Ministry of Culture, Ephorate of Antiquities of the Cyclades, documented three cultural heritage sites on the island of Naxos. CyArk completed laser scanning (Faro X330 laser scanner) along with aerial and terrestrial photogrammetry (with a Canon 5D and Phantom 3 drone). The documentation of the castle will be used by the Ephorate of Antiquities to complement existing documentation of the site and to help with planned restoration.The CyArk field team completed over fifty laser scans around\nthe Byzantine castle of Apalirou. A combination of terrestrial and drone photogrammetric documentation captured over 9,000 images that will be used to create a photo-realistic model of the impressive structure and its steep mountain setting.', 'Perched high on a mountain overlooking the island of Naxos, the Byzantine fortress of Kastro Apalirou is believed to have served as the administrative capital for the entire Aegean region. The site has not been fully documented and site conservators will benefit from a complete inventory of the extensive surface structures. ', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'naxos, greece, fortress, byzantine', 'yes'),
	('d9zw-y286', 'Kompleks Makam Tuan Maqdum (Sayed Muhammad Al-Kadir)', 'Indonesia', '5.537979', '95.295052', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BNA-JBR-S-002), inside a fenced-in area, is an Islamic cemetery complex that contains a mix of historic and modern burials. At least twenty-nine historic graves are arranged longitudinally north-south and oriented west (toward the Qibla) and are marked with  gravestones of various shapes and sizes. Mostly, the gravestones are standing slabs carved from sandstone that are part of the Batu Aceh burial tradition. Some graves are on a small mound, including the grave of Sayed Muhammad Al-Kadir.', '2021-11-01', '2022-02-10', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('dbg6-x966', 'Piazza del Duomo - Pisa', 'Italy', '43.7225875', '10.3965826', 'Published', 'In February 2005 and July 2006, teams from the Development of Integrated Automatic Procedures for the Restoration of Monuments (DIAPReM) from the University of Ferrara, the Institute of Science and Information Technology of the National Research Council in Pisa and the Department of Architectural Design at the University of Florence conducted a High Definition Survey of the Piazza del Duomo. The data was acquired from 30 positions and was focused on the exterior parts of the Cathedral, the Campanile and the Baptistery. The 3D survey was coordinated and georeferenced with a topographical survey conducted by the DIAPReM team. The final 3D laser scan survey data was registered within the topographic survey with an average error of 3mm and fused into a master dataset (point cloud) that contains a total of 256,653,388 points.', 'Pisa\'s Piazza del Duomo, also known as Piazza dei Miracoli (Piazza of Miracles) is an expansive, grassy field dominated by three, white marble, monumental works of architecture: the cathedral, babtistery, and campanile. They are famous for their construction and location at the entrance of Pisa, as well as for the campanile\'s infamous inclination, causing it to be called the "Leaning Tower of Pisa." While these three structures were commonly all part of a single church in northern Europe, their existence as three individual entities is typical of Italian practice of this era. A fourth structure, a walled cemetery, provides an edge on the north side of the site. 							', '2006-07-03', '2006-07-12', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/6gLiCyckhFRnJw', 'https://cyark.org/projects/piazza-del-duomo-pisa', 'leaning tower, pisa, campanile, cathedral, baptistry, cemetery', 'yes'),
	('dh5p-q964', 'Somme American Cemetery', 'France', '49.985465', '3.215966', 'Published', 'To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document eight military cemetery chapels dedicated to the American armed forces throughout Europe. The Somme American Cemetery chapel was documented in August 2016 using LiDAR laser scanning and aerial and terrestrial photogrammetry. CyArk’s digital documentation allows people who are unable to physically visit the site to experience the monument and remember those who gave their lives for their country.', 'The World War I Somme American Cemetery and Memorial in France is sited on a gentle slope typical of the open, rolling Picardie countryside. The 14.3-acre cemetery contains the graves of 1,844 of our military dead. Most lost their lives while serving in American units attached to British armies, or in operations near Cantigny. The headstones, set in regular rows, are separated into four plots by paths that intersect at the flagpole near the top of the slope. The longer axis leads to the chapel at the eastern end of the cemetery. \n\nA massive bronze door surmounted by an American eagle leads into the chapel, whose outer walls contain sculptured pieces of military equipment. Once inside, light from a cross-shaped crystal window above the marble altar bathes the subdued interior with light. The walls bear the names of 333 of the missing. A rosette marks the name of the soldier listed on the Walls of the Missing that has since been recovered and identified.', '2016-08-06', '2016-08-07', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, 'https://www.abmc.gov/cemeteries-memorials/europe/somme-american-cemetery', 'somme, america, cemetery, abmc, france, ww1, ww2, memorial, chapel', 'yes'),
	('dhtq-qb60', 'Hammam Nur al-Din', 'Syria', '33.50963', '36.306532', 'Published', 'The Hammam Nur al-Din was documented as part of Project Anqa, a collaboration between the International Council on Monuments and Sites (ICOMOS), CyArk, and Carleton University and was funded by the UK based charity the Arcadia Foundation. The project began in 2015 in response to the catastrophic loss of heritage in the Middle East and aimed to protect monuments by providing training on digital preservation techniques for local heritage professionals in the region. CyArk provided training and workshops in Lebanon to Syrian heritage professionals in 2016 and 2017 in partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage. The Syrian team documented six sites in Damascus and the data was sent back to CyArk for further processing.   ', 'Believed to date to sometime around 1160, the Hammam Nur al-Din is one of the oldest bathhouses in Damascus and is so well preserved it is still in use today. Hammams, or bathhouses, were places for everyone to enjoy ritual cleansing and socializing. The structures\' location among the shops of a marketplace show what an integral part hammams played in the daily life in old Damascus. Entering the hammam visitors are first greeted with the ornately decorated mashlah, a large domed chamber meant for changing and lounging, before proceeding to a series of chambers. The cold water chambers were called barrani,  warm-water chambers, wustani, and the hot-water chambers were known as juwwani, where bathers would sweat in the steam entering from a side vent linked to the furnace.', '2017-08-14', '2017-08-17', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/dwKS8cRB3RToJg', 'https://cyark.org/projects/hammam-nur-al-din', 'bathhouse, ottoman, mashlah, market, atabeg', 'yes'),
	('dm7n-v117', 'IDN-ACH-PID-PID-S-002-F-0001 (Footstone) ', 'Indonesia', '5.369093', '95.928207', 'Unpublished', 'The site is in a cemetery area close to settlement.', '', '0000-00-00', '2021-10-01', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('dmnp-zr61', 'Kompleks Makam Sultan Malikussaleh (F2)', 'Indonesia', '5.132207', '97.203435', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'This site (MAHS-ISN-ACH-AUT-SMD-S-021) is a small cemetery complex that contains the graves of the first two sultans of Pasai, Malik al-Salih and Malik al-Zahir, as well as a number of other graves marked by flat slab or unworked, naturally rounded riverstones.\n\n(MAHS-ISN-ACH-AUT-SMD-S-021-F-002)\nThe grave with a body and pair of head- and footstones carved in black granite. The body has three levels at the bottom and a shaped hexagon pyramid at the ledger. On the body, there are no ornamental sculptures. The head- and footstones are symmetrical and placed in each end. It is in the form of a rectangular pillar that is placed attached to each side body. At the top, an ornament in the form of three vertical lines is carved with a curved top like a dome with four corners. There are carved Arabic inscriptions placed on both outer sides of the head- and footstones.', '2021-08-31', '2021-08-31', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('dmyn-c471', 'Sector Paredones, El Brujo Archaeological Complex', 'Peru', '-7.919255333403', '-79.30615347941', 'Published', 'The Paredones sector was documented by El Brujo Archaeological Complex staff following a virtual training workshop with CyArk supported by the U.S. Embassy in Peru. Documentation was completed with aerial photogrammetry.', 'The Paredones Sector is one of the many spaces still little explored within the El Brujo complex. It is a set of almost a dozen buildings and open spaces not yet fully identified. Previous studies have revealed evidence of pre-ceramic, coastal Chavín culture, as well as later periods like the Mochica and Chimú cultures which makes it one of the richest space at the level of occupational history.', '2021-08-23', '2021-08-23', '2023-04-04', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://cyark.org/projects/huaca-cao-viejo/exhibit', 'https://www.elbrujo.pe/estudiantes/paredones', 'el brujo, peru, chicama, paredones, brujo', NULL),
	('dn00-qb79', '&Ccedil;atalh&ouml;y&uuml;k - East Mound South Area 2012', 'Turkey', '37.67222', '32.823508', 'Published', 'This collection includes a mixed remote sensing dataset made of terrestrial laser scanning point clouds, point cloud comparison data, structure from motion-generated polygonal meshes, and related textures and metadata. It was recorded at the Neolithic site of Çatalhöyük, Turkey under the Çatalhöyük Digital Preservation Project carried out in 2012-2017 by scholars and students from the University of California Merced and Cardiff University. The historic series of North Area and South Area point clouds were documented by means of a Faro Focus S120 time of flight laser scanning during six consecutive field seasons (2012-2017), while the East Mound and West Mound landscape 3-D models were generated from low-altitude photos captured by an unmanned aerial vehicle (drone) in 2015.\n\nThe goal of the Çatalhöyük Digital Preservation Project was to capture the current state of the site to comply with UNESCO site management guidelines for conservation and to understand and quantitatively assess the deterioration of its mud-brick architecture through time via 3-D data comparison and geo spatial methods. The analyses of laser scanning data focus on the wall features of eight buildings of the North Area (B5, B48, B49, B55, B64, B82, B114, B119), which were chosen as priority by Ashley Lingle, the Head of Conservation at Çatalhöyük. Point clouds of wall features were segmented and aligned using the open source software CloudCompare. Pairs of perfectly aligned and identically segmented point clouds were then compared using the M3C2 method in CloudCompare to compute differences (standard deviation) and significant change. The differences among aligned and identical features represent the material loss occurred in those walls in 2012-2017. The point clouds were then analyzed in a GIS platform including environmental data logged in the North Area and vulnerability assessment made in situ by the Conservation Team.', 'Çatalhöyük (Turkish pronunciation: [tʃaˈtaɫhœjyc]; also Çatal Höyük and Çatal Hüyük; from Turkish çatal \'fork\' + höyük \'tumulus\') was a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7100 BC to 5700 BC, and flourished around 7000 BC.[2] In July 2012, it was inscribed as a UNESCO World Heritage Site.\n\nÇatalhöyük is located overlooking the Konya Plain, southeast of the present-day city of Konya (ancient Iconium) in Turkey, approximately 140 km (87 mi) from the twin-coned volcano of Mount Hasan. The eastern settlement forms a mound which would have risen about 20 m (66 ft) above the plain at the time of the latest Neolithic occupation. There is also a smaller settlement mound to the west and a Byzantine settlement a few hundred meters to the east. The prehistoric mound settlements were abandoned before the Bronze Age. A channel of the Çarşamba River once flowed between the two mounds, and the settlement was built on alluvial clay which may have been favorable for early agriculture.\n\nSource: https://en.wikipedia.org/wiki/%C3%87atalh%C3%B6y%C3%BCk', '0000-00-00', '0000-00-00', '2021-02-28', 'CC BY-NC', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://library.ucsd.edu/dc/collection/bb62154893', '', 'yes'),
	('dpmx-zs95', 'Castello Svevo di Rocca Imperiale', 'Italy', '40.109342990493', '16.577247529990', 'Published', 'Acquisition was somewhat scattered, and employs a mixture of low resolution and full resolution scans due to time constraints. This was considered to be a preliminary" scan', 'Castello Svevo (the Swabian Castle ) was constructed under the reign of Alphonso of Aragon in the 15th century.', '2013-00-00', '2013-00-00', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'calabria, castle', 'yes'),
	('dpmy-g187', 'Ushaiger Courtyard', 'Saudi Arabia', '25.339061458818', '45.178527832031', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360 degree by 180 degree spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design.', 'This is a another shot inside the courtyard of the main mosque of Ushaiger. Ushaiger is one of the oldest towns in the Saudi region of Najd and it was a major stopping point for pilgrims coming from Kuwait, Iraq and Iran to perform Hajj or Umrah. It was mostly abandoned 50 years ago, but is now being reconstructed and people have started to move back in. Also see http://thompsonsinsaudi.blogspot.com/2011/04/ushaiger-village.html Quoting this website: coordinates 25°20′33″N 45°11′0″E. ... 200 kms each way of easy highway from Riyadh. As part of a training exercise for a group of scientists and engineers from KACST in Riyadh, Tom DeFanti and Andrew Prudomme went with the group to shoot these CAVEcams and also attempt some structure from motion (SfM) image capture. Thanks to Saleh Al-Harti, Mohammed Alfarhan, Azzam Asuhaibani, and Badr Altasan of KACST who got us to this amazing museum, and helped us photograph this reconstructed town.\n', '2013-04-01', '2013-04-29', '2022-05-04', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', 'http://thompsonsinsaudi.blogspot.com/2011/04/ushaiger-village.html', 'Ushaiger, Saudi Arabia, KACST, hajj, umrah, Najd, Nejd, inside, cavecam', 'yes'),
	('dvwv-7f88', 'Makam Tengku Di Bitay (Selahaddin)', 'Indonesia', '5.537854', '95.291648', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'This site (MAHS-IDN-ACH-BNA-JBR-S-001) is an Islamic cemetery complex with at least eight historic burials, which are on top of a mound that is raised about half a meter above the ground level around it, as well as clearly modern graves. The graves are generally arranged in a north-south orientation with the bodies facing west (qibla).', '2021-10-28', '2022-04-29', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('dy5g-jh94', 'House on Fire', 'United States of America', '37.54378658', '-109.7444305', 'Published', 'House on Fire was documented by CyArk in 2020 using terrestrial photogrammetry and LiDAR laser scanning. The data was captured to serve as a canvas for a virtual eucaitonal experience and to support site managers in their preservation for the site. ', 'Designated a National Monument in 2016, Bears Ears National Monument is home to rich cultural heritage and is sacred to many Native American tribes who continue to utilize the landscape. Located in southeast Utah, visitors to Bears Ears can see the two buttes from which the monument gets its name along with historic ancestral sites among the canyons and pinyon and juniper forests. Two of these ancestral sites, the Mule Canyon Village and House on Fire provide a unique opportunity to learn about Ancestral Pueblo people who have lived at Bears Ears in the past and the connections that their descendants continue to have with this place today. ', '2020-11-02', '2020-11-06', '2023-04-17', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://www.blm.gov/utah', 'mule canyon, bears ears, utah, native american, Indigenous, ancestral pueblo', NULL),
	('e22j-4c22', 'Fire Temple - Mesa Verde National Park', 'United States of America', '37.165349', '-108.479024', 'Published', 'In June 2005 Texas Tech University, the University of California at Berkeley, CyArk, and INSIGHT Digital undertook a research project in collaboration with the National Park Service to better understand how digital documentation could assist conservation activities at Mesa Verde National Park. Several archaeological sites at the park were documented as well as several artifacts housed in the site museum to demonstrate the advantages and capabilities of high definition survey and documentation. The project was funded by the Kacyra Family Foundation.', 'Located at the upper end of Fewkes Canyon, along the Mesa Top Loop the Fire Temple site is thought to have served a ceremonial function and contains several walls with pictographs. In 1906 52,073 acres (81 sq mi) of a mesa top and its canyons were designated the Mesa Verde National Park. In 1976 the site became a designated wilderness preserve, and in 1978 it became a UNESCO World Heritage Site. The park was formed to protect and preserve the more than 700 years of Native American history located within its boundaries which are represented by over 4,000 archaeological sites. These Native Americans, known as the Anasazi by the Navajo and the Ancestral Puebloans to the National Park Service, are most famous for their cliff dwellings. \n', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'mesa verde, pueblo, cliff dwelling, ancestral puebloan, nps, national park', 'yes'),
	('e3tw-gb83', 'Northeast Insulae Project at the Hippos Excavations', 'Israel', '32.778628245094', '35.660577158960', 'Published', 'The purpose of the project was to document architectural remains of the excavation of the Northeast Insulae at Hippos-Sussita after the conclusion of fieldwork begun in 2002 and finished in 2016. 181 targetless 360 degree scans were made over a two-week period in 2019 using a Leica BLK360 scanner. 145 of these scans were merged using 381 links first with Autodesk Recap Pro and then with Leica Cyclone Register 360. The final project has a Bundle Error of 0.014m, Overlap of 48% and Strength of 68%.\r\nThe Leica BLK360 is a high speed time of flight enhanced by Waveform Digitizing (WFD) technology, Laser class 1 (in accordance with IEC 60825-1:2014), Wavelength 830 nm, Field of view 360 degree (horizontal) / 300 degree (vertical), Range* min. 0.6 - up to 60 m.', '', '2019-07-07', '2019-07-19', '2021-09-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', 'https://nip.hippos.markschuler.com/', 'Northeast Insulae, Northeast Church, Hippos, Sussita, monastery, healing site, infirmary', 'yes'),
	('e4dv-0e82', 'Presidio of San Francisco - Mesa Room', 'United States of America', '37.797457', '-122.458915', 'Published', 'The Presidio Trust has actively restored and managed this historic Bay Area site, and today the park looks as it did when the base was decommissioned 15 years ago. In an effort to continue their conservation efforts and repair damages, the Presidio Trust commissioned a Digital Preservation Project of the historic buildings. CyArk was brought in to find out exactly what the building’s adobe walls looked like, and how subsequent occupiers added layers of new materials to accommodate changes in use.', 'California\'s beautiful Presidio, located within the Golden Gate Recreation Area at the entry to San Francisco Bay, saw continuous use as a military base for 218 years by the Spanish, Mexican, and American armies. The building houses some of the oldest walls ever built in the city. At the heart of the Presidio, these walls make up the structure called the Officers\' Club. After the original adobe walls were built by the Spanish colonists in 1815, they went into hiding starting in the 1880\'s when a new layer of wood was added.', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'adobe, San Francisco, military', 'yes'),
	('e5en-xf49', 'Mahd adh Dhahab Slag Mound 1', 'Saudi Arabia', '23.671148619233', '40.918439626720', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360 degree by 180 degree spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design.', 'This is the site of an ancient copper mine about 25km from the\n    gold mine Mahd Ad-Dahab\n    (http://en.wikipedia.org/wiki/Mahd_adh_Dhahab ). https://www.googl\n    e.com/maps/d/viewer?msa=0&mid=zHyVlGArjT-g.kboHEPf9xDow (Dan\n    Sandin) and https://www.google.com/maps/d/viewer?msa=0&mid=zHyVlGA\n    rjT-g.kiD5zu5Nu6wE (Dan Sandin). The mine shaft is visible. Thanks\n    to Marie-Laure Boulot, Laurence Hapiot, Adel Saad, Steve Cutchin,\n    Tom Levy, Neil Smith, Greg Wickham,  and KAUST.', '2012-09-11', '2012-10-25', '2022-05-04', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', '', 'copper mine, Mahd Ad-Dahab, archeology, cavecam', 'yes'),
	('e9vp-dr86', 'Kompleks Meunasah Tuha Dayah Muara (F2)', 'Indonesia', '5.322631', '95.955584', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'This site (MAHS-IDN-ACH-PID-PBR-S-001) is a Meunasah complex (Islamic community centre). The site has an old wooden Meunasah with a bale shaped stilt structure. In the center of the site is a new concrete Meunasah with a wooden minaret on the west side. There are also old graves on the east and south sides of the Meunasah. The graves are marked by earthen mounds with gravestones placed on them. In addition, there is a well and a jar for storing water. The well and water jug are located on the south side of the old Meunasah.\n\nThere is a tall wooden minaret (MAHS-IDN-ACH-PID-PBR-S-001-F-0002) in the middle of a group of mosques that are a mixture of new and old mosques. The minaret has a wooden roof with a metal roof cover, and the platform is open with no walls. The platform is supported by five pillars, four in each corner and one in the middle. The pillars are octagonal in shape, with four pillars supporting the ground to the roof, and the middle pillar supporting the ground to the platform. The base of the minaret is made of concrete. The minaret is climbed using a 14-step wooden ladder..', '2021-09-06', '2021-09-06', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('eba8-tv46', 'Aypate', 'Peru', '-4.709142727425', '-79.57500016050', 'Published', 'The Aypate Archaeological Complex was documented by the community of Ayabaca and staff from the Ministerio de Cultura under the leadership of Miguel Elias Cordova. The docuemntation effort was completed following a virtual training provided by CyArk. This project was supported by a grant through the Ambassador\'s Fund for Cultural Preservation and was implemented by the U.S. Embassies in Ecuador and Peru.     ', 'Aypate is an Incan archaeological site located in the district of Ayabaca, Piura Region in Northern Peru.', '2022-06-29', '2022-07-22', '2022-10-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/story/2wVxj8t6D2Gfsw', '', 'ayabaca, aypate, inca, camino inca, qhapac nan, peru', NULL),
	('ecba-1q36', 'IDN-ACH-BRN-PLM-S-001-F-0001-Footstone', 'Indonesia', '5.196651', '96.525822', 'Unpublished', 'There is a grave with a pair of "Plang Pleng" type of gravestones. On the east side, there is a round stone (Sakrah) at the foot. Around the area, there are many pottery and ceramic fragments.\nField Notes\nAccording to information around the 1970s, the pair of gravestones were moved from the area by the beach.\nThe landscape around the site has changed a lot due to the creation of ponds. The pottery and ceramic fragments are widely scattered around the pond area.', '', '0000-00-00', '2021-10-22', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('edsm-3w14', 'Monte Alban - System IV', 'Mexico', '17.043449', '-96.769128', 'Published', 'In October 2008, CyArk, Leica-Geosystems, and SYSTOP travelled to Monte Alban in the Mexican region of Oaxaca to digitally record and archive major archaeological features at the site. Heritage managers at Monte Alban have faced numerous challenges in the preservation of the site including damage from earthquakes and erosion from visitor foot-traffic. The System IV structure was selected for digital preservation due to its exemplary features of the structural patterns found at the site, including a sunken courtyard and underground tunnels.', 'While people no longer live among the structures at Monte Alban, the city, constructed around 800 BCE, remained one of the largest Mesoamerican cities for over twelve centuries, functioning as the capital for the Zapotec people. The Zapotecs built the city into the ground, leveling off the city\'s massive platform base, strategically placed 2000 meters above sea level in the central valleys of Oaxaca. Beginning as a centralized space for the Zapotec community, the city grew significantly over time, wielding influence over communities in surrounding regions. Observation of the lines and layout of pyramids, terraces, and platforms illuminate the meticulous architectural planning of the city. From the central platform of Monte Alban, the remarkable view of the surrounding valley and night sky above provides a glimpse into what life was like for people living in the Oaxaca Valley over a thousand years ago.', '2008-10-07', '2008-10-12', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/dQISWMxaQw-fJA', 'https://cyark.org/projects/monte-alban', 'pre-Columbian, oaxaca, mesoamerica, zapotec, mexico', 'yes'),
	('eh15-4094', 'Els Vilars Fortess', 'Spain', '41.568333', '0.953889', 'Published', 'Includes 685 photos taken from drone, and 1248 terrestrial images', 'In Catalonia, 130Km from Barcelona, near the town of Arbeca, we can visit the remains of an Ilergetian fortress built 2800 years ago, an exceptional historical and archaeological complex, one of the most important in southern Europe during this period. The excavation works started on 1985. In that moment, the archaeologist’s work date what they found on the year 325 B.C. and they discovered a ruins from a civilisation with architecture and urbanism knowledge, a ruins that tell us the history of a group of persons that knows about agriculture and farmer, but in the first stage of the iron era. This village was inhabited for 400 years. They built walls, towers, houses, furnaces, squares and streets, all encircled by a wall that protect them from the enemies. The fortress has a single gate. Since 1985, the Fortress of Vilars has been the reason of reunion, year by year, of a group of people, archaeologists and volunteers, that continue to explore this place.', '2019-12-18', '2019-12-18', '2020-11-05', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, '', 'Egypt, Luxor, Thebes, Temple', 'yes'),
	('eh9p-f790', 'Broome St. NYC - Map the Moment', 'United States of America', '40.721284', '-73.999322', 'Published', 'This data was collected as part of the Map the Moment initiative, a volunteer project to document the artwork and changes to the streetscape following the killing of George Floyd and the demonstrations that followed. This data was collected by Lisa Conte and processed by Joe Graham-Felsen. They used a Canon 5D Mark 3 to scan this data the various murals that appeared throughout the city. ', 'Broome Street runs east to west in Lower Manhattan, spanning nearly the entirety of Manhattan island. Amidst the Black Lives Matter demonstrations that defined the summer months of 2020, this street saw countless commercial spaces board up their windows with sheets of plywood. These boards were transformed into canvases for local artists and BLM supporters to express messages of justice and solidarity.', '2020-07-09', '2020-07-09', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, NYC, protest', NULL),
	('ekv0-gq81', 'Luxor Temple First Court Night 1', 'Egypt', '25.69995', '32.639357', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n', '"See: http://www.calit2.net/newsroom/rss.php?id=1862 and\nhttp://en.wikipedia.org/wiki/Luxor_Temple\n\nCAVECam #5 \'LuxorTempleFirstCourtNight\'\n    This CAVEcam was shot in the Luxor Temple showing the First Court\n    of Ramesses II and the 14th Century Mosque of Abu al-Haggag, at\n    night. \n\n\n\n\n\n"', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Egypt, Luxor, Thebes, Temple, CaveCam', 'yes'),
	('es9y-9w36', 'IDN-ACH-PID-SKT-S-001-O-0001', 'Indonesia', '5.248841', '95.907341', 'Unpublished', 'A stick made of wood about 170 cm long and 2.5 to 4 cm wide in diameter. On the sides, there is a variation between the shape of a rectangle with a circle, with a few carved ornaments on the sides.', '', '0000-00-00', '2021-09-14', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('et81-7282', 'Cape Canaveral Space History  - Intercontinental ballistic missile sites at Launch Complexes 1-4', 'United States of America', '28.465399', '-80.535028', 'Upcoming', 'The Digital Heritage and Humanities Center at the University of South Florida (USF) Libraries, is working in collaboration with the Cape Canaveral Air Force Station 45th Space Wing, cultural resources division to digitally document important historic launch facilities and resources relating to manned missions, space exploration, and US space history. We are using the latest in 3D laser scanning and imaging methods to assist with conservation, management, and public interpretive development of Cape Canaveral\'s rich space history. Using newly available technologies in 3D laser scanning and survey, USF is recording the existing remains of building complexes associated with historical events such as John Glenn\'s orbit of the Earth and the Mercury Missions that led the United States into Space. Other important features being documented include launch complexes associated with the American missile program that began largely as a result of the Cold War, such as the Minuteman and Atlas programs, and also the sacred ground resting place for the space shuttle remains from the Challenger disaster. Many of the structures and complexes are unique in design and use. Today, many are now abandoned and are being lost to time, but through these new 3D technologies, USF is providing valuable information for long-term conservation and future interpretation of these important historical sites.', 'In mid-1950, work began to construct the first permanent access road and launch sites on Cape Canaveral Air Force Station. The first area developed for launch operations became known as Launch Pads 1, 2, 3 and 4. Blockhouse 1&2 was constructed in the early 1950s (between 1951 and 1953) for use with the Snark winged missile program. The blockhouse had four-inch thick tempered laminated glass, and the image was received through the glass and reflected downward and inward to observers using a pair of mirrors and another tempered glass window. An observation deck was constructed above the blockhouse. The Air Force\'s Snark missile was a surface-to-surface pilot-less bomber with a range of over 5,000 miles. It was the first and only long-range intercontinental winged missile.', NULL, NULL, '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://www.lib.usf.edu/dhhc/cape-canaveral-3d/', 'space, manned missions, US Air Force, NASA, heritage, Gemini, historic preservation,USF', ''),
	('ev30-9546', 'xxxxTemple of Ellesiya - Egypt', 'Italy', '45.068492', '7.684163', 'Unpublished', 'Using BLK360 g2, captured 3 unconstrained scans, between tourist ingresses.', 'from: https://collezioni.museoegizio.it/en-GB/material/S_18016 \nTuthmosis III (1479-1425 BC) ordered a small temple to be carved out of the rock at Ellesiya, not far from Abu Simbel. It was dedicated to Horus of Miam and Satet, and was only accessible from the river. The inside had an inverted T-plan formed of a corridor and two side chambers. On the walls are scenes showing the king offering to Egyptian and Nubian deities. The images face towards the back wall, against which are half-in-the-round statues of Horus, Satet and Tuthmosis III enthroned.\nThe decoration was hammered out in places during the reign of Akhenaten (1352-1336), and subsequently restored by Ramesses II (1279-1213), who had the triad in the niche at the back reworked to depict Amon, Horus, and the king. The temple eventually became a Christian cult place, as the crosses and five-point stars carved in the entrance portal and on the inner walls bear out.\nThe temple lay inside the region destined to be submerged by lake Nasser, following the construction of the Great Aswan Dam. It was hence among the monuments salvaged by the UNESCO mission to rescue the Nubian temples. It was brought to Turin in 1967, and reassembled in the wing of the museum dedicated to Ernesto Schiaparelli.', '2024-02-27', '2024-02-27', '0000-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://collezioni.museoegizio.it/en-GB/material/S_18016', '', NULL),
	('ewcf-wv74', 'Muladhoo Old Cemetery (HAF-MLD-1)', 'Maldives', '7.0095654656', '72.9979313382', 'Published', 'The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and a Nikon D750 for photogrammetry.', 'This large cemetery complex includes a ruined mosque, ziyaarat, bisthaan, 3 wells, and 2 bathing tanks. The site is rather well maintained, with the local Island Council paying to have it cleaned twice a year.', '2019-12-11', '2019-12-11', '2020-05-07', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nd/4.0', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Cemetery, Indian Ocean', 'yes'),
	('ewr7-7j84', 'https://creativecommons.org/licenses/by-nd/4.0', 'https://creativecommons.org/licenses/by-nc/4.0', 'https://creativ', 'https://creativ', '', '', '', '0000-00-00', '0000-00-00', '2022-08-04', '', '', '', '', '', NULL),
	('ez8d-zk58', 'Mother Tree', 'United States of America', '37.169733682723', '-122.2224835225', 'Published', 'In the fall of 2020, wildfires raged across California. The CZU Lightning Complex Fire significantly impacted the park, including the historic headquarters as well as many iconic old growth trees. In the spring of 2021, CyArk digitally documented the impact of the fire on the iconic trees and the headquarters area utilizing LiDAR, photogrammetry, and survey technology. The data was used to create a series of Google Arts and Culture exhibits about the impact of the fire, resilience of the Redwoods, and the history of the park. ', 'Big Basin Redwoods State Park is the oldest park in California. It is home to the largest continuous stand of ancient coast redwood trees, some predating the Roman Empire. The park\'s iconic old growth redwood trees that tower hundreds of feet above the forest floor have witnessed centuries of transformation including significant fires and weather events. In the fall of 2020, wildfires raged across California. The CZU Lightning Complex Fire significantly impacted the park, including the historic headquarters as well as many iconic old growth trees. In the spring of 2021, CyArk digitally documented the impact of the fire on the iconic trees and the headquarters area. ', '2021-03-22', '2021-03-26', '2023-04-04', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/project/redwoods', 'https://cyark.org/projects/big-basin-redwoods-state-park/overview', 'big basin, california, state park, wildfire, redwood', NULL),
	('ezp3-ja23', 'Blue Wing Inn', 'United States of America', '38.29341', '-122.455587', 'Published', 'In April, 2014, CyArk helped facilitate the digital preservation of Sonoma Valley’s Blue Wing Inn. CyArk provided the equipment (Faro Focus S120) while Sonoma Valley High School’s Engineering, Design, and Technology Academy provided the manpower. With help from ~60 students, we were able to create a comprehensive 3D model of the crumbling building’s interior and exterior.', 'Built around 1837 following the secularization of Mission San Francisco Solano, the single story adobe was originally a home for the ex-majordomo of the mission. It subsequently became a saloon, then billiard parlor, and then hostel in Sonoma; it is believed that this structure was the first hotel north of San Francisco. In 1849 a second story was built on the hotel and shortly thereafter it became known as the Blue Wing Inn. A favorite destination for gold miners, the hotel was visited by the likes of John C. Fremont, General Ulysses S. Grant, Kit Carson, Pio Pico, and William Tecumseh Sherman whose names can still be seen in the guest register.', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'adobe, Sonoma, hotel', 'yes'),
	('ezrw-bd42', 'Third Avenue United Church', 'Canada', '52.131840', '-106.659861', 'Published', 'In June 2012, Third Avenue United Church and Tourism Saskatoon partnered with Stantec and CyArk to digitally preserve the iconic structure. To achieve this, a team from Stantec synthesized data from terrestrial LiDAR scans made with a Faro S120 and conventional survey methods to create an accurate digital reconstruction of the site. This data is securely stored in CyArk’s archive to assist in future conservation work and reconstruction in the event of a disaster.', 'The construction of Third Avenue United Church in Saskatoon began in 1910. At this time, the Methodists, later to become the United Church in 1925, worshipped at a more modest building on the corner of 3rd Avenue and 21st Street. Architect J. Semmens was selected to design the church. Construction was finished in 1913 on land bought by Temperance Colonization Society. The building’s diverse architectural features, including a massive stained glass window, a large Casavant organ, and a sprawling network of oak ceiling beams, create a unique ambiance which musicians insist gives the building the best acoustics in Saskatoon. ', '2012-06-01', '2012-06-01', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://www.stantec.com/en/projects/canada-projects/t/third-avenue-church-3d-laser-scanning', 'Saskatchewan, Methodist, Tyndall Gothic', 'yes'),
	('f0cj-er93', 'Bab al-Barqiyya', 'Egypt', '30.043314', '31.265156', 'Published', 'Following preliminary investigations, the Aga Khan Trust for Culture (AKTC) began restoration works of the Ayubbid wall in 2000. In 2006 the AKTC funded a team from CyArk and the University of Ferrara\'s Research Department Centre for the Development of Integrated Automatic Procedures for the Restoration of Monuments (DIAPReM) to document the gate with laser scanning. The 3D digital survey was integrated with a topographical survey of the surrounding al-Azhar park.', 'Built in the twelfth and thirteenth centuries by Salah al-Din and his successors, the Ayyubid wall containing the gate of Bab al-Barqiyya served as Cairo’s eastern boundary for centuries. Although the wall continued to be a defining element for the city, it long ago ceased to be a defensive structure. Measuring over 1500 metres in length, the wall is the longest and best-preserved portion of Cairo’s old fortifications.', '2006-09-25', '2006-09-29', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'egypt, ayyubid, fortifications, cairo', 'yes'),
	('f5fw-fm13', 'IDN-ACH-PID-PBR-S-001-F-0002', 'Indonesia', '5.322530', '95.955710', 'Unpublished', 'This site is a Meunasah complex. There is an old Meunasah building in the form of a bale with a wooden stilt construction. In the center of the site has stood a new Meunasah building made of concrete. There is a wooden minaret on the west side. There are also old graves in the east and south of the Meunasah building. The graves were marked with a mound of earth with tombstones placed on it. In addition, there is a well and jars to collect water. The wells and jars are the south of the old Meunasah building.', '', '0000-00-00', '2021-09-27', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('f72n-2s90', 'Collection of Bronze Age Pottery at Khortytsia National Reserve', 'Ukraine', '47.820687', '35.099326', 'Published', 'Archaeological objects at the Khortytsia National Reserve were documented by the members of NGO SLR "Archaic" and the staff of the Reserve. Field capture methodology is based on the SfM photogrammetry with several scenes', 'The collection represents seven different pots from the Bronze Age of the Ukrainian Steppe. They are attributed back to the III-II millennia BCE. This time is of particular interest in Ukrainian history, since the Steppe of this time has been habituated by the first bearers of the modern European genetic type (Yamna culture people). These objects give an extra hint on how the Bronze Age societies view the world and inhabited Ukrainian Steppe. For more details please review the <a href="https://drive.google.com/file/d/188p-97LPtryv_ychjKpshvQFmHtylbZB/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-11-06', '2023-12-01', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://sketchfab.com/lab_archaic/collections/preserving-ukrainian-legacy-5cfe2f9505f34c068a490e1508929bb9', 'https://ostriv.org/', 'Bronze Age, pottery, nomads, Ukraine, Steppe', 'yes'),
	('f8ke-7943', 'Madaen Saleh Tomb', 'Saudi Arabia', '26.8143', '37.9476', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360 degree by 180 degree spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design.', 'Madain Saleh is the southernmost outpost of the Nabateans; this\n    tomb is from the first century, CE.  Note the roughly chiseled\n    walls, different from the outside smoothly carved features, KAUST\n    arranged this CAVEcam expedition as part of a training session\n    conducted by Dick Ainsworth, Tom DeFanti, and Dan Sandin, for\n    KAUST Visualization Lab team members.', '2011-04-11', '2011-04-14', '2022-05-04', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', 'http://en.wikipedia.org/wiki/Mada\'in_Saleh', 'Madaen Saleh, Nabateans, 1st century CE, archeology, tombs, sandstone, inside, cavecam', 'yes'),
	('fexy-pm96', 'Antarctic Expedition Huts - Scotts Terra Nova Hut', 'Antarctica', '-77.638951', '166.414613', 'Published', 'Geometria conducted digital documentation work for Antarctica New Zealand Event K021, a scientific collaboration between conservation architects Archifact, the University of Minnesota, the University of Waikato, Bath University, Hong Kong University, and Western Cape University. Through this collaboration, researchers have been able to monitor deterioration of the huts over time, combining different methodologies such as laser scanning with scentific approaches in biology and chemistry. Geometria donated data from three Antarctic Expedition Huts to CyArk in 2010.', 'Constructed on the last continent of human exploration, the Antarctic Exploration Huts are reminders of the significant physical and mental challenges early explorers endured throughout the late 19th and early 20th centuries on the Antarctic continent. Ten different countries launched seventeen major expeditions throughout this time, and the huts provided enough shelter to make their stay in one of the coldest places on the planet manageable. Reflecting human ingenuity and drive during the age of exploration, these structures are a testament to the power of the unknown and what is possible when people are determined to understand it.', '2011-01-01', '2011-01-13', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/8gJSJTXgzk_GLg', 'https://cyark.org/projects/antarctic-expedition-huts', 'exploration, shelter, shackleton', 'yes'),
	('fht9-8612', 'Baa Miskiyy/Hukuru Miskiyy - Dhiffushi (KFA-DFS-1)', 'Maldives', '4.4429378357', '73.7142916761', 'Published', 'The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner, a Nikon D750, amd a DJI Phantom 4 Pro drone for photogrammetry. ).', 'This mosque compound site includes a coral stone mosque building, a well and a yard previously used as a cemetery, although the coral stone grave markers have been destroyed and removed from the site.', '2019-03-05', '2019-03-05', '2020-05-07', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nd/4.0', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', NULL),
	('fmhb-pg05', 'IDN-ACH-BRN-PDA-S-002 ', 'Indonesia', '5.185894', '96.621311', 'Unpublished', 'The site is a cemetery with graves on the earth mound. There are two graves on the top of the mound. The graves are located within several meters of each other. There are a group of gravestones in various shape which no longer in their original position. The stones were collected from the surrounding area and kept under the tree near the two graves.', '', '0000-00-00', '2021-10-21', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('fmkr-g474', 'SS Candace', 'United States of America', '37.789737', '-122.391061', 'Published', 'In 2012 CyArk staff documented the hull of the SS Candace using LiDAR laser scanning to help a local museum determine the exact dimensions in advance of curating an exhibit based on the discovery.', 'The SS Candace, named after the daughter of the ship\'s owner, Candace Crawford Dorr was built at Hart\'s Shipyard in Boston in 1818. A sailing vessel built in the \'apple-cheek\' style, the ship had three masts and a copper-bottom, measuring 100 feet in length. After a long and successful career at sea as a cargo ship, the Candace entered the whaling trade in the South Atlantic, Pacific and Indian oceans. During a two year long whaling trip in the arctic the hull was badly damaged and the ship returned to San Francisco where it was decommissioned and later broken apart and sunk. In 2006 during excavation activities associated with the construction of a high rise building in San Francisco\'s SOMA neighborhood the nearly intact hull of the Candace was uncovered 20 feet below the present street grade and was removed by archaeologists.', '2012-05-04', '2012-05-04', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'whaling, ship, gold rush, san francisco, ', 'yes'),
	('frm1-vk62', 'Medieval Kyivan Rus Artifacts at the National Museum of the History of Ukraine', 'Ukraine', '50.458309', '30.5165303', 'Published', 'Archaeological objects at the National Museum of the History of Ukraine were documented by the members of NGO SLR "Archaic" and the staff of the Museum. Field capture methodology is based on the SfM photogrammetry with several scenes', 'These artifacts belong to Medieval Ukraine and represent its strong connection to Medieval Europe and Byzantium. They introduce Kyivan Rus as a part of the global European narrative throughout millennia. For more details please review the <a href="https://drive.google.com/file/d/1_l824ZfQhQkCJEsuf56g0J-Y-0rcj9IY/view?usp=drive_link" target="_blank"> manifest</a>.', '2022-04-12', '2022-06-06', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/partner/national-museum-of-the-history-of-ukraine', 'https://nmiu.org/', 'Ukraine, Medieval, Kyivan Rus, metalwork', 'yes'),
	('fsbm-tb92', '&Ccedil;atalh&ouml;y&uuml;k - East Mound South Area 2017', 'Turkey', '37.67222', '32.823508', 'Published', 'This collection includes a mixed remote sensing dataset made of terrestrial laser scanning point clouds, point cloud comparison data, structure from motion-generated polygonal meshes, and related textures and metadata. It was recorded at the Neolithic site of &Ccedil;atalh&ouml;y&uuml;k, Turkey under the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project carried out in 2012-2017 by scholars and students from the University of California Merced and Cardiff University. The historic series of North Area and South Area point clouds were documented by means of a Faro Focus S120 time of flight laser scanning during six consecutive field seasons (2012-2017), while the East Mound and West Mound landscape 3-D models were generated from low-altitude photos captured by an unmanned aerial vehicle (drone) in 2015.\n\nThe goal of the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project was to capture the current state of the site to comply with UNESCO site management guidelines for conservation and to understand and quantitatively assess the deterioration of its mud-brick architecture through time via 3-D data comparison and geo spatial methods. The analyses of laser scanning data focus on the wall features of eight buildings of the North Area (B5, B48, B49, B55, B64, B82, B114, B119), which were chosen as priority by Ashley Lingle, the Head of Conservation at &Ccedil;atalh&ouml;y&uuml;k. Point clouds of wall features were segmented and aligned using the open source software CloudCompare. Pairs of perfectly aligned and identically segmented point clouds were then compared using the M3C2 method in CloudCompare to compute differences (standard deviation) and significant change. The differences among aligned and identical features represent the material loss occurred in those walls in 2012-2017. The point clouds were then analyzed in a GIS platform including environmental data logged in the North Area and vulnerability assessment made in situ by the Conservation Team.', '&Ccedil;atalh&ouml;y&uuml;k (Turkish pronunciation:   also &Ccedil;atal H&ouml;y&uuml;k and &Ccedil;atal H&uuml;y&uuml;k; from Turkish &Ccedil;atal \'fork\' + h&ouml;y&uuml;k \'tumulus\') was a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7100 BC to 5700 BC, and flourished around 7000 BC.[2] In July 2012, it was inscribed as a UNESCO World Heritage Site.\n\n&Ccedil;atalh&ouml;y&uuml;k is located overlooking the Konya Plain, southeast of the present-day city of Konya (ancient Iconium) in Turkey, approximately 140 km (87 mi) from the twin-coned volcano of Mount Hasan. The eastern settlement forms a mound which would have risen about 20 m (66 ft) above the plain at the time of the latest Neolithic occupation. There is also a smaller settlement mound to the west and a Byzantine settlement a few hundred meters to the east. The prehistoric mound settlements were abandoned before the Bronze Age. A channel of the &Ccedil;arşamba River once flowed between the two mounds, and the settlement was built on alluvial clay which may have been favorable for early agriculture.\n\nSource: https://en.wikipedia.org/wiki/%C3%87atalh%C3%B6y%C3%BCk', '0000-00-00', '0000-00-00', '2021-02-28', 'CC BY-NC', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://library.ucsd.edu/dc/collection/bb62154893', '', 'yes'),
	('g4d7-f772', 'Qasr al-Farid', 'Saudi Arabia', '26.7739', '37.9611', 'Published', 'The Qasr al-Farid tomb was carved from solid sandstone and faces harsh winds, constantly eroding the exposed facade. It\'s one of countless tombs in the Madain Salih, a 500 hectare region that was classified by UNESCO as a World Heritage site in 2008.', '        \nThe Qasr al-Farid (\'Lonely Castle\' in Arabic) is located in the archaeological site of Madain Salih, to the northeast of Saudi Arabia\'s Hijaz mountains. The standalone tomb was constructed around the 1st century AD and is one of the most famous tombs in Madain Salih. It sits completely isolated from other tombs in the area; most tombs in Madain Salih were found in groups, which explains why this one is considered \'lonely.\'', '2010-00-00', '2010-00-00', '2022-03-21', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://en.wikipedia.org/wiki/Hegra_(Mada%27in_Salih)', '', 'yes'),
	('g8hj-0m29', 'Founders Rock', 'United States of America', '44.085', '-103.244444', 'Published', 'After a serious flood hit Rapid City, South Dakota in 1972, the city decided to shut down the various facilities and power plants that occupied  Founders Park, turning the site into public parkland. Preservation authorities have expressed concern about the historic places within the existing park -- including Founders Rock -- and efforts are being made to protect its landmarks. In May, 2013, CyArk contributed to these preservation efforts and scanned Founders Rock using a Faro S120. ', 'In 1876, as the founders of Rapid City, South Dakota planned the layout of the city, Founders Rock attracted much attention for its prehistoric Native American rock art. The site of modern-day Founders Park, located along Rapid Creek, was previously utilized by the native Lakota and Cheyenne groups as a camp site to aid their movement through the Black Hills. The area later became home to various industries, including Rapid City\'s first electric power plant, a lumber mill, and a meat-processing facility. Today, Founders Park is a popular destination for hikers and rock climbers, and Founders Rock is particularly iconic for its unique inscriptions.', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'South Dakota, parkland, indigenous', 'yes'),
	('g8ja-1955', 'Athiree Ziyaaraiyy, Hukuru Miskiyy Sarahahdhu (MAHS-MDV-RAA-RSG-S-001-F-0001)', 'Maldives', '5.808302', '73.001142', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The feature is Athiree ziyaaraiyy, a rectangular ziyaaraiyy. Its base is made of coral rubble, lime mortar, lime plaster and lime wash, while its remaining walls, windows, and ceiling is built with wood. The roof is made of terracotta tiles. There is a boundary wall of coral rubble and cement. \nThere is sand within the ziyaaraiyy and a pair of coral gravestones. The stones are standing rectangular slabs with sides that narrow into a pointed peak at the top. These stones are eroded.', '2022-11-11', '2022-11-13', '2024-04-03', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en ', '', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'Ziyaaraiyy,Mausoleum,Religious,Islamic,Gravestone,Grave,Cemetery,Burial', NULL),
	('gbpn-r037', 'Ushaiger Ruin', 'Saudi Arabia', '25.339061458818', '45.178527832031', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360 degree by 180 degree spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design.', '    This is what many of the buildings in Ushaiger look like before\n    remodeling.  This image is part of an experiment in high-dynamic\n    range (HDR) photography, never completed (see RuinDark).\n    Ushaiger is one of the oldest towns in the Saudi region of Najd\n    and it was a major stopping point for pilgrims coming from Kuwait,\n    Iraq and Iran to perform Hajj or Umrah. It was mostly abandoned 50\n    years ago, but is now being reconstructed and people have started\n    to move back in. Also see\n    http://thompsonsinsaudi.blogspot.com/2011/04/ushaiger-village.html\n    Quoting this website: coordinates 25°20′33″N 45°11′0″E.\n    ... 200 kms each way of easy highway from Riyadh. As part of a\n    training exercise for a group of scientists and engineers from\n    KACST in Riyadh, Tom DeFanti and Andrew Prudomme went with the\n    group to shoot these CAVEcams and also attempt some structure from\n    motion (SfM) image capture. Thanks to Saleh Al-Harti, Mohammed\n    Alfarhan, Azzam Asuhaibani, and Badr Altasan of KACST who got us\n    to this amazing museum, and helped us photograph this\n    reconstructed town.', '2013-04-01', '2013-04-29', '2022-05-04', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', 'http://thompsonsinsaudi.blogspot.com/2011/04/ushaiger-village.html', 'Ushaiger, Saudi Arabia, KACST, hajj, umrah, Najd, Nejd, inside, cavecam', 'yes'),
	('gj39-0514', 'Masjid Tuha Lam Ura (F1)', 'Indonesia', '5.482553', '95.350134', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'This site (MAHS-IDN-ACH-ABS-S-001) is a mosque built using traditional architecture with a courtyard that contains a cemetery complex. The features consist of a mosque building, water tanks, wells, grave, and gravestones.\n\nThis mosque (MAHS-IDN-ACH-ABS-STG-S-001-F-0001) is built in the traditional vernacular style of Aceh, with a two-tiered roof supported by wooden pillars on a square floor plan.  There are four main pillars in the middle of the structure, with twelve hexagonal supporting pillars along the edges. At the base of the pillars there is a wooden frame that extends around and binds all the edge posts. Each side pole is then joined with a wooden support at the top. Ribs and battens are also made of wood. The structure is joined using  wooden pegs, without metal nails, though some parts are tied together with fiber rope. There are several wooden ornaments carved on the roof beams . The roof has been renovated using metal material.This mosque has no walls. The perimeter wall is only about 1 m high surrounding the entire building. The walls and floors are made from cement. The pillars are slightly elevated above the floor and supported by foundations stones. There is a wooden gate with ornamental carvings on the entrance atop stairs leading up to the mosque. There is a pulpit inside.', '2021-06-26', '2021-06-26', '0000-00-00', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('gkca-yk17', 'Mission San Carlos Borromeo del Rio Carmelo', 'United States of America', '36.542886', '-121.920327', 'Published', 'In the spring of 2012, CyArk partnered with the Carmel Mission Foundation to digitally document Mission San Carlos Borromeo de Carmelo as part of CyArk\'s larger El Camino Real project, which aims to digitally document all twenty-one missions along El Camino Real established by the Spanish in Alta California. ', 'Initially established in Monterey, Mission San Carlos relocated in 1771 to Carmel and was renamed \'San Carlos Borromeo de Carmelo.\' The mission served as headquarters for Franciscan Father-Presidents Serra and his successor Fermín Lasuén, and is also the burial site of both individuals. The seventh place of worship constructed on the site, the stone church, was constructed between 1773 and 1797 under the supervision of master stonemason Manuel Esteban Ruíz of Mexico City, using the rare but economical catenary arch. The tile-roofed adobe brick structures surrounding the mission quadrangle, which housed the friars’ quarters (convento) as well as workshops for the various trades, fell into ruin from the mid-1830s onwards due to post-secularization abandonment and the depredations of weather, earthquakes and vandals.', '2012-04-19', '2012-04-21', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'california, mission, spanish, alta california', 'yes'),
	('gke9-zf09', 'San Antonio Missions - Mission  Espada', 'United States of America', '29.3182404', '-98.4534105', 'Published', 'In the spring of 2010, CyArk collaborated with the National Park Service and Los Compadres, now known as Mission Heritage Partners, to digitally preserve San Antonio Missions National Historical Park. CyArk partnered with Critigen, a geospatial consulting company which used laser scanning and digital photography to document the missions. The 3D data was used by site managers for the continued preservation of the missions as well as the creation of interactive educational materials. The documentation was also used to inform the sites\' application for inscription to the UNESCO World Heritage List, to which it was successfully inscribed in 2015.', 'Located along the San Antonio River in Texas, the San Antonio Missions National Historical Park encompasses five Spanish Colonial sites: Mission Concepci&oacuten, Mission Espada, Mission San Jos&eacute, Mission San Juan, and the Espada Aqueduct. These outposts were originally built to expand and defend the Spanish frontier and spread Christianity to local Native American populations, but also acted as centers of agricultural production, weaving, iron working, and carpentry. Today, the San Antonio Missions represent the largest collection of Spanish Colonial missions in the United States.						', '2010-01-20', '2010-02-02', '2020-06-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/NQJydYx20sqaIg', 'https://cyark.org/projects/san-antonio-missions', 'texas, san antonio, christianity, spanish, catholic, colonization, colonialism', 'yes'),
	('gnv7-xz76', 'Collection of Stone Figures at Dmytro Yavornytsky National Historical Museum of Dnipro', 'Ukraine', '48.457905', '35.063169', 'Published', 'Archaeological objects at the Dmytro Yavornytsky National Historical Museum of Dnipro were documented by the members of NGO SLR "Archaic" and the staff of the Museum. Field capture methodology is based on the SfM photogrammetry with several scenes', 'Nine stelae introduce the iconic examples of the anthropomorphic sculptures found in the prehistory and history of the European Steppe. They represent the art of the wast timespan from the I millennia BCE to the 15th century AD and represent the main components of the worldview of the nomadic inhabitants of the region — Scythians, Cumans, Pechenegs, etc. For more details please review the <a href="https://drive.google.com/file/d/15fQcgTnhB2jht4XqRfgG4nVzQAMVviD8/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-11-27', '2023-12-10', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://sketchfab.com/lab_archaic/collections/preserving-ukrainian-legacy-5cfe2f9505f34c068a490e1508929bb9', 'https://www.museum.dp.ua/en/', 'Ukraine, Steppe, art, stelae, Scythian, Cumans, anthropomorphic', 'yes'),
	('gny1-1n48', 'Masjid Tuha Teungku Chik Di Tiro (F1)', 'Indonesia', '5.217052', '95.951608', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-PID-TIR-S-002) is an education and religious complex that contains an old wooden mosque, a more modern mosque, a number of graves, and modern school buildings/facilities. The main focus of the heritage documentation is the wooden mosque. The mosque is a modern restoration/reconstruction of a historic mosque that used to be in the same location.\n\nThe feature (MAHS-IDN-ACH-PID-TIR-S-002-F-0001) is a traditional Acehnese wooden mosque with a two-tiered roof. The mosque has square floor plan and is built on a concrete foundation raised about 1 meter above ground level. The interior floor of the mosque is covered in white stone tiles. The wooden walls of the structure are partially enclosed. The lower walls are made from solid wooden boards; the upper walls" are a wooden lattice that allows light and air into the interior of the mosque. Some of the wooden panels on the exterior of the structure have decorative geometric patterns.  \nThere is an entrance on the east side of the structure. A small set of wooden steps leads up to a small', '2021-09-14', '2021-09-14', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('grmg-5g50', 'Fontana di Piazza Farnese - Rome', 'Italy', '41.895018809872', '12.471424184262', 'Published', ' Attenni, Martina & Griffo, Marika & Inglese, Carlo & Ippolito, Alfonso & Lo, Eric & Rissolo, Dominique. (2021). Flexibility of Dense 3D Data Capture: Rapid Documentation of Monumental Fountains in Rome. Studies in Digital Heritage. 5. 62-74. 10.14434/sdh.v5i1.31442. http://dx.doi.org/10.14434/sdh.v5i1.31442', 'The Fontane della Piazza Farnese are two identical decorative fountains located in the Piazza Farnese, in front of the Palazzo Farnese in Rome, Italy. They were placed in the Piazza in the 16th century.', '2018-07-05', '2018-07-05', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'http://dx.doi.org/10.14434/sdh.v5i1.31442', 'fontana, fountain, Rome', 'yes'),
	('gsx5-jf85', 'Bagan - Eim Ya Kyaung (Post Earthquake)', 'Myanmar', '21.1787529', '94.8747787', 'Upcoming', 'CyArk conducted a third independent mission to Bagan in 2017, following two earlier expeditions in collaboration with Carleton University. The 2017 mission took place following a major earthquake in 2016 and the documentation was focused on the extent of damage that occurred to previously surveyed monuments.These expeditions assisted UNESCO and the Myanmar Department of Archaeology (DoA) towards conservation efforts at the massive archaeological site. CyArk and partners utilized LiDAR and both aerial and terrestrial photogrammetry to document the monuments. This expedition was funded through the Google Cultural Institute.\r\n', 'The ancient city of Bagan, was the political, economic, and cultural center of the Bagan Kingdom from approximately 1044 to 1287 CE. The rulers of Bagan oversaw the construction of over 5,000 religious monuments over an area covering about 65 square kilometers on the Bagan plains. More than 2,000 of the original  structures have survived in varying states of repair until the present and can be found in the Bagan Archaeological Zone.  Built in the mid-13th century, Eim Ya Kyaung was originally constructed as a monastery and converted into a temple. The structure is unique in construction with a single-storied pentagonal shape. \r\n', '2017-04-20', '2017-04-28', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/KALSm4FCvgIVJg', 'https://cyark.org/projects/bagan', 'burma, buddhist, pagan kingdom, pagoda, monastery', 'yes'),
	('gtv8-ax05', 'Mission San Luis Rey', 'United States of America', '33.232361', '-117.319444', 'Published', 'In August, 2012, CyArk joined a team from UC San Diego\'s Center of Interdisciplinary Science for Art, Architecture, and Archaeology (CISA3) to digitally document Mission San Luis Rey de Francia in the city of Oceanside. In just 3.5 days, the joint team scanned the massive mission compound, an effort that will contribute to the digital documentation project of the twenty-one Spanish missions along El Camino Real in Alta California.', 'Deemed the \'King of the Missions,\' Mission San Luis Rey de Francia was founded on June 13, 1798 and was the 18th Spanish mission established in California. Named after Saint Louis IX, King of France, the current church structure dates to 1811. By 1818, Mission San Luis was the most prosperous establishment in California, with six ranches under its charge, and by 1830, it became the largest building in California. The mission was designated as a National Historic Landmark under the U.S. National Register of Historic Places in 1970. The exterior of the church was stabilized and preserved in 1984, with various restoration projects continuing today. Currently in-progress is a system of modern earthquake retrofitting for the basilica.', '2012-08-28', '2012-08-31', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'california, mission, spanish, oceanside, alta california', 'yes'),
	('gx0t-ck71', 'Angel Island Immigration Station', 'United States of America', '37.869334869275', '-122.4263867507', 'Published', 'In October 2020 CyArk documented the the Immigration Station using aerial and terrestrial photogrammetry as well as LiDAR or laser scanning. The data collected was used as the basis for the creation of virtual guided tour of the site, allowing virtual visitors to observe details of select poetry and inscriptions on the walls and gain new insight into the complexities of American immigration history within the 3D digital space. The project was completed in partnership with Angel Island State Park, the Angel Island Immigration Station Foundation, and with the generous support of Iron Mountain.', 'From 1910 to 1940, the Angel Island Immigration Station in California functioned as a Detention Center for people immigrating to the United States through the West Coast. Many of the people that passed through Angel Island came from Asia but also South America, Russia, Mexico, Australia, and Canada. Hundreds of inscriptions mark the walls of the former Immigration Station Detention Center including poems, names, dates, and images. Inscribed by detainees, the writing on the wall provides insight into the lives of those detained on the island. The Angel Island Immigration Station is one of only two National Historic Landmarks in the United States focused on Asian and Asian American history.', '2021-10-19', '2021-10-21', '2023-04-04', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://www.cyark.org/projects/angel-island-station/exhibit ', 'https://www.parks.ca.gov/?page_id=468', 'united state, california, immigration, history, asian american, poetry', NULL),
	('gyn6-0g59', 'Collection of Paleolithic Artifacts at the National Museum of the History of Ukraine', 'Ukraine', '50.458103', '30.5157998', 'Published', 'Archaeological objects at the National Museum of the History of Ukraine were documented by the members of NGO SLR "Archaic" and the staff of the Museum. Field capture methodology is based on the SfM photogrammetry with several scenes', 'A collection of unique Paleolithic objects from Ukraine. It includes the distinctive asset of the unique Upper Paleolithic art made of mammoth ivory and bone — figurines and jewelry with complex ornamentation. These artifacts don\'t have analogs anywhere else — they introduce the Upper Paleolithic in Ukraine as a separate phenomenon that requires its contextualization language. For more details please review the <a href="https://drive.google.com/file/d/1J3ZYmgAsGzAeYLGTXSTyTe2M74xtWLqj/view?usp=drive_link" target="_blank"> manifest</a>.', '2022-04-12', '2022-06-06', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/partner/national-museum-of-the-history-of-ukraine', 'https://nmiu.org/', 'Ukraine, Upper Paleolithic, art, figurine, ivory, bone, Stone Age', 'yes'),
	('h3r7-t916', 'Ancient Corinth ', 'Greece', '37.9057579', '22.8805770', 'Published', 'In collaboration with the American School of Classical Studies at Athens and the Hellenic Ministry of Culture, CyArk documented the mythical Peirene Fountain and the Temple of Apollo in the city of Ancient Corinth, Greece. Survey of the extant structures  was conducted primarily with LiDAR and both terrestrial and aerial photogrammetry. The surviving frescoes within the Peirene Fountain were surveyed with an Artec scanner, which measures the 3D shape of a surface using pulsating light and a camera system. CyArk\'s digital documentation of the temple and fountain provided the ASCSA with accurate and precise data on the current state of preservation for both architectural complexes. In particular, it was important to record Peirene which is currently closed to the public due to concerns surrounding its preservation.  This work was made possible through the generous support of the Macricostas Family Foundation.', 'Ancient Corinth sits in a strategic position between land and sea and the ancient Greek city came to prominence by controlling area trade routes. An important cultural center throughout history, the city was known for its artistic innovations and the ruins today show numerous Greek, Roman, and Byzantine architectural features. The heart of ancient Corinth was the Fountain of Peirene, a freshwater spring featured in Greek mythology which also served as the primary source of water for Corinth.', '2015-06-13', '2015-06-17', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/1QLCbLZyVC8kKg', 'https://cyark.org/projects/ancient-corinth', 'saint paul, city, ancient greece, architecture', 'yes'),
	('h45n-ep48', 'Hypogeum of the Volumnis', 'Italy', '43.089339', '12.389167', 'Published', 'In 2004, students and faculty from the University of Ferrara took 22 high definition scans in the Etruscan Tombs of Ipogeo dei Volumni. The focus was primarily on the hypogeum, carved out of sandstone 5.3 meters bellow grade, however parts of the entrance and terraced tombs atop the joining staircase were included. In 2007, Oliver Monson of CyArk visited the site, returning with detailed digital photos of both the entrance and accompanying tombs.', 'Much of what is known about Etruscan culture is derived from unearthed tombs like Ipogeo dei Volumni. The Etruscan civilization is believed by some historians to have developed around 700BCE. Archaeological findings have shown Archaic Erturia (the parent culture) are recognized by their painted tombs, elaborate bronze work and highly organized settlements. \'The late fourth and early third centuries were characterized by renewed vigour among the Etruscan elites, resulting impressive funerary monuments and seemingly futile resistance to gradual Romanization between the third and first century BCE.\'4The hypogeum of Impogeo dei Volumni accumulated hundreds of tombs while active between 300 and 100 BCE  and was probably closed off following the Romans takeover of the Etruscan civialation.  \n\nUncovered accidently in 1840 and fully excavated in the 1960\'a, the Etruscan Hypogeum of the Volumni family is the largest and most complete of the 38 know Etruscan style tomb sites in the Palazzone burial ground.      The hypogeum consists of 10 chambers connected to the central atrium, reflecting the organization of Roman style housing during this time. The atrium, carved from the live sandstone, appears to mimic a traditional wooden ceiling construction and support system.\n\n', '2004-10-27', '2004-10-28', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'etruscan, italy, perugia, hypogeum, ipogeo, tombs', 'yes'),
	('h7ce-2590', 'Masjid Tgk. Di Kandang (O1)', 'Indonesia', '5.248841', '95.907341', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-PID-SKT-S-001) is a mosque complex where a new mosque was built on the same area of the former mosque. Several elements of the older mosque are still visible, including a pool for ablution water and a grave in front of the new mosque building. Several components from the previous mosque are displayed inside the new mosque, including a pulpit and bamboo ladder.\n\nAn ornately decorated pulpit (MAHS-IDN-ACH-PID-SKT-S-001-O-0001) located in the mosque. It is a free-standing object, largely made from wood, and rests on a slightly raised base. The lower half is a rectangular-shaped box. Two standing pillars on each side of the front opening support a raised decorative arch. Four additional pillars in a square alignment at the rear of the pulpit support a raised roof. A small step ladder inside the pulpit leads to this raised area. The roof is an octagonal dome with eight pointed extended corners. On top of roof, a peak with an octagonal mace ornament is crowned with a lotus flower. Most of the exterior surfaces are covered in intricately carved floral and geometric decorations, which are painted gold and blue. On the inside of the top front panel, there is a carved Arabic inscription. The inscription has a date of 1253 H (1837).\n\n', '2021-09-07', '2021-09-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('hcbq-fw81', 'The Black Bear Inn - Tewkesbury', 'United Kingdom', '51.996871684611', '-2.155654610149', 'Published', 'Point cloud data and images collected with a Trimble X7 scanner. Software used: Trimble Perspective, Trimble RealWorks and Autodesk ReCap Pro. A collaboration between Gloucestershire Building Recording Group and the Royal Agricultural University. Data collect by Isobel Milne for a Master dissertation researching civilian use of 3D scanning to record, identify and share information on medieval timber framed roof structures.', 'One of the oldest public houses in Gloucestershire, reputed to date back to 1308. Positioned adjacent to King John Bridge which crossed the River Avon in Tewkesbury, it was also known as Ye Olde Black Bear. Dendrochronological analysis of this medieval building reveals construction is likely to be from 1436 to 1441. The areas scanned include the cross wing, main range and kitchen wing.', '2022-05-10', '2022-05-10', '2022-04-09', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-sa/4.0', '', '', '', 'yes'),
	('hegb-zz35', 'Ahu\'ena Heiau', 'United States of America', '19.638911', '-155.997451', 'Published', 'In late 2010 CyArk was able to conduct the documentation phase for the Digital Preservation of three culturally significant sites, or wahi pana on the island of Hawaii. The wahi pana chosen were the Hulihe\'e Palace, Ahu\'ena Heiau, and parts of the Pu\'uhonua o Honaunau (Place of Refuge) National Park. The joint effort was a pilot project to raise awareness of Hawaii\'s extraordinary need of preservation. And to promote cultural sites within the island that are often neglected or forgotten by the average tourists who come for beaches and sun. This data will create the opportunity to enhance conservation and preservation methods, promote virtual and cultural tourism, generate new interpretive and educational materials, and safeguard the sites digitally in the case of catastrophic loss or damage in the future.\n\nThis effort cwould not have been possible without the generous support and collaboration of Paul Horner and the Keauhou Beach Resort , Lolly Davis and the Daughters of Hawaii , Tommy Hickcox and the King Kamehameha Hotel , Superintendent Kathy Billings and the staff of Pu\'uhonua o Honaunau National Historic Park, and D\'Arcy Trask of Gauge Point Calibration. \n', 'Located on a small artificial island across from Kamakahonu Beach and King Kamehameha\'s Kona Beach Hotel in Kailua, the Ahu\'ena Heiau – a temple of peace and prosperity – was built by King Kamehameha I between 1812 and 1813 to honor Lono, the god of fertility. It served as the king\'s personal refuge and was his home for the last years of his life. ', '2010-11-29', '2010-12-04', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'hawaii, kamehameha, temple, kingdom, wahi pana, polynesia', 'yes'),
	('hevx-jf76', 'Iy&aacute Mo&ogravep&oacute', 'Nigeria', '7.754343', '4.548966', 'Published', 'In September 2019, CyArk and a team from IMISI3D in collaboration with the Adunni Olorisha Trust (AOT) and the National Commission for Museums and Monuments (NCMM) of Nigeria documented three monumental structures at the UNESCO World Heritage Site of Osun Osogbo. Despite its national and international significance, many of the shrines and art pieces in the Sacred Grove have fallen into disrepair over the years due to a lack of resources. In an effort to revitalize some of the work done by Susanne Wenger, since 2005 the AOT and NCMM have begun implementing conservation efforts on some of the shrines in collaboration with the local community.  The documentation completed as part of this project provides a comprehensive and detailed inventory of the current conditions in 2019 as well as a variety of multimedia content that can be used to raise awareness of the site. Aerial and terrestrial photogrammetry and laser scanning were employed at Il&egravedi Ont&ogravet&ograveo, the assembly hall of the &Ogravegb&oacuteni earth cult; Oj&uacutebo &Ogravesogbo, the central shrine for &Ogravesun worship and Iy&aacute Mo&ogravep&oacute , a monumental statue and shrine to the goddess of women\'s occupations. Over the course of one week, CyArk and four workshop participants from IMISI3D documented the structures and conducted interviews with local artists and artisans in &Ogravesogbo.', 'The 75 hectare sacred grove of Osun Osogbo is the last remaining high forest in the country containing monumental sculptures and shrines depicting Yoruba deities. The site was assigned World Heritage status in 2005, and represents the last example of a once widespread practice of establishing sacred groves by the Yoruba people. The site is unique in having a large component of 20th century sculpture, some created by Austrian artist Suzanne Wenger who eventually became a high priestess and dedicated her life to the sacred grove. ', '2019-09-19', '2019-09-24', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, NULL, NULL, 'yes'),
	('hfj0-kq76', 'Makam Tgk Marhum', 'Indonesia', '5.197793', '96.576846', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BRN-PDA-S-001) is an Islamic cemetery on the top of a hill that contains at least twelve in situ graves placed longitudinally east-west with an orientation facing west (Qibla). The graves are marked with standing slab gravestones carved from andesite or sandstone. Two of the gravestones have Arabic inscriptions, but most are plain flat gravestones without ornamentation or inscriptions.', '2021-10-05', '2022-02-04', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('hhgh-v553', 'Monastery of Santa Maria de Santes Creus', 'Spain', '41.346259160348', '1.3636358774249', 'Published', 'A collaboration between Calidos and University of California San Diego\'s Cultural Heritage Engineering Initiative (CHEI), this dataset consists of 2245 images,  430 captured through manual drone flight, and 1815 from terrestrial cameras. Aerial photogrammetry covers the whole site, terrestrial photogrammetry covers the external courtyard and central gazebo', 'The Monastery of Santa Maria de Santes Creus was built in the 12th century AD, and houses the royal tombs of Peter III of Aragon and his son King James II. It was in use by Cistercian monks until the mid 18th century, and was made a national monument in 1921.\n\nThe site contains many highly ornate examples of romanesque and gothic architecture and artwork.', '2023-06-21', '2023-06-21', '2023-07-08', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', '', 'monastery, convent, Catalonia, Calidos, CHEI, ruins, church, gothic, romanesque', 'yes'),
	('hk15-b859', 'Normandy American Cemetery', 'France', '49.360212', '-0.857263', 'Published', 'In 2018, CyArk traveled to Normandy, France to digitally capture and archive the Normandy American Cemetery and Memorial. This project was in continuation of CyArk\'s prior work in the area preserving sites associated with the Allied-led attack on German-occupied France during World War II, also known as D-Day. Working with the American Battle Monuments Commission, CyArk conducted an aerial survey using techniques in photogrammetry and laser scanning to document important structures. Documentation included indexing and photographing 9,386 headstones, providing site managers with high quality and easily accessible photographs to share with loved ones and family members.', 'Overlooking the English Channel, the headstones of thousands of American soldiers who lost their lives in battles along the French coast are a reminder of the area\'s turbulent history. The US First Army established the cemetery following the D-Day attack on June 8, 1944. It was the first of a total of thirteen World War II cemeteries that the United States would establish on European soil, reflecting the massive loss of life of the deadliest war in history. Seemingly never-ending lines of stark white crosses communicate not only the loss of life, but also the significant personal impact that the war had on fellow surviving soldiers and loved ones back home. Today, the site is a place of remembrance for family members, local residents, and visitors from around the world to pay tribute to those who gave their lives in French waters and soil, turning the tide of the war in favor of Allied forces.', '2018-08-26', '2018-09-03', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/IAJS6rRA5uq_Ig', 'https://cyark.org/projects/normandy-american-cemetery', 'ABMC, ww2, WWII, cemetery, normandy, colleville-sur-mer', 'yes'),
	('hk2r-ts06', 'IDN-ACH-BRN-PLM-S-001', 'Indonesia', '5.196651', '96.525822', 'Unpublished', 'There is a grave with a pair of "Plang Pleng" type of gravestones. On the east side, there is a round stone (Sakrah) at the foot. Around the area, there are many pottery and ceramic fragments.\nField Notes\nAccording to information around the 1970s, the pair of gravestones were moved from the area by the beach.\nThe landscape around the site has changed a lot due to the creation of ponds. The pottery and ceramic fragments are widely scattered around the pond area.', '', '0000-00-00', '2021-10-22', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('hnn2-dt82', '301 - 333 Valencia St. and 14th St. - Map the Moment', 'United States of America', '37.767800', '-122.422002', 'Published', 'The documentation of this site was part of the Map the Moment project, intended to capture spontaneous and temporary changes to the public streetscape. This data was collected by Brian Tolle, Susanna Douglas, and Joseph McGovern and was processed by Pavel Matoušek. The team used a Fujifilm X-Pro 1 to scan this site.', 'Many businesses had been forced to temporarily close because of the CoViD-19 pandemic, and covered their windows with plywood. These plywood panels became canvases for artists, as well as protesters in the Black Lives Matter Movement. This block of businesses was a good example of how untreated plywood became a canvas for spray paint graffiti, while even a simple mural might be left relatively un-tagged. ', '2020-06-11', '2020-06-11', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, San Francisco, mural', NULL),
	('hq6k-st83', 'Tanks at Museum of the Slovak National Uprising', 'Slovakia', '48.73562382', '19.14848049', 'Published', 'In June 2021 American non-profit organization CyArk and Slovakian partner Capturing Reality partnered to provide a joint training workshop on 3D Documentation for students from the Academy Arts in Banská Bystrica and the Technical University of Košice. The Preserving Slovakian Heritage Workshop resulted in new skills for Slovakian youth and provided an opportunity to strengthen ties between Slovakia and the United States through cultural and technical exchange. The two week long course trained students how to document historic sites using photogrammetry and process the resulting images with Capturing Reality. This project was completed in partnership with the American Spaces Slovakia and supported by a grant from the US Embassy in Bratislava. As part of the training event, students documented two military vehicles at the Museum of the Slovak National Uprising in Banská Bystrica. ', 'Sd.Kfz. 251 (Sonderkraftfahrzeug 251) half-track was a World War II German armored personnel carrier designed by the Hanomag company, based on its earlier, unarmored Sd.Kfz. 11 vehicle. The Sd.Kfz. 251 was designed to transport the Panzergrenadier (German mechanized infantry) into battle.', '2021-06-02', '2021-06-10', '2023-10-05', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://cyark.org/projects/slovakia-heritage-workshop/exhibit', '', 'slovakia, military heritage, tank, Banská Bystrica', NULL),
	('hr10-4h66', 'Eneolithic Stelae at National Historical Museum of Dnipro', 'Ukraine', '48.456206', '35.061262', 'Published', 'Archaeological objects at the Dmytro Yavornytsky National Historical Museum of Dnipro were documented by the members of NGO SLR "Archaic" and the staff of the Museum. Field capture methodology is based on the SfM photogrammetry with several scenes', 'Two stelae introduce the brightest examples of the Eneolithic anthropomorphic sculptures found in the prehistory of the European Steppe. They are attributed to the IV millennia BCE and represent the main components of the worldview of the Eneolithic inhabitants of the region, who are sometimes considered to be the first Indo-European communities in Europe. For more details please review the <a href="https://drive.google.com/file/d/1u5n5pfTSwDiTXbuu0Vg5rxaJfy-uaBOj/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-11-27', '2023-12-10', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://sketchfab.com/lab_archaic/collections/preserving-ukrainian-legacy-5cfe2f9505f34c068a490e1508929bb9', 'https://www.museum.dp.ua/en/', 'Ukraine, Eneolithic, art, stelae, Kernosivsky, Natalivska, anthropomorph', 'yes'),
	('hrdy-b471', 'Borgo Medievale di Torino', 'Italy', '45.049124679553', '7.6853135308549', 'Upcoming', 'A multi-modal scan was performed of the Borgo including terrestrial lidar and photogrammetry, mobile lidar, and aerial drone.  The dataset includes 28 lidar scans, 1206 drone images, and 2818 terrestrial images. This survey was performed in partnerhsip by the University of California San Diego\'s Cultural Heritage Engineering Initiative, and the Politecnico Torino\'s Geomatics for Cultural Heritage labs as part of the Turin 1911 project. ', 'The Borgo Medioevale is a replica medieval village and castle in Valentino Park, built for the 1884 general Italian exposition. ', '2017-12-09', '2017-12-14', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://italyworldsfairs.org/', 'mountain, medieval, italy, castle', 'yes'),
	('hxz2-j852', 'Makam Nisan Granit (F2)', 'Indonesia', '5.138445', '97.203907', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'This site (MAHS-IDN-ACH-AUT-SMD-S-005) contains two graves laid out side by side within several meters of each other. The Islamic graves stretch north to south with an orientation towards the qibla (west). The graves are marked with a pair of head- and foot stones. The gravestones carry inscriptions.\n\n(MAHS-IDN-ACH-AUT-SMD-S-005-F-001)\nThis head- and footstone pair mark one of two graves with similar monuments at an isolated, overgrown site near the village of Beuringen in North Aceh. They are in the form of grant slabs with a sloping finial framed with an ornamental S-curve motif. On both sides of the main body a border embellished with chain-work motif carving frames a panel filled with an inscription in Arabic script.', '2021-08-31', '2021-08-31', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('hy2g-vw29', 'Collection of Iron Age Artifacts at National Historical Museum of Dnipro', 'Ukraine', '48.457429', '35.068433', 'Published', 'Archaeological objects at the Dmytro Yavornytsky National Historical Museum of Dnipro were documented by the members of NGO SLR "Archaic" and the staff of the Museum. Field capture methodology is based on the SfM photogrammetry with several scenes', 'Nineteen Objects introduce the representative collection of the material culture of the Ukrainian Steppe Iron Age. They include the ceramics and figurative art of the Ancient Greek colonization and pottery of the Iron Age Chernyakhiv culture (associated with the Gothic presence in Ukraine). These objects are attributed in a timespan of V century BC — V century AD. Their variety shows the diversity of material culture of that time. For more details please review the <a href="https://drive.google.com/file/d/1D12ga_7ue9SalrRqWBsylY5RXRWaLVvI/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-11-27', '2023-12-10', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://sketchfab.com/lab_archaic/collections/preserving-ukrainian-legacy-5cfe2f9505f34c068a490e1508929bb9', 'https://www.museum.dp.ua/en/', 'Ukraine, Iron Age, Greek colonization, Ancient Greece, Scythians, Chernyakhivska culture, pottery, metalwork', 'yes'),
	('hz7v-hp59', 'Medinet Habu Second Court', 'Egypt', '25.71965', '32.600658', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n', 'Temple of Ramesses III at Medinet Habu. \nSee:\n    http://www.calit2.net/newsroom/rss.php?id=1862  and\n    http://en.wikipedia.org/wiki/Medinet_Habu_(temple)\n\n\nCAVECam #16 \'LuxorMedinetHabuSecondCourt\'\n     This CAVEcam was shot in the Temple of Ramesses III at Medinet\n    Habu. It is the Second Court.\n\n', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Medinet Habu, Luxor, Egypt, Thebes, Temple, CaveCam', 'yes'),
	('j352-kn54', 'Cidade Velha - Fort', 'Cabo Verde', '14.916154', '-23.601906', 'Published', 'In March 2015, CyArk digitally documented Cidade Velha in partnership with the African World Heritage Fund. Panoramic photography and LiDAR laser scanning were completed at four locations around the city including the S&eacute Cathedral, Nossa Senhora do Ros&aacuterio Church, Fort Real de S&atildeo Filipe and the Pillory square. CyArk also conducted a training workshop for African World Heritage Fund staff, local experts from Cape Verde and a variety of heritage specialists from the Lusophone community around the world. The workshop focused on digital documentation methods and the how digital data can be used for conservation.', '<p>First colonized in the mid-1400s by the Portuguese, Cabo Verde would quickly become the center of the largest human diaspora in history.</p><p>Beginning relatively small scaled, the town, Ribeira Grande, received a Royal Charter in 1466 giving permission to own and trade enslaved captives from Africa. Over the next 100 years, Ribeira Grande would increase in importance through its dominant trade in gold and slaves to the extent of being subject to frequent raids by pirates and other nations, including Sir Francis Drake in 1585, making it necessary to build the strongest fort of its day, <i>Forte de Sao Felipe</i>, in 1590.</p><p>With the building of the fort, Ribeira Grande stood center stage in the industry of human trafficking, the Trans-Atlantic Slave Trade. During the 15th and 16th centuries, the majority of Cabo Verdians were involved in the slave trade in one way or another, from direct purchasing and selling to outfitting ships sailing east or north. </p><p>With an intense mixing of cultures, Cabo Verde became the first colony to establish a creole language and culture that still exists today.</p><p>Due to its strategic location between Europe, Africa, and the Americas, Cabo Verde was an essential stop for early explorers traveling West including Christopher Columbus on his third voyage to the Americas and James Cook. As an international port of call, Cabo Verde also became an experimental ground for new fruits and vegetables heading from and into Europe and the Americas.</p><p>Ribeira Grande began to decline beginning with an attack by the French in 1712. A new capital was founded to the west, Praia, and lured the elite class away from Ribeira Grande, now called <i>Cidade Velha</i>, or old town.</p>', '2015-03-01', '2015-03-06', '2020-06-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/WQJyKwAAE8n8Jg', 'https://cyark.org/projects/cidade-velha', 'church, fortress, pillar, colonialism, creole', 'yes'),
	('j4g0-ek82', 'Ananias Chapel', 'Syria', '33.511518', '36.31739', 'Published', 'The digital documentation of the Ananias chapel was part of Project Anqa, a collaboration between CyArk, the International Council on Monuments and Sites (ICOMOS), and Carleton University and funded by the UK based charity, Arcadia Foundation. Responding to the catastrophic loss of heritage in the Middle East, the project seeks to further protect monuments through training local heritage professionals in digital preservation techniques. In partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage, CyArk trained Syrian heritage professionals in Lebanon to carry out the digital documentation of six sites in Damascus.', 'The Chapel of Saint Ananias, also known as the House of Saint Ananias, is a small underground chapel located in the ancient city of Damascus, Syria. The site is connected to the biblical story of Jesus\'s disciple, Saul of Tarsus, later known as St. Paul the Apostle. Over many centuries, non-Christian rulers have continually destroyed the chapel, rebuilt as a pagan temple and mosque before Franciscans rebuilt it in 1814. The chapel consists of two small stone wall rooms with sparse furniture and decor. An altar sits at the end of the room in front of a short row of pews, reflecting the simplicity of early christian churches. The Chapel of Saint Ananias continues to hold services and is an important Christian pilgrimage site.', '2017-08-09', '2017-08-13', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/TALiwWpj-RhcJA', 'https://cyark.org/projects/ananias-chapel/overview', 'church, byzantine empire, saint paul, catholic', 'yes'),
	('j7dp-3713', 'Ramesseum ', 'Egypt', '25.727659', '32.610088', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. ', 'CAVECam #20 "LuxorThebesRamesseum"\n    This CAVEcam was shot in the Ramesseum in Thebes. T See:\n    http://www.calit2.net/newsroom/rss.php?id=1862\n    http://en.wikipedia.org/wiki/Ramesseum', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by/4.0', NULL, '', 'Luxor, Ramses, Egypt, Temple, CaveCam', 'yes'),
	('j8rw-xa22', 'Women\'s Rights National Historic Park - Wesleyan Chapel', 'United States of America', '42.910899', '-76.799814', 'Published', 'In October 2019 CyArk traveled to Seneca Falls, New York to document three buildings associated with the Women\'s Rights National Historic Park. Each site bore witness to important events that were central to the first women’s rights convention. In collaboration with the National Park Service, CyArk created LiDAR scans with a Faro S350 to document the Wesleyan Chapel, the Elizabeth Cady Stanton House, and the Hunt House, helping preserve these important places and the stories that they tell.', 'On July 19, 1848, hundreds of people crowded into the Wesleyan Chapel in Seneca Falls, New York to participate in a public discussion about the rights of women that challenged all social conventions of the time. The following two-day convention included the presentation and signing of the Declaration of Sentiments, a document modeled after the Declaration of Independence, outlining the many ways in which women were denied equal status to men. At a time when it was unacceptable for women to have a public life outside the home, let alone speak at a public forum, the events that took place at the Wesleyan Chapel marked a major milestone in the ongoing fight for women’s equality. ', '2019-10-12', '2019-10-12', '2021-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'suffrage, vote, New York', 'yes'),
	('jc6h-e678', 'Fuvahmulah Havitta 2 (GNI-HAD-6-S2)', 'Maldives', '-0.281073710282', '73.419225416289', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a Nikon D750  for photogrammetry).', 'These ruins mark one of thirteen structures in Fuvahmulah Havitta (Fua Mulaku Havitta ) that had been components of a Buddhist ritual complex before the conversion of the island\'s population to Islam in the twelfth century.', '2019-04-20', '2019-04-20', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Buddhist sites, Indian Ocean', NULL),
	('jgf3-jm06', 'Palacio Rivero - Chan Chan Archaeological Zone', 'Peru', '-8.112249', '-79.077847', 'Published', '	\nCyArk traveled to Northern Peru in August 2019 to document the Palacio Tschudi and Palacio Rivero walled complexes within the UNESCO world heritage site of Chan Chan. The sites documented were selected in partnership with the Ministry of Culture of Peru through the Dirección Desconcentrada de Cultura de La Libertad and the Proyecto Especial Complejo Arqueologico Chan Chan (Pecach). Mapping efforts included LiDAR laser scanning, terrestrial photogrammetry and aerial photogrammetry with drones. Higher resolution capture was completed at the funerary complex at Palacio Rivero and the audiencias at Palacio Tschudii. The funerary complex and audiencias are protected with protective roof coverings and cannot be documented from the air. A workshop on digital documentation was held for participants from the Proyecto Especial Complejo Arqueológico Chan Chan around digital documentation and processing techniques for use in the ongoing monitoring program.', 'Chan Chan Archaeological Site was inscribed on the World Heritage List in 1986. The property’s Statement of Outstanding Universal Value, adopted in 2011, describes it as an \'absolute masterpiece of town planning\' that \'uniquely integrates the symbolic and sacred architecture with technological knowledge and the adaptation to the native environment\'. Over 100,000 people visit the site every year to gain a better understanding of the lives of those who built one of the most powerful empires in pre-Columbian America.  \nAt the time of the property’s inscription, the World Heritage Committee decided to simultaneously inscribe it on the List of World Heritage in Danger due to the rapid deterioration of the archaeological site’s state of conservation, Resulting from its vulnerability to climatic conditions. The adobe metropolis of Chan Chan was once the capital city of the Chimú civilization which flourished on the northern coast of Peru between the 10th and 15th centuries. Stretching over twenty square kilometers, Chan Chan was once the largest pre-Columbian city in South America. The Chimú transformed the landscape of the area with thousands of structures, adobe walls etched with images of fish and seabirds and intricately shaped geometrical designs. The city planning reflects a strict political and social hierarchy, marked by the city\'s division into nine\n', '2019-08-12', '2019-08-22', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/project/heritage-on-the-edge-chan-chan', '', 'chan chan, peru, trujillo, chimu', 'yes'),
	('jj5k-8p23', 'Benteng Kuta Lubuk (F1)', 'Indonesia', '5.609583', '95.536261', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-ABS-MRY-S-003) is a large wall running right along the coast. It is surrounded by sea to the north, elongated hills to the west and south, and the mouth of Krueng Lubhok to the east. This fortress faces Lubhok Bay, between Ujung Batee Kapal and Ujung Pelancu. \nThere is a wall structure with two bastions on both front corners, a foundation structure, a mound with stone on it, and several graves. Around the site, there are many stone ruins. There are traces of ruins  up to about 300 m from the main site to the southeast.\nThere are also some surface finds of ceramic and pottery sherds across the site.\n\nThis feature (MAHS-IDN-ACH-ABS-MRY-S-003-F001) is an open trapezium with walls on the west, north, and east sides. It is part of a large coastal defensive fortification. The west wall is about 28 meters long and and relatively intact. The north wall is about 90 meters long has already suffered a lot of damage. There are some embrasures to place cannons. Many have been damaged, only three are still clearly visible. The east wall is about 25 meters long is only survived by its foundation. The north wall is the front side facing the sea. The walls of this fort are composed of andesite stone with lime-plaster.  What is left of the walls range in height, with the highest points between 3 - 4 meters. The thickness of the walls at the bottom is wider than the top. At the top, the 1 m wide outer side is made higher about 1 meter. The inner side about 1.2 m wide is used as a walkway or corridor.\nThis wall is connected to the bastion at the east and west corners.\n', '2021-12-07', '2021-12-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('jn1f-sc60', 'Al Balad Screen Bottles', 'Saudi Arabia', '21.48334', '39.21', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360 degree by 180 degree spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design.', 'Al-Balad is the 7th century center of Jeddah, Saudi Arabia, under restoration.  See http://en.wikipedia.org/wiki/Al-Balad,_Jeddah This back street in Al-Balad is typical (in 2012). Note the elaborate carved wood structures over the windows that are used to capture the sea breezes and vent the heat from the housing, although now they often sprout window-style air conditioners.', '2012-05-12', '2012-05-31', '2022-05-04', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/', '', 'http://en.wikipedia.org/wiki/Al-Balad,_Jeddah', 'Al-Balad, Jeddah, Saudi Arabia, restoration, urban, wood, windows, cavecam', 'yes'),
	('jndy-6p72', 'Fort San Lorenzo', 'Panama', '9.32222175', '-80.002777', 'Published', 'The data of Fort San Lorenzo was collected in March 2013 by Mr. Daryl Johnson, Founder of Summit Engineering and Design in Ferndale, Washington. The data was donated to CyArk who archived the data and provided a copy to the site.', 'Located on the west bank of the modern Panama Canal, Fort San Lorenzo is an outstanding example of Spanish Colonial military architecture. Construction of the structure was started in 1595 upon the orders of King Philip the Second of Spain to protect the mouth of the Chagres River, a strategic waterway connecting the Atlantic and Pacific oceans. Control of the waterway provided access to the riches of the South American colonies along the Pacific Ocean and the site was considered to be one of the \'keys\' to the Americas. Due to its strategic location the fort was under constant attack by pirates and other conquering forces and as a result, the fort had to be rebuilt three times between the 17th and 18th centuries.', '2013-03-27', '2013-03-27', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/XwISASXx29kdLQ', 'https://cyark.org/projects/fort-san-lorenzo', 'port, atlantic, village, ruins, colonialism ', 'yes'),
	('jqc0-7156', 'xxxxFontana delle Tartarughe - Rome', 'Italy', '41.893841903476', '12.477574875761', 'Unpublished', ' Attenni, Martina & Griffo, Marika & Inglese, Carlo & Ippolito, Alfonso & Lo, Eric & Rissolo, Dominique. (2021). Flexibility of Dense 3D Data Capture: Rapid Documentation of Monumental Fountains in Rome. Studies in Digital Heritage. 5. 62-74. 10.14434/sdh.v5i1.31442. http://dx.doi.org/10.14434/sdh.v5i1.31442', 'The Fontana delle Tartarughe (The Turtle Fountain) is a fountain of the late Italian Renaissance, located in Piazza Mattei, in the Sant\'Angelo district of Rome, Italy. It was built between 1580 and 1588 by the architect Giacomo della Porta and the sculptor Taddeo Landini. The bronze turtles around the upper basin, usually attributed either to Gian Lorenzo Bernini or Andrea Sacchi, were added in either 1658 or 1659 when the fountain was restored.', '2018-07-04', '2018-06-26', '0000-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'http://dx.doi.org/10.14434/sdh.v5i1.31442', 'fontana, fountain, Rome', NULL),
	('jt3v-yg67', 'Makam Putroe Balee', 'Indonesia', '5.369093', '95.928207', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-PID-PID-S-001) is an Islamic cemetery complex consisting of at least ten graves placed longitudinally north-south with an orientation facing west (Qibla). Each grave is marked by different types of carved gravestones.', '2021-09-20', '2022-02-02', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('jw7s-jk65', '&Ccedil;atalh&ouml;y&uuml;k - East Mound North Area 2012', 'Turkey', '37.667840795660', ' 32.82817747617', 'Published', 'This collection includes a mixed remote sensing dataset made of terrestrial laser scanning point clouds, point cloud comparison data, structure from motion-generated polygonal meshes, and related textures and metadata. It was recorded at the Neolithic site of &Ccedil;atalh&ouml;y&uuml;k, Turkey under the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project carried out in 2012-2017 by scholars and students from the University of California Merced and Cardiff University. The historic series of North Area and South Area point clouds were documented by means of a Faro Focus S120 time of flight laser scanning during six consecutive field seasons (2012-2017), while the East Mound and West Mound landscape 3-D models were generated from low-altitude photos captured by an unmanned aerial vehicle (drone) in 2015.\n\nThe goal of the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project was to capture the current state of the site to comply with UNESCO site management guidelines for conservation and to understand and quantitatively assess the deterioration of its mud-brick architecture through time via 3-D data comparison and geo spatial methods. The analyses of laser scanning data focus on the wall features of eight buildings of the North Area (B5, B48, B49, B55, B64, B82, B114, B119), which were chosen as priority by Ashley Lingle, the Head of Conservation at &Ccedil;atalh&ouml;y&uuml;k. Point clouds of wall features were segmented and aligned using the open source software CloudCompare. Pairs of perfectly aligned and identically segmented point clouds were then compared using the M3C2 method in CloudCompare to compute differences (standard deviation) and significant change. The differences among aligned and identical features represent the material loss occurred in those walls in 2012-2017. The point clouds were then analyzed in a GIS platform including environmental data logged in the North Area and vulnerability assessment made in situ by the Conservation Team.', '&Ccedil;atalh&ouml;y&uuml;k (Turkish pronunciation:   also &Ccedil;atal H&ouml;y&uuml;k and &Ccedil;atal H&uuml;y&uuml;k; from Turkish &Ccedil;atal \'fork\' + h&ouml;y&uuml;k \'tumulus\') was a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7100 BC to 5700 BC, and flourished around 7000 BC.[2] In July 2012, it was inscribed as a UNESCO World Heritage Site.\n\n&Ccedil;atalh&ouml;y&uuml;k is located overlooking the Konya Plain, southeast of the present-day city of Konya (ancient Iconium) in Turkey, approximately 140 km (87 mi) from the twin-coned volcano of Mount Hasan. The eastern settlement forms a mound which would have risen about 20 m (66 ft) above the plain at the time of the latest Neolithic occupation. There is also a smaller settlement mound to the west and a Byzantine settlement a few hundred meters to the east. The prehistoric mound settlements were abandoned before the Bronze Age. A channel of the &Ccedil;arşamba River once flowed between the two mounds, and the settlement was built on alluvial clay which may have been favorable for early agriculture.\n\nSource: https://en.wikipedia.org/wiki/%C3%87atalh%C3%B6y%C3%BCk', '0000-00-00', '0000-00-00', '2021-02-28', 'CC BY-NC', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://library.ucsd.edu/dc/collection/bb62154893', '', 'yes'),
	('jwsh-x267', 'Akers Mill', 'United States of America', '33.889828', '-84.442816', 'Published', 'Akers Mill is an important historic component of the Chattahoochee River National Recreation Area (CHAT), managed by the National Park Service but has several immediate needs as part of ongoing management and stabilization including. In 2013 CyArk and Clemson University collaborated with the National Park Service to provide. Accurate 3D recordation of existing conditions of the Akers Mill Ruins, Assess the site in order to develop a stabilization priority,  and provide ongoing access to accurate data and stabilization reports for the management of the site and future creation of additional deliverables.', 'Chattahoochee River National Recreation Area (CHAT) was established to provide recreational opportunities and access to the Chattahoochee River and the historic and cultural resources contained within. The rich human history along the banks of the Chattahoochee River includes; prehistoric sites, early industrial sites, historic bridges and other points of significant historical value. The Akers Mill ruins represent a significant period in the industrial history and evolution within the Atlanta metropolitan area. Few notable water powered industrial complexes survive near the banks of the Chattahoochee River in their historic context and adjacent to a waterway for producing power. The noteworthy ruins remaining at Akers Mill area represent structures designed to mill corn and wheat during the transition from water to steam power. The mill operated before, during and after the American Civil War. ', '2013-08-07', '2013-08-12', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'georgia, mill, industrial, akers, nps, civil war', 'yes'),
	('jzqg-pc30', 'Khirbat en-Nahas', 'Jordan', '30.681329774022', '35.436196525922', 'Published', 'Since 1997, the UC San Diego Levantine Archaeology Laboratory has worked closely with the Department of Antiquities of Jordan on a deep-time study of the role of mining and metallurgy over nine thousand years from the Neolithic period to Islamic times – in Jordan’s Faynan district, some 50 km south of the Dead Sea. Faynan, located near the beautiful Dana Royal Society for the Conservation of Nature Biosphere Reserve, is home to one of the world’s best preserved ancient copper mining and metallurgy districts. The UCSD project is called the Edom Lowlands Regional Archaeology Project, or ELRAP. ELRAP is special because of its focus on developing and using a high-tech, on-site digital archaeology system. Through the project students have gained extensive experience not only participating in archaeological survey and excavation, but also mastering an array of digital survey and recording tools. There is also a strong daily field laboratory component to the research that includes analysis of ceramics, zooarchaeology, archaeometallurgy, lithics, digital photography, GIS and more. The excavated material from KEN consists primarily of ceramics and material associated with the process of copper production, including slag, furnace fragments, tuyere pipes and copper left behind. Other special finds include scarabs, beads and other objects related to daily life at KEN. The digital collection consists of the spatial data collected during excavation, descriptions of important finds, illustrations, photographs, video, three-dimensional scans of objects and the site, and spectrographic data.', 'As a part of the Edom Lowlands Regional Archaeology Project the UCSD Levantine Archaeology Lab under the direction of Prof. Thomas Levy, has excavated three seasons at Khirbat en-Nahas (KEN). This study of Iron Age state formation in southern Jordan is deeply rooted in three conceptual frameworks: a) general anthropological theory concerning processes of secondary state formation and the evolution of social power, b) historical models concerning the Iron Age based on Anthropology, Biblical and extra-Biblical sources, and c) Middle Range theory that aims at linking raw archaeological data with more complex generalizations and conclusions about the past based on the hard archaeological evidence retrieved from the excavations. Fundamentally, the research was a response to the unsolved problem of who controlled metal production at this key Levantine site during the Iron Age, a period that follows the collapse of many of the Late Bronze Age civilizations in the eastern Mediterranean region. Recent field work at KEN and limited AMS radiocarbon dating have pushed back the dates for the Iron Age in Edom some 200 to 400 years earlier than previously thought (Levy et al 2004, 2005; Higham et al 2005). This has opened up new research questions that challenge models that explain the emergence of the Edomite state (i.e. core-civilization (Assyrian) dominance over Edom vs. local peer polity interaction with neighboring statelets such as Israel, Judah, Moab and others).', '0000-00-00', '0000-00-00', '2021-02-28', 'CC BY', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://library.ucsd.edu/dc/collection/bb41653353', 'copper, mine,  neolithic', 'yes'),
	('k1sb-4t76', 'IDN-ACH-PID-TIR-S-001', 'Indonesia', '5.213995', '95.951341', 'Unpublished', 'The site is a complex of Zawiyah and Tgk Chik Di Tiro Cemetery. There is an old zawiyah building in the form of "bale" with wooden stilt construction. In front of the building, there is a pool made of stone and mortar. An old well is on the south side. On the north side there is a cupola building with the grave of Tgk Chik di Tiro in it. Besides the grave of Tgk Chik Di Tiro, there are several other graves in the cupola. Other graves are also around it, up to the north and east side of the zawiyah building.', '', '0000-00-00', '2021-10-14', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('k2yg-p293', 'Medinet Habu - Columns Blue Ceiling', 'Egypt', '25.71970', '32.600658', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n', 'Temple of Ramesses III at Medinet Habu. \nSee:\n    http://www.calit2.net/newsroom/rss.php?id=1862  and\n    http://en.wikipedia.org/wiki/Medinet_Habu_(temple)\n\nCAVECam #15 \'LuxorMedinetHabuColumnsBlueCeiling\'\n    This CAVEcam was shot in the Temple of Ramesses III at Medinet\n    Habu. Of particular interest is the existing colors on the columns\n    and ceilings, and the clear graffiti from 1817 and 1818.  The\n    overexposed portions of the image were, of course, due to the\n    bright sunlight, and inspired subsequent taking of multiple\n    exposures to attempt high-dynamic range (HDR) captures of scenes\n\n', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Medinet Habu, Luxor, Egypt, Thebes, Temple, CaveCam', 'yes'),
	('k5y6-jr37', 'Fontana delle Tartarughe - Rome', 'Italy', '41.893841903476', '12.477574875761', 'Published', ' Attenni, Martina & Griffo, Marika & Inglese, Carlo & Ippolito, Alfonso & Lo, Eric & Rissolo, Dominique. (2021). Flexibility of Dense 3D Data Capture: Rapid Documentation of Monumental Fountains in Rome. Studies in Digital Heritage. 5. 62-74. 10.14434/sdh.v5i1.31442. http://dx.doi.org/10.14434/sdh.v5i1.31442', 'The Fontana delle Tartarughe (The Turtle Fountain) is a fountain of the late Italian Renaissance, located in Piazza Mattei, in the Sant\'Angelo district of Rome, Italy. It was built between 1580 and 1588 by the architect Giacomo della Porta and the sculptor Taddeo Landini. The bronze turtles around the upper basin, usually attributed either to Gian Lorenzo Bernini or Andrea Sacchi, were added in either 1658 or 1659 when the fountain was restored.', '2018-07-04', '2018-06-26', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'http://dx.doi.org/10.14434/sdh.v5i1.31442', 'fontana, fountain, Rome', 'yes'),
	('kbgp-9c03', 'Cedar Creek Grist Mill', 'United States of America', '45.93842', '-122.583254', 'Published', 'In 2015 Case Forensics Corporation documented the Cedar Creek Grist Mill using a FARO X330 laser scanner. The scanner was positioned in 30 locations in and around the mill and the adjacent covered bridge and all data was donated to CyArk.', 'The Cedar Creek Grist Mill is a historical grist mill located in Woodland, Washington listed on the National Register of Historic Places. The small water-powered mill was built in 1876 by George W. Woodham family and A.C. Reid. to produce flour, cornmeal and animal feed for settlers and U.S. Army personnel living around the Fort Vancouver area. It is the oldest working grinding mill in the state of Washington. Water from the creek flows through a wooden sluice box, into the mill, powering the turbine at an amazing rate of 47 gallons a second. The mill was restored to working condition in the 1980s and is now a working museum, showing the visitors that come from all over the world how the mill would have looked and operated in 1876\n', '2015-05-07', '2015-05-12', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'georgia, mill, industrial, akers, nps, civil war', 'yes'),
	('kdan-hk83', 'Matheerah Ziyaarat Complex (HAF-MTR-1)', 'Maldives', '	7.027576925560', '72.818324560829', 'Published', 'The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and a Nikon D750 for photogrammetry.', 'This Ziyaarat complex around the shrine of Sharif Ali al-Makki also includes five flagpoles, a well, a scale pole, and a visitors’ lodge. The last structure formerly housed a collection of manuscripts, which were still present during a 2013 site inspection tour by the Maldives Department of Heritage. When the MHS documented the site in November 2019, however all had disappeared except for one small ruined fragment (HAF-MTR-MS1).', '2019-11-16', '2019-11-16', '2020-05-07', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nd/4.0', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Ziyaarat, Cemetery, Indian Ocean', 'yes'),
	('ktvz-s182', 'Makam Plang Pleng Peulimbang (F1)', 'Indonesia', '5.196674', '96.525846', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'A small burial area (MAHS-IDN-ACH-BRN-PLM-S-001) that contains one clearly defined grave marked by a pair of carved plang-pleng" gravestones. On the east side', '2021-09-30', '2021-09-30', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('kv2d-bs89', 'Grand Bazaar', '', '', '', 'Upcoming', '', '', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY', 'https://creativecommons.org/licenses/by/4.0', NULL, '', '', NULL),
	('kvf6-cz65', 'Maritime Archaeology Artifacts at Khortytsia National Reserve', 'Ukraine', '47.819798193517', '35.098395924279', 'Published', 'Archaeological objects at the Khortytsia National Reserve were documented by the members of NGO SLR "Archaic" and the staff of the Reserve. Field capture methodology is based on the SfM photogrammetry with several scenes', 'This asset represents the artifacts from the maritime archaeology museum at the National Reserve Khortytsia. It contains several objects dated back to the Russo-Turkish War (1735—1739), several individual 19th-century shipwrecks, and a couple of artifacts discovered at the Dnipro riverbed throughout the last decades. Given the scarcity of artifacts of that kind, each is unique and represents a complicated process of inhabiting the Ukrainian Steppe both economically and politically. For more details please review the <a href="https://drive.google.com/file/d/1EVD9zsbxIAiXiVC0TzbLHC_U123Z_1YF/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-11-06', '2023-12-01', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://sketchfab.com/lab_archaic/collections/preserving-ukrainian-legacy-5cfe2f9505f34c068a490e1508929bb9', 'https://ostriv.org/', 'shipwreck, maritime, cossacks, Ukraine, Dnipro', 'yes'),
	('kxsh-xw74', 'Sogi Power Plant', 'Japan', '32.010643', '130.563125', 'Published', 'In December of 2014, Japan’s National Congress of Industrial Heritage, in collaboration with the Japanese government, nominated the Sogi Power Plant to the CyArk’s 500 Challenge acknowledging the importance of the Sogi Power Plant and its contribution to our shared global heritage.\n\nAs part of recognizing the role the Sogi Power Plant has played in Japan’s cultural transformation, CyArk has partnered with the geopositioning manufacturer, Topcon and Japan’s National Congress of Industrial Heritage to document this unique site. For this project, the team employed a range of new technologies including unmanned air vehicles to photograph details of the terrain, mobile scanning to document the broader environment, and terrestrial scanners to capture the details and condition of the power plant. The data captured will contribute to the on-going efforts towards monitoring and long-term conservational planning of the site.', 'The Sogi Power Plant is located in Kagoshima Prefecture on the southern island of Kyushu, Japan and at the time of its construction in 1907, sat at the cusp of cultural change in Japan. On one side, it lies at the tail end of the Meiji period, one of the fastest periods of industrial development and maturity in the world. On the other side, the Sogi Power Plant was on the tipping point between small-scaled hydroelectric industry for exclusive commercial use and the advancement of generating hydroelectric power for everyone. \nFounded by Shitagau Noguchi in 1906, Sogi Denki (Electric) designed the dam to use water from the nearby Sogi-no-Taki waterfall to power the Okuchi gold mines, five miles to the north. The Sogi Power Plant exemplifies the typical style of dams during this time: low voltage, commercial use only, limited range, and in collaboration with foreign companies to help in the design and construction of their new factories.\nToday, the Sogi Power Plant is unique among Japan’s national industrial heritage sites as the only power plant selected from the Meiji era. Active until 1965, the Sogi Power Plant produced electricity for Kagoshim Prefectur for near 60 years. Due to the need to fight frequent floods and generate more electricity a new dam was build downstream, Tsuruda dam. Today, the Sogi Power Plant sits at great risk, submerged seven months of the year due to the larger dam’s water reservoir. \n', '2015-04-26', '2015-04-30', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'japan, industrial, meiji, hydroelectric, topcon', 'yes'),
	('kyma-gq49', '150 - 178 Valencia St. and Central Freeway - Map the Moment', 'United States of America', '37.770590', '-122.422742', 'Published', 'The documentation of this site was part of the Map the Moment project, intending to capture spontaneous and temporary changes to the public streetscape. This data was collected by Brian Tolle, Susanna Douglas, and Joseph McGovern and was processed by Pavel Matoušek. The team used a Fujifilm X-Pro 1 to scan this site.', 'Many businesses had been forced to temporarily close because of the CoViD-19 pandemic, and covered their windows with plywood. These plywood panels became canvases for artists, as well as protesters in the Black Lives Matter Movement. We documented the location of the business \'Stuff\' on the day they reopened; they closed again a few weeks later. The plywood murals\' subtle messages of peace and introspection had been overlaid with anti-police writing. The store is on a short block, which we captured for context. ', '2020-06-11', '2020-06-11', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, San Francisco, mural', NULL),
	('kz88-9d21', 'Apollo 1 - Grissom White and Chaffee Memorial at Launch Complex  34', 'United States of America', '28.521811\r\n', '-80.561129', 'Published', 'Working in collaboration with the 45th Space Wing of the United States Air Force, Cape Canaveral Air Force Station (CCAFS), this digital survey and documentation was undertaken by USF\'s Digital Heritage and Humanities Collections group in the USF Libraries (Principal Investigators: Drs. Lori Collins and Travis Doering), to provide continuing baseline terrestrial laser scanning (TLS) survey, monitoring, and spatial recording for selected historic launch complexes. Targeted structures were chosen for ongoing assessment and 3D laser scan survey, and these data were brought together with aerial Light Detection and Ranging (LiDAR) and Geographic Information Systems (GIS) applications in a digital platform for landscape and structure consideration. The project was performed in combination with Global Positioning Systems (GPS), videography, and imaging documentation, with the 3D terrestrial laser scanning providing the referent data for the derived 3D Computer Assisted Drawing (CAD) products and archival as-is conditional reference.', 'Launch Complex 34 of the Cape Canaveral Air Force Station (CCAFS) was constructed between June 1959 and February 1961, and is associated with the Saturn 1 and Saturn 1B missile test flights and two Apollo manned program launches. The manned mission launches include the tragic Apollo 1 fire that claimed the lives of three astronauts during a countdown rehearsal. Later, the successful Apollo 7 mission originated from this same complex. The site was deactivated in November of 1971, and two years later it was abandoned in place. Today the complex serves as a memorial to the Apollo 1 tragedy and is part of a National Historic Landmark District designation along with several historic Launch Complex facilities located on the CCAFS.', '2015-08-19', '2019-04-11', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://digital.lib.usf.edu/cape-canaveral-3d\r\n', 'heritage, 3D, space history, Apollo, manned missions, Cold War, historic preservation, digital archaeology, USF\r\n', 'yes'),
	('kzxj-hs89', 'John Muir Birthplace', 'United Kingdom', '56.002902', '-2.516884', 'Published', '126 High Street Dunbar is a typical Scottish tenement building. It was originally built between 1775 and 1789 as a rental property with three flats and a stairwell that leads to a small courtyard with a coalhouse and midden (waste heap). The exterior walls are of sandstone rubble (much has been repaired with brick) covered with pebbledash (formerly lime harling or render). It is likely that for much of its life layers of lime-wash would have been used to protect the outside rather than paint. In 2013, CyArk collaborated with Scottish National Heritage, Historic Scotland, and the US National Park Service to scan the site using a Leica C10. The project represented an effort to introduce Scots and Americans to each other’s historic sites and celebrate the life of John Muir. ', 'John Muir was born in Dunbar on 21st April 1838 and his first home is now the John Muir Birthplace, a museum and visitor centre located on Dunbar High Street in South East Scotland. John was a pioneer of the modern conservation movement and is remembered as the father of the national parks movement. From 1892 to 1914 he was the founding President of the Sierra Club, now the largest conservation organisation in the world. He was a prolific writer and his books are rarely long out of print. His writings and his message continue to inspire. ', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'Scotland, environmentalism, naturalist', 'yes'),
	('kzxv-xn13', 'Immobiliary stone artifacts from Khortytsia Island at Khortytsia National Reserve', 'Ukraine', '47.821155901189', '35.095708608790', 'Published', 'Archaeological objects at the Khortytsia National Reserve were documented by the members of NGO SLR "Archaic" and the staff of the Reserve. Field capture methodology is based on the SfM photogrammetry with several scenes', 'A collection of 19 stone artifacts from the Khortytsia National Reserve. Their timespan varies from the IV millennia BCE to the Medieval times (up to the 16th century). Due to their preservation and location, it is impossible to hide these objects, which puts them at a constant risk of shelling and destruction. They represent unique pieces of nomadic worldview and its change over millennia. Some (such as Bronze Age sanctuaries or the Scythian anthropomorphic head) are rather unique. Most of these figures were constructed as a sculpture of past ancestors and served for ritual purposes but they were also used as road marks and significant features of the Ukrainian landscape. For more details please review the <a href="https://drive.google.com/file/d/1kCmISdEnwGZFb-LGPMP4AZOlawx5NqQQ/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-11-06', '2023-12-01', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://sketchfab.com/lab_archaic/collections/preserving-ukrainian-legacy-5cfe2f9505f34c068a490e1508929bb9', 'https://ostriv.org/', 'anthropomorphic, sculpture, figure, nomads, cumans, Ukraine, steppe, Scythians', 'yes'),
	('m07g-ec19', 'IDN-ACH-PID-PBR-S-001-F-0002', 'Indonesia', '5.322631', '95.955584', 'Unpublished', 'This wooden minaret is quite high with four pillars at the edges and one in the middle. The pillars are octagonal with four full-length from the base to the roof, while one middle supports from the base to the bottom of the upper floor. The minaret has a concrete base. There is a ladder placed in the middle with 14 steps. There is an open space at the top with low walls. The roof construction is entirely made of wood with a metal roof covering.', '', '0000-00-00', '2021-09-27', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('m1sm-3k02', 'Corbelled Houses of Karoo - Swaelkrans', 'South Africa', '-31.48073', '22.22914', 'Published', 'The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.', 'The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'corbel, karoo, northern cape, south africa', 'yes'),
	('m330-ns78', 'Kompleks Makam Sultanah Nahrisyah (F1)', 'Indonesia', '5.140384', '97.215654', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'This site (MAHS-IDN-ACH-AUT-SMD-S-022) is an Islamic cemetery complex. The graves are generally arranged in a north-south orientation with the bodies facing west (qibla).\nCurrently, there are at least 84 graves, varying in shape, size, and type of stone (marble, andesite, and sandstone). Some of the graves have a large tombstone with the gravestones placed in front and back, but in general, a pair of gravestones is placed at each end. Most of the gravestones are flat in shape called the Pasai type. There is also a grave called the Plang Pleng or Lamuri type. Some of the gravestones have decorations and inscriptions in Arabic. The carved decorations vary, and many have floral vines or geometric patterns carved on them. However, most are plain type gravestones with no decorations or inscriptions. Furthermore, there are a few graves with round river stone (sakrah) and a few newer graves made of cement.\n\nThis is a large white marble tomb (MAHS-IDN-ACH-AUT-SMD-S-022-F-001) with some contrasting black stone components. It is covered with ornamental carvings and Arabic inscription. There are pillars on all four corners and eight \'kandil\' panels situated in niches. The footstone on the south is decorated with vegetal and geometric motifs. The arched headstone on the north side presents a lengthly Arabic inscription.', '2021-01-09', '2021-01-09', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('m5s9-e810', 'Seljuk House', '', '', '', 'Upcoming', '', '', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY', 'https://creativecommons.org/licenses/by/4.0', NULL, '', '', NULL),
	('m6m2-c393', 'Luxor Temple Entrance Night', 'Egypt', '25.69990', '32.639357', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n', 'See: http://www.calit2.net/newsroom/rss.php?id=1862 and\nhttp://en.wikipedia.org/wiki/Luxor_Temple\n\n\nCAVECam #22 \'LuxorTempleEntranceNight\'\n    This CAVEcam was shot in the Luxor Temple near the main entrance,\n    at night.  \n\n\n\n\n\n', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Egypt, Luxor, Thebes, Temple, CaveCam', 'yes'),
	('m729-3g55', 'Busanyin Shrine', 'Nigeria', '7.758633', '4.556245', 'Published', 'In 2021, with support from the U.S. Ambassadors Fund for Cultural Preservation, CyArk partnered with the National Commission for Museums and Monuments (NCMM), the Adunni Olorisa Trust (AOT), and the local community of Osogbo to document the Busanyin shrine & provide training to local experts.\nCyArk staff and Nigerian trainees from the NCMM and AOT completed digital documentation of the shrine and surrounding landscape over the course of five days. The project team set up a control network with a total station, completed photogrammetry (both aerial and terrestrial) of the extant features of the shrine and riverbank, and also completed a LiDAR survey of both interior and exterior of the structure. \n', 'The Busanyin shrine is one of the eight principal worship points in the Sacred Grove and consists of an intricately carved walled enclosure covered with a roof meant to resemble the outstretched wings of a bird. The shrine is dedicated to the deity Ibu-Osanyin (Busanyin), a male hunter spirit who is the guardian of the knowledge of herbs and traditional medicines. An important place of worship for local traditionalists, the Busanyin shrine is believed to be one of the oldest shrines of the groves.\nIn 2019 severe flooding compromised the structural stability of the shrine resulting in significant damage to many of the delicate artworks located in and around the shrine. \n', '2021-11-11', '2021-11-16', '2022-06-26', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://www.cyark.org/projects/busanyin-shrine/exhibit', 'https://www.cyark.org/projects/busanyin-shrine/overview', 'nigeria, yoruba, busanyin, osun, traditional, shrine', NULL),
	('m85f-5g05', 'Mistake --Hall of the 500 - Palazzo Vechio ', 'Italy', '43.769330194463', '11.256529974157', 'Unpublished', 'The Cyrax LiDAR scanner is an early, non-spherical laser scanning system. This dataset contains 30 frame laser scans with 21 images. Though the original scans are provided, they are unregisted. A registered model is provided in the "data derivatives" volume with rgb projects from images', 'The Hall of the 500 in Florence\'s Palazzo Vecchio (Salone dei Cinquecento) is a large chamber containing a number of important artworks. It is understood to be the home of a possible lost Da Vinci painting, as he was commissioned to create a wall-sized battle scene. This model served as a contextual map upon which to plan various thermography and endoscopy experiments, in the attempt to locate the missing Da Vinci. These efforts are described in the 2010 National Geographic Documentary  Secrets of Florence" episode 2."', '2016-07-14', '2016-07-16', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'florence, firenze, cinquecento, salone, da vinci, medici', NULL),
	('mepm-ww89', 'Abbey of Pomposa', 'Italy', '44.831898', '12.175772', 'Published', '', 'Pomposa Abbey is a Benedictine monastery in the comune of Codigoro near Ferrara, Italy. It was one of the most important in northern Italy, famous for the Carolingian manuscripts preserved in its rich library, one of the wealthiest of Carolingian repositories and for the Romanesque buildings.\nBegun in the late in the late 700\'s the building was enlarged significantly in the tenth and eleventh centuries, with the addition of the bell tower dating to 1063. The Abbey was at one time the governmental seat for a good portion of Northern Italy, but fell into decline due to an impoverished turn in the local economy and the presence of malaria.\n', '0000-00-00', '0000-00-00', '2020-06-22', '', '#N/A', NULL, '', '', 'yes'),
	('mhb0-3218', 'Marble House', 'United States of America', '41.462093', '-71.305677', 'Published', 'Marble House cost an estimated 11 million dollars, of which 7 million was spent on 500,000 cubic feet of marble. The Preservation Society of Newport County acquired the house in 1963. In collaboration with the Preservation Society, the Samuel H. Kress Foundation, and Grady Consulting, CyArk was able to digitally scan the stone palace with a Leica C10. ', 'Commissioned by Mr. and Mrs. William K. Vanderbilt and designed by Richard Morris Hunt, the Marble House once hosted the creme de la creme of Newport\'s high society. The Beaux Arts mansion marked Newport\'s transformation from a quiet summer colony of wooden houses to the legendary resort of opulent stone palaces. Alva Vanderbilt envisioned Marble House as her \'temple to the arts\' in America, where she would display works from a 350-piece collection of Medieval and Renaissance paintings. All artwork from this collection is currently housed in the John and Mable Ringling Museum of Art. ', '2011-04-12', '2011-04-12', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://www.newportmansions.org/explore/marble-house', 'Vanderbilts, Beaux Arts, Rhode Island', 'yes'),
	('mk6t-1h12', 'Mothers Building', 'United States of America', '37.734766253850', '-122.5036205320', 'Published', 'The exterior of the Mother\'s building at the San Francisco Zoo was completed by CyArk as part of a CyArk training activity with permission provided by the The San Francisco Recreation and Park Department.', 'Built in 1925, and designed by noted architect George W. Kelham, the Mother’s Building was the only building on the west coast at the time solely dedicated to the comfort of mothers. It’s a significant building for a variety of reasons: its unique dedication to mothers, being home to some of the best examples in San Francisco of Works Progress Administration (WPA) art, and for the fact that all of the art at the Mother’s Building was created by female artists.   ', '2017-03-14', '2017-03-14', '2023-07-04', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://www.sfheritage.org/news/mothers-building-on-path-to-city-landmark-status/', 'Mothers Building, new deal, wpa, zoo, San Francisco, SF', NULL),
	('mn3w-xc18', 'Bagan - Eim Ya Kyaung (Pre Earthquake)', 'Myanmar', '21.1787529', '94.8747787', 'Upcoming', 'CyArk conducted two field expeditions to Bagan in 2016 in conjunction with Carleton University. These expeditions assisted UNESCO and the Myanmar Department of Archaeology (DoA) towards conservation efforts at the massive archaeological site. After our first mission, an earthquake struck the region damaging hundreds of temples. In the followup mission CyArk and Carleton were able to provide emergency documentation on priority monuments to aide in the immediate assessment efforts. CyArk and partners utilized LiDAR and both aerial and terrestrial photogrammetry to document the monuments. These expeditions were funded through crowd sourcing, the National Geographic Society, as well as support by John Ristevski.  \r\n', 'The ancient city of Bagan, was the political, economic, and cultural center of the Bagan Kingdom from approximately 1044 to 1287 CE. The rulers of Bagan oversaw the construction of over 5,000 religious monuments over an area covering about 65 square kilometers on the Bagan plains. More than 2,000 of the original  structures have survived in varying states of repair until the present and can be found in the Bagan Archaeological Zone.  Built in the mid-13th century, Eim Ya Kyaung was originally constructed as a monastery and converted into a temple. The structure is unique in construction with a single-storied pentagonal shape. \r\n', '2016-05-24', '2016-05-27', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/KALSm4FCvgIVJg', 'https://cyark.org/projects/bagan', 'burma, buddhist, pagan kingdom, pagoda, monastery', 'yes'),
	('mpkc-8q07', 'Thomas Jefferson Memorial', 'United States of America', '38.881381', '-77.036454', 'Published', 'In the summer of 2018, CyArk digitally documented the Thomas Jefferson Memorial on the National Mall in Washington, DC. Obtaining baseline documentation of the monument was crucial to the site\'s conservation of the structure as site managers work to better understand the growth of biofilm on the monument\'s dome. Working with the National Park Service, CyArk used terrestrial photogrammetry (Nikon D810 and Phase One Medium format camera) and laser scanning (Faro X330) to document the exterior of the structure. While CyArk typically uses drones to capture all aspects of cultural heritage sites, the nation\'s capital has restricted airspace. To successfully capture aerial photographs of the monument, CyArk photographed the site from the National Park Service\'s law enforcement helicopter. The site has been able to use the data CyArk collected to better preserve the monument and monitor biological and environmental impacts on the structure over time.', 'Light filtering through the sixteen columns standing in each of the four openings to the Thomas Jefferson Memorial illuminate a polished bronze statue of the third president of the United States. Inscribed at the base of his raised figure are the years of his birth and death: 1743 to 1826. Thomas Jefferson lived through the founding of the United States as an independent nation and significantly shaped the American democracy that the world knows today. Jefferson died on the 50th anniversary of the adoption of the Declaration of Independence, a document widely recognized as one of Jefferson\'s most celebrated achievements. Its words located on southwest wall of the memorial read, "We hold these truths to be self-evident: that they are endowed by their creator with certain inalienable rights, among these are life, liberty, and the pursuit of happiness.." On April 13, 1943, Thomas Jefferson\'s 200th birthday, roughly 5,000 people gathered under overcast skies in the memorial\'s plaza for its dedication ceremony. Just as the monument and the surrounding landscape have changed since its initial construction, our understanding of the complexities of Thomas Jefferson as a person and president have transformed as well. Today, the National Mall, where the memorial resides, is a place of reflection and activism. It is a place where people come to negotiate and reinterpret the foundations of American democracy that remain integral to Thomas Jefferson\'s legacy.', '2018-07-09', '2018-07-13', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/zQKilhRqjcxQKQ', 'https://cyark.org/projects/thomas-jefferson-memorial', 'jefferson, thomas jefferson, washington dc, president, marble, National Park Service, National Mall', 'yes'),
	('mv5j-ef62', 'Madaba - Church of the Virgin Mary & Hippolytus Hall', 'Jordan', '31.7160815', '35.7932763', 'Published', 'In December 2020 CyArk provided a virtual workshop on 3D digital documentation of cultural heritage to two faculty members and one student at the American University of Madaba. Following the workshop the trainees documented three sites in Madaba using terrestrial photogrammetry over four days. ', 'The Hippolytus Hall, an early sixth-century Byzantine villa, houses some of the most spectacular mosaics to be found, incorporating classical motifs of Phaedra and Hippolytus as well as the Three Graces (the daughters of Zeus: joy, charm, and beauty) and Aphrodite. The Church of the Virgin Mary, originally constructed in the late sixth century immediately to the east of the Hall, contains an exquisite mosaic with inscriptions detailing the name of the church and the inscription\'s date long after the rise of Islam in the region.', '2020-12-05', '2020-12-09', '2021-03-08', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://cyark.org/projects/madaba/overview', '', 'madaba, mosaic, church', 'yes'),
	('n06n-qa49', 'Complex of Hu&eacute Monuments - Tomb of Tu Duc', 'Vietnam', ' 16.433166', '107.565391', 'Published', 'In the summer of 2018, CyArk documented several monuments related to the Vietnamese Emperor Tu Duc at the Hu&eacute Monuments Complex. CyArk collaborated with the Hue Monuments Conservation Centre (HMCC) to document the Hoa Khiem Temple, Tu Duc Tomb Stele Building, Tu Duc Queen\'s tomb and the nearby An Dinh Palace. Photogrammetry of both the interior and exterior of the monuments was completed with a Nikon D810 and a Phase One Medium format camera. Aerial photogrammetry was completed with a Phantom 4 Pro drone and scanning of the monuments was accomplished with a FARO X330 laser scanner. The HMCC requested assistance documenting these monuments as it had recently completed a restoration program on these buildings and wanted baseline documentation as well as a variety of digital assets to be used in the promotion of the site.', 'The Complex of Hu&eacute Monuments is located within the Thua Thien-Hu&eacute Province in the geographical center of Vietnam. Established as the capital of unified Vietnam in 1802, Hu&eacute was not only the political but also the cultural and religious center under the Nguyen dynasty until 1945. The Complex of Hu&eacute Monuments site has suffered from the effects of wars, as well as modern development and expanding human settlements. The Tu Duc Tomb is the final resting place of Emperor Tu Duc who reigned from 1848 until his death in 1883. Tu Duc faced encroaching colonialism from the west as well as turmoil within the Vietnam, particularly related to the construction of his tomb. In attempt reduce the construction time, managers of the project reduced the construction timeline from 6 years to 3 years by ridding of breaks for the laborers, resulting in a rebellion. Construction resumed after a one and a half month break, culminating in the construction of a tomb reflecting Tu Cuc\'s most extensive education in history, philosophy, literature, and art of all emperors of the Nguyen Dynasty.', '2018-06-22', '2018-06-28', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/8AICSDNH8yJsJQ', 'https://cyark.org/projects/tomb-of-tu-duc-complex-of-hue-monuments', 'hue, temple, stele, tomb', 'yes'),
	('n0cw-2k64', 'Madaba - St. George\'s Greek Orthodox Church', 'Jordan', '31.7177122', '35.7941993', 'Published', 'In December 2020 CyArk provided a virtual workshop on 3D digital documentation of cultural heritage to two faculty members and one student at the American University of Madaba. Following the workshop the trainees documented three sites in Madaba using terrestrial photogrammetry over four days. ', 'St. George\'s Church in historic downtown Madaba, also known as the Map Church, was constructed in the late 19th century over the site of a sixth-century Byzantine church, thus protecting much of the original mosaic floor. Preserved in the mosaic was the earliest known map of the Holy Land, most likely designed to guide Christian pilgrims as they visited sacred sites throughout the region. Its uniqueness is one of the reasons tourists visit Madaba in numbers second only to Petra in some years.', '2020-12-05', '2020-12-09', '2021-03-08', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://cyark.org/projects/madaba/overview', '', 'madaba, mosaic, church', 'yes'),
	('n0py-hx71', 'Women\'s Rights National Historic Park - Hunt House', 'United States of America', '42.90231', '-76.844301', 'Published', 'In October 2019 CyArk traveled to Seneca Falls, New York to document three buildings associated with the Women\'s Rights National Historic Park. Each site bore witness to important events that were central to the first women’s rights convention. In collaboration with the National Park Service, CyArk created LiDAR scans with a Faro S350 to document the Wesleyan Chapel, the Elizabeth Cady Stanton House, and the Hunt House, helping preserve these important places and the stories that they tell.', 'The Hunt House is a two story red brick residence, adorned with four white Doric columns, a triangular pediment, and portico, built by Richard Hunt in 1829. On July 9, 1848 Jane Hunt hosted a social gathering where Hunt and her guests discussed women’s suffrage. The guests included Lucretia Mott and Elizabeth Cady Stanton, who helped convince the group to call the first ever women\'s rights convention in the U.S. ', '2019-10-12', '2019-10-12', '2021-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'suffrage, vote, New York', 'yes'),
	('n15v-da62', 'Benteng Indrapatra (F1)', 'Indonesia', '5.63526', '95.470462', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'Cluster of thick-walled defensive fortifications and ancillary structures positioned on the coast. The site (MAHS-IDN-ACH-ABS-MRY-S-001) consists of four main well-built rectangular structures. Two of the walled fortifications are intact and in good condition (restored by BPCB), while the other two are ruined foundations. There are a number of supporting features built within or in close proximity to the main defensive fortification, such as wells. Some of the features are surrounded by standing water and a canal.\n\n(MAHS-IDN-ACH-ABS-MRY-S-001-F001) The partial remains of a large stone rhombus-shaped structure with distinct construction components on the walls and on top. The interior of the structure is filled with stone, rubble and sand. The feature is located in a wetland area, and is part of a larger defensive fortification.', '2021-05-07', '2021-05-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('n3kf-7713', '101 E 15th St. NYC - Map the Moment', 'United States of America', '40.735324', '-73.989432', 'Published', 'This data was collected as part of the Map the Moment initiative, a volunteer project to document the artwork and changes to the streetscape following the killing of George Floyd and the demonstrations that followed. This data was collected by Lisa Conte and processed by Joe Graham-Felsen. They used a Canon 5D Mark 3 to scan this data and capture the various murals that appeared throughout the city. ', '101 East 15th Street was once the site of New York’s Union Square Savings Bank. Today, it houses the Daryl Roth Theatre. During the Black Lives Matter demonstrations that defined summer 2020, the theatre erected plywood boards around its perimeter. These boards were decorated with a mural dedicated to the BLM movement, featuring the names of victims of police brutality and quotes by leading thinkers, artists, and activists. Those quoted include Rep. John Lewis, Gloria Steinem, Maya Angelou, and Leonard Cohen; each quote discusses social justice, civil rights, or the need for reform. ', '2020-06-15', '2020-06-15', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, protest, mural, NYC', NULL),
	('n8mh-mm15', 'Alvord Lake Bridge', 'United States of America', '37.769', '-122.454923', 'Published', 'In November 2014, Scott Page Design in Berkeley, digitally documented the Alvord Lake bridge after learning that the structure is the oldest reinforced concrete bridge in the United States and has been designated a Civil Engineering Landmark.', 'Constructed in 1889 the Alvord Lake Bridge is located within the Golden Gate Park in San Francisco and was designed by Ernest L. Ransome. This structure is the first reinforced concrete bridge in America. Though only 20 feet in span, the bridge utilized Ransome twisted steel bars and served as a predecessor for thousands of reinforced concrete bridges built in the 20th century. ', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'alvord, bridge, reinforced concrete, concrete, alvord lake bridge, ransome', 'yes'),
	('naf7-v426', 'Church of Agios Mamas', 'Greece', '36.885209093187', '25.962606567823', 'Published', 'In the summer of 2016, CyArk in collaboration with the Hellenic Republic Ministry of Culture, Ephorate of Antiquities of the Cyclades, documented three cultural heritage sites on the island of Naxos. CyArk completed laser scanning (Faro X330 laser scanner) along with aerial and terrestrial photogrammetry (with a Canon 5D and Phantom 4 Pro drone). The documentation of the church will be used by the Ephorate of Antiquities to complement existing documentation of the site and to help with planned restoration.', 'The church of Agios Mamas is a 10th century chapel located on the island of Naxos and is believed to be the oldest standing christian structure on the island. Originally consecrated as a Greek Orthodox cathedral, the structure was converted into a Catholic church by 1207 CE. The building was dedicated to Agios Mamas, an important saint for local people who is considered to be the protector of shepherds. The site structure is cruciform in shape and features several noteworthy sculptures and frescoes inside. Due to safety considerations and planned restoration the site is currently closed to the public.  ', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-SA', 'https://creativecommons.org/licenses/by-sa/4.0', NULL, '', 'naxos, greece, church, potamia', 'yes'),
	('ne4g-rw58', 'IDN-ACH-PID-PID-S-003', 'Indonesia', '5.355583', '95.927948', 'Unpublished', 'The site is an Islamic cemetery complex. On the complex, there are five graves that are placed longitudinally north-south with an orientation facing west (Qibla). \nThe graves are marked with a pair of gravestone that placed at each ends, but some of the gravestones have been missing. The graves with no gravestones have been changed with a small tree as a grave marker. Between the head and the foot grave marker, there are placed small round river stones.', '', '0000-00-00', '2021-10-18', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('nkv2-bn91', 'Bimaristan Nur al-Din', 'Syria', '33.510206', '36.303519', 'Published', 'The digital documentation of Bimaristan Nur al-Din was part of Project Anqa, a collaboration between CyArk, the International Council on Monuments and Sites (ICOMOS), and Carleton University with funding support from the UK based charity, Arcadia Foundation. Responding to the catastrophic loss of heritage in the Middle East, the project seeks to further protect monuments through training local heritage professionals in digital preservation techniques. In partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage, CyArk trained Syrian heritage professionals in Lebanon to carry out the digital documentation of six sites in Damascus, including Bimaristan Nur al-Din.', 'Over eight centuries old, the Bimaristan Nur al-Din, is the earliest surviving site for the development of Islamic medicine. Throughout the building\'s lifetime, the site has functioned as a medical school as well as a place of healing in the heart of the old city of Damascus. Built in 1154, the building is characterized by its red brick muqarnas, elaborate entrance block, and finely carved wooden doors. The hospital was in use until the 20th century when it was converted into a Museum of Arabic Medicine and Science. The preservation of the building is a reminder of the major contributions of Islamic medicine to the world today.', '2017-08-17', '2017-08-20', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/GgJiAi-lR4xsKQ', 'https://cyark.org/projects/bimaristan-nur-al-din', 'persia, hospital, islam, medicine, health', 'yes'),
	('nted-p659', 'Surrogate\'s Court', 'United States of America', '40.713611', '-74.004249', 'Published', 'This data was collected as part of the Map the Moment initiative, a volunteer project to document the artwork and changes to the streetscape following the killing of George Floyd and the demonstrations that followed. This data was collected by Lisa Conte and processed by Joe Graham-Felsen. They used a Canon 5D Mark 3 to scan this data and capture the various murals that appeared throughout the city. ', 'Located just behind New York City Hall in Lower Manhattan, the New York Surrogate’s court is the site where all of the city’s probate and estate proceedings are handled. Following the killing of George Floyd in 2020, this site saw thousands of protesters; the façade was spray painted with countless colors and phrases that admonished police officers for excessive use of force. ', '2020-07-09', '2020-07-09', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, protest, spray paint, NYC', NULL),
	('nwjv-v807', 'Moli di Espigol Iberian City, Catalonia', 'Spain', '41.707748389973', '1.0775556322375', 'upcoming', '89 images captured via a manually flown drone, and 196 terrestrial images from mirrorless camera', 'The Iberian city of Molí d’Espígol, located in Tornabous (Catalonia), is one of the most significant remnants of the Iberian tribe known as the Ilergetes. The oldest structures date back to the early Iron Age, around the 7th century BC, starting as a fortress and growing into a large city. It’s situated on a gentle rise in the Urgell plain and covers a vast area, with about a third of the urban core excavated so far.\nExcavations have revealed a complex and organized urban layout, indicative of a community engaged in intense political, economic, and social activities. The city was fortified with a strong wall, featured an organized urban system with paved streets, squares, water management structures, houses of various types, a manufacturing district, and a silo field.\nThe economy was primarily based on robust agricultural and livestock activities. The city’s wall, excavated over 40 meters, is about 2.10 meters thick with smooth outer facings and reaches nearly 5 meters high at some points. Notable among the excavated structures is a large building with a 10-meter facade, possibly related to cultic activities or political functions.\nDeclared a Cultural Site of National Interest in 2009, the Molí d’Espígol site is one of the most developed and complex examples of the urbanistic system of the Iberian culture of the Ilergetes, which dominated much of the current provinces of Lleida and Huesca between the 6th and 1st centuries BC. The city was abandoned around 200 BC due to the Second Punic War and, despite a brief recovery around 100 BC, was finally left deserted in the mid-1st century BC. Some hypotheses suggest that Molí d’Espígol could correspond to the mythical city of Athanagia, the ancient capital of the Ilergetes tribe, destroyed by Gnaeus Cornelius Scipio during the Second Punic War123.\nFor more detailed information or to plan a visit, you can check the resources provided123.\nhttps://patrimoni.gencat.cat/en/monuments/monuments/moli-d-espigol-iberian-city\nGeotag: https://maps.app.goo.gl/MEBzBaRMYkUbQZY69\n\n973295107\n', '2024-05-05', '2024-05-05', '2024-05-14', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', '', 'Iberian, Catalonia, Calidos, archaeology, excavation', NULL),
	('nzeg-d074', 'Makam Syaikh Abdurrahim al Madani (F1)', 'Indonesia', '5.370262', '95.925319', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-PID-PID-S-002) is a small cemetery complex that contains a number of recent burials and is still actively used by the local village. A number of older graves are in the complex, including 3 elaborately carved head and foot stones (MAHS-IDN-ACH-PID-PID-S-002-F-0002-0003) as well as a number of graves marked by round river stones (sakrah) that we have not recorded as individual features.\n\nThe feature (MAHS-IDN-ACH-PID-PID-S-002-F-0001) is the grave of Shaykh Al-Madani. It consists of a pair of similar head and foot stones approximately 1m in height and about six feet apart. The stones are rounded octagonal columns that are narrower at the bottom and are topped with an elongated protruding point. Triangular floral motifs adorn the bottom of the main body. The base widens out and has 8 rectangular panels, most of which contain Arabic inscriptions and floral motifs. The tops of the stones are shaped in the form of a turbus" (in Persian', '2021-09-20', '2021-09-20', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('nzk3-ra06', 'Kompleks Makam Raja Biheu ', 'Indonesia', '5.54422', '95.789417', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-PID-MRT-S-001) is an old cemetery complex. The cemetery is an open site on the top of a hill overlooking a small river and the shore. Most of the gravestones are knocked down and scattered on the ground. The site includes various types of carved gravestones, including a number of plang-pleng', '2021-09-22', '2021-09-22', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('nzm1-hc80', 'IDN-ACH-BRN-PDA-S-001 ', 'Indonesia', '5.197793', '96.576846', 'Unpublished', 'The site is an Islamic cemetery complex. The cemetery is on the top of the hill. On the complex, there are twelve in situ graves that are placed longitudinally east-west with an orientation facing west (Qibla). The graves are marked with standing slab gravestones carved from andesite or sandstone. There are two graves with Arabic inscriptions on their gravestones, while most are plain flat gravestones without ornaments or inscriptions.', '', '0000-00-00', '2021-10-20', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('p14w-cd36', 'Church of St. Sophia', 'Republic of North Macedonia', '41.112089', '20.794114', 'Published', 'In September 2018, CyArk documented St. Sophia Church on the shores of Lake Ohrid in the Republic of North Macedonia. Several months prior, CyArk was contacted by an architect from the city of Ohrid who requested assistance documenting some of the monuments in the historic old town, part of the UNESCO World Heritage Site. CyArk began discussions with the Ministry of Culture and decided to complete work on St. Sophia Church in advance of an upcoming conservation program. CyArk documented the exterior and exterior of the church with additional high resolution capture focusing on the frescoes located in the interior. In addition to the documentation work, CyArk staff also provided a workshop to the Ministry of Culture of Macedonia as well as local architects from Ohrid.', 'From the foundation\'s mortar to the heavy roof, St. Sophia Church illuminates centuries of an area ruled by Roman, Byzantine, and Ottoman empires, reflecting the diversity of religious life that people have cultivated in the area for over 1,000 years. Built on the foundations of a 5th century Roman church, rulers have continually destroyed and rebuilt the structure, reusing materials from previous buildings. Byzantine influence covers the walls of the church, displayed in a muted array of fresco paintings. When the Ottoman empire moved into the region in the 15th century, they converted the building into a mosque, plastering over the frescos and constructing minarets on the north chapel. Remnants of the Byzantine empire can also be found in the pavement, which was modified using rubble from the preexisting structure. The building\'s reuse of old materials reflect centuries of different empires influencing life on the shores of Lake Ohrid.', '2018-10-25', '2018-10-29', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/CgIy-w-uj-OIKQ', 'https://cyark.org/projects/church-of-st-sophia', 'church, byzantine, ohrid, fresco', 'yes'),
	('p1ek-4k68', 'Cidade Velha', 'Cabo Verde', '14.9150581', '-23.605064', 'Published', 'In March 2015, CyArk digitally documented Cidade Velha in partnership with the African World Heritage Fund. Panoramic photography and LiDAR laser scanning were completed at four locations around the city including the S&eacute Cathedral, Nossa Senhora do Ros&aacuterio Church, Fort Real de S&atildeo Filipe and the Pillory square. CyArk also conducted a training workshop for African World Heritage Fund staff, local experts from Cape Verde and a variety of heritage specialists from the Lusophone community around the world. The workshop focused on digital documentation methods and the how digital data can be used for conservation.', '<p>First colonized in the mid-1400s by the Portuguese, Cabo Verde would quickly become the center of the largest human diaspora in history.</p><p>Beginning relatively small scaled, the town, Ribeira Grande, received a Royal Charter in 1466 giving permission to own and trade enslaved captives from Africa. Over the next 100 years, Ribeira Grande would increase in importance through its dominant trade in gold and slaves to the extent of being subject to frequent raids by pirates and other nations, including Sir Francis Drake in 1585, making it necessary to build the strongest fort of its day, <i>Forte de Sao Felipe</i>, in 1590.</p><p>With the building of the fort, Ribeira Grande stood center stage in the industry of human trafficking, the Trans-Atlantic Slave Trade. During the 15th and 16th centuries, the majority of Cabo Verdians were involved in the slave trade in one way or another, from direct purchasing and selling to outfitting ships sailing east or north. </p><p>With an intense mixing of cultures, Cabo Verde became the first colony to establish a creole language and culture that still exists today.</p><p>Due to its strategic location between Europe, Africa, and the Americas, Cabo Verde was an essential stop for early explorers traveling West including Christopher Columbus on his third voyage to the Americas and James Cook. As an international port of call, Cabo Verde also became an experimental ground for new fruits and vegetables heading from and into Europe and the Americas.</p><p>Ribeira Grande began to decline beginning with an attack by the French in 1712. A new capital was founded to the west, Praia, and lured the elite class away from Ribeira Grande, now called <i>Cidade Velha</i>, or old town.</p>', '2015-03-01', '2015-03-06', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/WQJyKwAAE8n8Jg', 'https://cyark.org/projects/cidade-velha', 'church, fortress, pillar, colonialism, creole', 'yes'),
	('p1vw-ae12', 'Gunongan (F1)', 'Indonesia', '5.545734', '95.316172', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BNA-BTR-S-001) was formerly part of the palace grounds of the Aceh sultanate. Its was largely destroyed by an invading Dutch force in 1874. Four stone structures, however,  remain standing to this day: The Gunongan, Kandang, Patarana Stone, and Pinto Khob. The Gunongan, Kandang, and Patarana Stone are all in very close proximity to one another, while the Pintu Khob is a little further away to the northeast, now separated from the site of the other three by a modern street. In the 17th century, however, all four structures were part of a landscaped area of the palace with a stream (Krueng Daroy) running through it. But the condition of the landscape has undergone many changes since then and is now incorporated into the modern construction of the city of Banda Aceh.\n\nThe Gunongan (MAHS-IND-ACH-BNA-S-001-F-0001) is one of the few surviving structures from the former palace grounds of the Aceh Sultanate. It is an open structure building with ten sides, and has three levels. This massive building is built of stone, sand, brick, and lime mortar. The entrance building is oriented toward the southwest. The base of every exterior corner is ornamented with a single large trefoil design. Floral ornamentation is also found on the corners of the upper level, featuring an Acehnese pucok reubong motif.', '2021-07-09', '2021-07-09', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('p26v-5k69', 'IDN-ACH-PID-PID-S-002-F-0001 (Headstone) ', 'Indonesia', '5.369093', '95.928207', 'Unpublished', 'The site is in a cemetery area close to settlement.', '', '0000-00-00', '2021-10-01', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('p2z1-5p93', 'Chichen Itza Site Survey- Aerial Drone 2023', 'Mexico', '20.682726885634', '-88.56875137865', 'upcoming', '', '', '0000-00-00', '0000-00-00', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://doi.org/10.34946/D6B88P', 'Maya, Yucatan', NULL),
	('p3xw-f907', 'Lowry Pueblo National Historic Landmark - Great Kiva (Canyon of the Ancients)', 'United States of America', '37.584418', '-108.919361', 'Upcoming', 'Due to its outstanding architectural value, Lowry Pueblo was designated as a National Historic Landmark in 1967 and became part of the Canyons of the Ancients National Monument in 2000. In 2016, Lowry Pueblo was documented by the University of Colorado Denver Center of Preservation Research (CoPR) through a combination of 3D laser scanning and high resolution imagery. The data provides an accurate baseline to monitor deterioration of the architectural remains and a means for planning future preservation efforts.', 'The Canyons of Ancients National Monument lies in the Four Corners region of the American Southwest and houses the Lowry Pueblo National Historic Landmark. The national monument is home to thousands of architectural sites and offers evidence of cultures and traditions spanning millennia. These sites include cliff dwellings, single family dwellings, great kivas, multi-storey adobe structures, shrines, rock paintings, petroglyphs and towers. Today, twenty-four native tribes claim cultural affiliation with Canyons of the Ancient National Monument.', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'indigenous, Puebloans, Colorado', NULL),
	('p40q-kq68', 'Latham Square - Map the Moment', 'United States of America', '37.806106', '-122.270308', 'Published', 'This data was collected as part of the Map the Moment initiative, a volunteer project to document the artwork and changes to the streetscape following the killing of George Floyd and the demonstrations that followed. Avidan Fernandez and Whitney Peterson from CyArk collected and processed this data using a Nikon D810 to scan the murals that adorned the boarded up retail units.', 'Latham Square is located at the intersection of Telegraph Ave. and Broadway in Oakland, CA. The plaza is often heavily trafficked, with commuters biking, walking, and driving to and from Oakland and its surrounding areas. Amidst the BLM demonstrations from the summer of 2020, the retail spaces that surround this plaza were boarded up, giving local artists the opportunity to turn each storefront into a canvas for public art and murals. ', '2020-06-12', '2020-06-12', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, Oakland, mural', NULL),
	('p84w-dm84', 'Ali Thakurufaanu Ziyaarat - Thakandhoo (HAF-TKD-2)', 'Maldives', '6.8438801384', '72.9939899221', 'Published', 'The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and a Nikon D750 for photogrammetry.', 'This is the shrine mausoleum (ziyaarat) of Ali Thakurufaanu. He was killed in 1572 in battle against the Portuguese. When he was struck down, his head was severed and taken to Malé as a gift to the Portuguese administrator Andhiri Andhirin, and later buried on the island of Funadhoo near Malé. His body, however, was buried here in Thakandhoo and this ziyaarat was later erected over the grave.', '2019-12-02', '2019-12-02', '2020-05-07', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nd/4.0', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Indian Ocean', 'yes'),
	('pb6n-zc53', 'Jamia Masjid Khudabad', 'Pakistan', '26.646899', '67.73977', 'Published', 'In 2015, the Lahore University of Management Science (LUMS) documented the Jamia Masjid Khudabad with the support of USAID as part of the Digital Preservation of Pakistan’s Heritage project. The data provides an accurate base map to monitor deterioration of the architectural, figural, and inscriptional works of the site.  This data complements existing historical documentation and conservation materials and advances the capability for planning future preservation efforts.  ', 'The Jamia Mosque Khudabad is situated in Khudabad, Dadu District in the Sindh province of Pakistan. The mosque was built between 1700 and 1718 and was designed to showcase the wealth and power of the local governor, Mian Yar Muhammad Kalhoro. Fully decorated with fresco paintings and outstanding tile work in geometric and floral designs, the Khudabad mosque stands as a testament to what was, for a brief time, a glorious capital city.\nIn 1768, the last Kalhoro ruler moved his capital away from Khudabad and without official support, the fifty-year old mosque was left to slowly decay. \nThe following century saw no improvement in the Khudabad mosque’s condition. In fact, during the heavy rains of 1994-95, one of the main domes over the prayer hall collapsed. Two other large domes and nineteen smaller ones were also damaged in the  monsoon rains. Some repair work was undertaken in 2009 to stabilize the structure and reconstruct the domes.\n', '2015-08-10', '2015-08-14', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'http://heritage360.pk/mka/masjidkhudabad.html', '', 'khudabad, sindh, pakistan, heritage, mosque, kalhoro, jamia', 'yes'),
	('pcpm-h210', 'Heart of Neolithic Orkney - The Ring of Brodgar', 'Scotland', '59.001499', '-3.229778', 'Published', 'In 2010, Historic Environment Scotland partnered with CyArk and the School of Simulation and Visualisation to document five of Scotland\'s UNESCO World Heritage Sites in five years. These sites include the Antonine Wall, St. Kilda, Edinburgh, New Lanark and Neolithic Orkney. Neolithic Orkney is a grouping of neolithic monuments in the Orkney archipelago on the Northeast coast of Scotland that provide a rare glimpse into prehistoric life in Northern Europe. Documentation efforts at Neolithic Orkney focused on several key archaeological sites including Skara Brae, the Ring of Brodgar, Maeshowe and the Stones of Stenness. In August 2010, the project partners used LiDAR, or laser scanning, to record the present condition of the structures as well as the surrounding context for use in monitoring and to support the ongoing management of the sites. ', 'Some 5,000 years ago, the prehistoric people of the Orkney Islands began building extraordinary monuments out of stone. Each of the four Heart of Neolithic Orkney sites is a masterpiece of Neolithic design and construction in itself. But together they represent one of the richest surviving Neolithic landscapes in Western Europe. The series of important domestic and ritual monuments gives us incredible insights into the society, skills and spiritual beliefs of the people who built the monuments. The Ring of Brodgar is a great stone circle 130m across. Surrounded by a rock cut ditch, it is set in a spectacular natural amphitheatre of lochs and hills.', '2010-08-01', '2010-08-31', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://www.historicenvironment.scot/visit-a-place/places/ring-of-brodgar-stone-circle-and-henge/', 'cairn, stone circle, archaeology, prehistory, chambered tomb, ', 'yes'),
	('phfx-fm65', 'Busanyin Shrine', 'Nigeria', '7.758633', '4.556245', 'Unpublished', 'In 2021, with support from the U.S. Ambassadors Fund for Cultural Preservation, CyArk partnered with the National Commission for Museums and Monuments (NCMM), the Adunni Olorisa Trust (AOT), and the local community of Osogbo to document the Busanyin shrine & provide training to local experts.\nCyArk staff and Nigerian trainees from the NCMM and AOT completed digital documentation of the shrine and surrounding landscape over the course of five days. The project team set up a control network with a total station, completed photogrammetry (both aerial and terrestrial) of the extant features of the shrine and riverbank, and also completed a LiDAR survey of both interior and exterior of the structure. \n', 'The Busanyin shrine is one of the eight principal worship points in the Sacred Grove and consists of an intricately carved walled enclosure covered with a roof meant to resemble the outstretched wings of a bird. The shrine is dedicated to the deity Ibu-Osanyin (Busanyin), a male hunter spirit who is the guardian of the knowledge of herbs and traditional medicines. An important place of worship for local traditionalists, the Busanyin shrine is believed to be one of the oldest shrines of the groves.\nIn 2019 severe flooding compromised the structural stability of the shrine resulting in significant damage to many of the delicate artworks located in and around the shrine. \n', '2021-11-11', '2021-11-16', '2022-06-26', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://www.cyark.org/projects/busanyin-shrine/exhibit', 'https://www.cyark.org/projects/busanyin-shrine/overview', 'nigeria, yoruba, busanyin, osun, traditional, shrine', NULL),
	('pr0c-nz13', '&Ccedil;atalh&ouml;y&uuml;k - East Mound North Area 2016', 'Turkey', '37.667840795660', ' 32.82817747617', 'Published', 'This collection includes a mixed remote sensing dataset made of terrestrial laser scanning point clouds, point cloud comparison data, structure from motion-generated polygonal meshes, and related textures and metadata. It was recorded at the Neolithic site of &Ccedil;atalh&ouml;y&uuml;k, Turkey under the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project carried out in 2012-2017 by scholars and students from the University of California Merced and Cardiff University. The historic series of North Area and South Area point clouds were documented by means of a Faro Focus S120 time of flight laser scanning during six consecutive field seasons (2012-2017), while the East Mound and West Mound landscape 3-D models were generated from low-altitude photos captured by an unmanned aerial vehicle (drone) in 2015.\n\nThe goal of the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project was to capture the current state of the site to comply with UNESCO site management guidelines for conservation and to understand and quantitatively assess the deterioration of its mud-brick architecture through time via 3-D data comparison and geo spatial methods. The analyses of laser scanning data focus on the wall features of eight buildings of the North Area (B5, B48, B49, B55, B64, B82, B114, B119), which were chosen as priority by Ashley Lingle, the Head of Conservation at &Ccedil;atalh&ouml;y&uuml;k. Point clouds of wall features were segmented and aligned using the open source software CloudCompare. Pairs of perfectly aligned and identically segmented point clouds were then compared using the M3C2 method in CloudCompare to compute differences (standard deviation) and significant change. The differences among aligned and identical features represent the material loss occurred in those walls in 2012-2017. The point clouds were then analyzed in a GIS platform including environmental data logged in the North Area and vulnerability assessment made in situ by the Conservation Team.', '&Ccedil;atalh&ouml;y&uuml;k (Turkish pronunciation:   also &Ccedil;atal H&ouml;y&uuml;k and &Ccedil;atal H&uuml;y&uuml;k; from Turkish &Ccedil;atal \'fork\' + h&ouml;y&uuml;k \'tumulus\') was a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7100 BC to 5700 BC, and flourished around 7000 BC.[2] In July 2012, it was inscribed as a UNESCO World Heritage Site.\n\n&Ccedil;atalh&ouml;y&uuml;k is located overlooking the Konya Plain, southeast of the present-day city of Konya (ancient Iconium) in Turkey, approximately 140 km (87 mi) from the twin-coned volcano of Mount Hasan. The eastern settlement forms a mound which would have risen about 20 m (66 ft) above the plain at the time of the latest Neolithic occupation. There is also a smaller settlement mound to the west and a Byzantine settlement a few hundred meters to the east. The prehistoric mound settlements were abandoned before the Bronze Age. A channel of the &Ccedil;arşamba River once flowed between the two mounds, and the settlement was built on alluvial clay which may have been favorable for early agriculture.\n\nSource: https://en.wikipedia.org/wiki/%C3%87atalh%C3%B6y%C3%BCk', '0000-00-00', '0000-00-00', '2021-02-28', 'CC BY-NC', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://library.ucsd.edu/dc/collection/bb62154893', '', 'yes'),
	('prmc-an45', 'Jackson Rooming House - A Jim Crow Era Boarding House in the South', 'United States of America', '27.9521987', '-82.4520423', 'Upcoming', 'The Digital Heritage and Humanities Center at the University of South Florida (USF) Libraries, working in collaboration with the Tampa Bay History Center, used a suite of reality capture and laser scanning and imaging technologies to document the deteriorating Jackson Rooming House in Tampa, Florida. The project was undertaken in an effort to capture the as-built construction and extant features of the home in an effort to digitally preserve this imperiled site. Resultant datasets will be used in a planned museum exhibition at the Tampa Bay History Center, featuring Virtual Reality and immersive exhibit design applications that will center on Tampa\'s history and the Jim Crow Era.', 'The Jackson Rooming House is a National Register of Historic Places (NRHP) listed home provided shelter and refuge for African American travelers during the Jim Crow segregation era. Also known as the Jackson House,it was constructed in 1901 in the downtown area of the City of Tampa, Florida. During the home\'s height of use, several prominent musicians and entertainers were known to have stayed there, including Count Basie, Cab Calloway, James Brown, Ella Fitzgerald, and Ray Charles. The site sits near the once thriving black business district in Tampa, along Central Avenue, that was home to numerous nightclubs in the 1960s. The home today is largely ruinous and deteriorated since the NRHP listing in 2007, and has been considered imperiled and one of the annual "11 to save" listed sites by the Florida Trust for Historic Preservation.', '2019-02-16', '2019-02-16', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://www.lib.usf.edu/dhhc/', 'Jim Crow era, heritage, 3d, structure from motion, segregation, African American, history, music, urban renewal, USF', NULL),
	('pvkt-zq12', 'Shiva Mandir Johi', 'Pakistan', '26.689398', '67.611085', 'Published', 'In 2015, the Lahore University of Management Science (LUMS) documented the Shiva Mandir Johi with the support of USAID as part of the Digital Preservation of Pakistan’s Heritage project. The data provides an accurate base map to monitor deterioration of the architectural, figural, and inscriptional works of the site.  This data complements existing historical documentation and conservation materials and advances the capability for planning future preservation efforts.  ', 'The Shiva Mandir Johi is a Hindu temple located in the city of Johi in Sindh province, Pakistan. Built in the 1850’s the temple features two domes, a large tall dome and a small and round dome to the West. The monument is currently suffering from a lack of maintenance and water infiltration however Hindu iconography including delicate carvings and several paintings are still visible.\n', '2015-09-15', '2015-09-16', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'http://heritage360.pk/shiva/temple_shiva.html', '', 'johi, sindh, pkistan, hindu, temple, mandir, shiva', 'yes'),
	('q70e-6p13', 'Dhandimagu Miskiyy (GNI-DDM-5 )', 'Maldives', '-0.289610286112', '73.413438937477', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Drone DJI Phantom 4 Pr for photogrammetry).', 'Dhandimagu Miskiyy is believed to be the central early mosque of the island. I was originally floored with white sand, direclty on top of which woven palm mats were placed at prayer times. The stone flooring was added later as part of the extensive renovations and reconstrcutions of the building over the centuries.', '2018-11-04', '2018-11-05', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', 'yes'),
	('q83m-ps65', 'Zawiyah Cut Teungku Chik Di Tiro (F1)', 'Indonesia', '5.213942', '95.951337', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-PID-TIR-S-001) is a complex comprised of a Zawiyah and the Tgk Chik Di Tiro Cemetery. An old zawiyah building is in the form of raised pavilion (bale") with wooden stilt construction. In front of the building', '2021-09-13', '2021-09-13', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('q881-zx15', 'Cidade Velha - Pillory', 'Cabo Verde', '14.915020', '-23.605050', 'Published', 'In March 2015, CyArk digitally documented Cidade Velha in partnership with the African World Heritage Fund. Panoramic photography and LiDAR laser scanning were completed at four locations around the city including the S&eacute Cathedral, Nossa Senhora do Ros&aacuterio Church, Fort Real de S&atildeo Filipe and the Pillory square. CyArk also conducted a training workshop for African World Heritage Fund staff, local experts from Cape Verde and a variety of heritage specialists from the Lusophone community around the world. The workshop focused on digital documentation methods and the how digital data can be used for conservation.', '<p>First colonized in the mid-1400s by the Portuguese, Cabo Verde would quickly become the center of the largest human diaspora in history.</p><p>Beginning relatively small scaled, the town, Ribeira Grande, received a Royal Charter in 1466 giving permission to own and trade enslaved captives from Africa. Over the next 100 years, Ribeira Grande would increase in importance through its dominant trade in gold and slaves to the extent of being subject to frequent raids by pirates and other nations, including Sir Francis Drake in 1585, making it necessary to build the strongest fort of its day, <i>Forte de Sao Felipe</i>, in 1590.</p><p>With the building of the fort, Ribeira Grande stood center stage in the industry of human trafficking, the Trans-Atlantic Slave Trade. During the 15th and 16th centuries, the majority of Cabo Verdians were involved in the slave trade in one way or another, from direct purchasing and selling to outfitting ships sailing east or north. </p><p>With an intense mixing of cultures, Cabo Verde became the first colony to establish a creole language and culture that still exists today.</p><p>Due to its strategic location between Europe, Africa, and the Americas, Cabo Verde was an essential stop for early explorers traveling West including Christopher Columbus on his third voyage to the Americas and James Cook. As an international port of call, Cabo Verde also became an experimental ground for new fruits and vegetables heading from and into Europe and the Americas.</p><p>Ribeira Grande began to decline beginning with an attack by the French in 1712. A new capital was founded to the west, Praia, and lured the elite class away from Ribeira Grande, now called <i>Cidade Velha</i>, or old town.</p>', '2015-03-01', '2015-03-06', '2020-06-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/WQJyKwAAE8n8Jg', 'https://cyark.org/projects/cidade-velha', 'church, fortress, pillar, colonialism, creole', 'yes'),
	('qafh-a256', 'Oise-Aisne American Cemetery', 'France', '49.203627', '3.547227', 'Published', 'To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document eight military cemetery chapels dedicated to the American armed forces throughout Europe. The Oise-Aisne American Cemetery chapel and map room were documented in August 2016 using LiDAR laser scanning and aerial and terrestrial photogrammetry. CyArk’s digital documentation allows people who are unable to physically visit the site to experience the monument and remember those who gave their lives for their country.', 'The Oise-Aisne American Cemetery and Memorial in France contains the remains of 6,012 American war dead, most of whom lost their lives while fighting in this vicinity in 1918 during World War I. Their headstones, aligned in long rows on the 36.5-acre site, rise in a gentle slope from the entrance to the memorial at the far end. The burial area is divided into four plots by wide paths lined by trees and beds of roses; at the intersection are a circular plaza and the flagpole.\n\nThe memorial is a curving colonnade, flanked at the ends by a chapel and a map room. It is built of rose-colored sandstone with white trim bearing sculptured details of wartime equipment. The chapel contains an altar of carved stone. Engraved upon its Walls of the Missing are 241 names. Rosettes mark the names of those since recovered and identified. The map room contains an engraved and colored wall map portraying the military operations in this region during 1918.', '2016-08-03', '2016-08-04', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, 'https://www.abmc.gov/cemeteries-memorials/europe/oise-aisne-american-cemetery', 'oise-aisne, america, american, cemetery, abmc, france, ww1, ww2, memorial, chapel', 'yes'),
	('qar6-jd68', 'Upper Paleolithic Javelin at National Historical Museum of Dnipro', 'Ukraine', '48.459471', '35.065201', 'Published', 'Archaeological objects at the Dmytro Yavornytsky National Historical Museum of Dnipro were documented by the members of NGO SLR "Archaic" and the staff of the Museum. Field capture methodology is based on the SfM photogrammetry with several scenes', 'An Upper Paleolithic engraved artifact represents the iconic feature of the material culture in the region during the Late Pleistocene, which remains very scarcely known by modern scholarship. It is attributed to the Eastern Gravettian (or Epigravettian) technological industry and dated to approximately 13 millennia BCE. There are known other objects of that kind in the region, and in Ukrainian Steppe. For more details please review the <a href="https://drive.google.com/file/d/155OARDV5VqODvAcnTRNR839SmZ_93Ir9/view?usp=drive_link" target="_blank"> manifest</a>.', '2023-11-27', '2023-12-10', '2024-05-03', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://sketchfab.com/lab_archaic/collections/preserving-ukrainian-legacy-5cfe2f9505f34c068a490e1508929bb9', 'https://www.museum.dp.ua/en/', 'Ukraine, Upper Paleolithic, Pleistocene art, engraved bone, javelin', 'yes'),
	('qcc3-b484', 'Fort Laramie National Historic Site', 'United States of America', '42.2030181', '-104.55799', 'Published', 'In 2009, Wyoming\'s Fort Laramie was the subject of a digital preservation pilot project between the National Park Service, CyArk, and the University of Colorado, Denver. The documentation of Fort Laramie focused on the four remaining buildings of Officer\'s Row (Old Bedlam, Post Trader\'s Complex, Post Surgeon\'s Quarters, Lt. Colonel\'s Quarters), the adjacent Parade Ground, and the ruins of the Post Hospital. The team used laser scanners and photography to capture the interior and exterior of the buildings as well as the surrounding grounds for context. The project produced highly accurate 3D data to aid in the ongoing conservation and restoration work of the fort. Additional 3D reconstructions, animations, and other multimedia were generated to supplement existing educational and interpretive media.', 'Although small, measuring 100 by 80 feet, the construction of the site\'s first building in 1834 marked the beginning of a major transformation in the American west. What would later become Fort Laramie, began as a trading post where it\'s owners primarily traded buffalo robes with local American Indian communities, particularly the Lakota or Sioux. Throughout the mid to late 1800s, the site changed alongside the decline of the buffalo population, the intensive westward movement of emigrant populations, and the US government\'s militaristic takeover of American Indian lands. Fort Laramie became one of the most consequential military posts on the northern plains, playing a significant and controversial role in American Indian relations. As the 19th century came to a close along with Western expansion, the role of the fort diminished. The buildings on the site today reflect a significant turning point in shaping the American landscape today.', '2009-09-18', '2009-09-21', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/tAIC3hDt90-0Ig', 'https://cyark.org/projects/fort-laramie', 'great plains, wastward expansion, native american, trade', 'yes'),
	('qdpd-2250', 'USS Pampanito Submarine', 'United States of America', '37.809941', '-122.416395', 'Published', 'USS Pampanito was towed to Bay Ship & Yacht shipyard and raised out of the water in a dry dock for repairs. On Friday, November 11, 2016 the submarine was scanned.  Our goal was to create a baseline scan for future comparison, to inform future repairs, to compare to her builders drawings, and to facilitate interpretation and research.', 'USS Pampanito made six patrols in the Pacific during World War II during which she sank six Imperial Japanese ships and damaged four others. Operated by the Maritime Park Association, Pampanito hosts over 100,000 visitors a year and is one of the most popular historic vessels in the country. In addition to day time visitors, over 1,500 kids a year participate in Pampanito\'s educational day and overnight programs. Pampanito is a National Historic Landmark.', '2016-11-11', '2016-11-11', '2020-01-10', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://maritime.org/sub/', NULL, 'yes'),
	('qe2p-r626', 'Luxor Temple First Court Night 2', 'Egypt', '25.7', '32.639357', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n', 'See: http://www.calit2.net/newsroom/rss.php?id=1862 and\nhttp://en.wikipedia.org/wiki/Luxor_Temple\n\nCAVECam #24 \'LuxorTempleNight\'\n    This CAVEcam was shot in the Luxor Temple showing the First Court\n    of Ramesses II and the 14th Century Mosque of Abu al-Haggag, at\n    night. ', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Egypt, Luxor, Thebes, Temple, CaveCam', 'yes'),
	('qg7a-d271', 'San Antonio Missions - Mission Concepcion', 'United States of America', '29.3910369', '-98.4933448', 'Published', 'In the spring of 2010, CyArk collaborated with the National Park Service and Los Compadres, now known as Mission Heritage Partners, to digitally preserve San Antonio Missions National Historical Park. CyArk partnered with Critigen, a geospatial consulting company which used laser scanning and digital photography to document the missions. The 3D data was used by site managers for the continued preservation of the missions as well as the creation of interactive educational materials. The documentation was also used to inform the sites\' application for inscription to the UNESCO World Heritage List, to which it was successfully inscribed in 2015.', 'Located along the San Antonio River in Texas, the San Antonio Missions National Historical Park encompasses five Spanish Colonial sites: Mission Concepci&oacuten, Mission Espada, Mission San Jos&eacute, Mission San Juan, and the Espada Aqueduct. These outposts were originally built to expand and defend the Spanish frontier and spread Christianity to local Native American populations, but also acted as centers of agricultural production, weaving, iron working, and carpentry. Today, the San Antonio Missions represent the largest collection of Spanish Colonial missions in the United States.						', '2010-01-20', '2010-02-02', '2020-06-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/NQJydYx20sqaIg', 'https://cyark.org/projects/san-antonio-missions', 'texas, san antonio, christianity, spanish, catholic, colonization, colonialism', 'yes'),
	('qhqk-3425', 'Corbelled Houses of Karoo - Werda', 'South Africa', '-31.56834', '22.0291', 'Published', 'The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.', 'The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'corbel, karoo, northern cape, south africa', 'yes'),
	('qjsg-hq73', 'Waitangi - Te Whare R&umacr;nanga', 'New Zealand', '-35.265743', '174.082733', 'Published', 'The Waitangi Treaty Grounds were documented by CyArk in December 2017 using a combination of terrestrial and aerial photogrammetry and LiDAR laser scanning. Documentation was completed on the entire site extents with higher fidelity capture at the Te Whare R&umacr;nanga (the carved meeting house), the Treaty House as well as the Ng&amacr;tokimatawhaorua (the ceremonial war canoe). The data will be used by the Waitangi Treaty Grounds in ongoing management and promotion of the site. The work at Waitangi was completed through generous support from Air New Zealand.', 'On February 5th, 1840, over three hundred different M&amacr;ori and European representatives met on the lawn of James Busby\'s home to discuss the treaty of Waitangi and the sovereignty of the nation of New Zealand. Signed the next day by those in attendance, the treaty is considered the founding document of the country of New Zealand with February 6th celebrated as a national holiday. The site today preserves James Busby\'s residence, renamed as the \'Treaty House\', along with a M&amacr;ori meeting house that was built alongside it to celebrate the conception of independence. ', '2017-09-20', '2017-12-08', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/dgLCBczC35cKIg', 'https://cyark.org/projects/waitangi', 'waitangi, treaty, newzealand, maori, meetinghouse', 'yes'),
	('qkhk-s475', 'Amphitheatre of Carthage', 'Tunisia', '36.857887', '10.329568', 'Published', 'The amphitheatre of Carthage was documented in 2012 as part of the EU funded ATHENA project (Ancient Theaters Enhancement for New Actualities). The program was first deployed in 2009 and was concerned with the innovation, protection and preservation of ancient theaters across the Euromed region. Inherent as well is making the people, local communities, diverse actors across the Mediterranean more appreciative of the value of these theaters to making them more sustainable for future generations.\n', 'Situated in the suburbs of Tunis, the Carthage Theater stands as a major monument to Carthage, an ancient city destroyed by the Romans in 146 BCE, but later built in 44 BCE to become a great city in the Mediterranean. The Theater was thought to have been destroyed in 5 Century AD butunderwent several periods of restorations and renovations. Today, it hosts major international events such as the Carthage Festival of Art, and at one time it was thought to hold up to 5000 spectators.', '2012-06-27', '2012-07-02', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'tunis, tunisia, amphitheatre, roman, julius caesar', 'yes'),
	('qx4z-zw93', 'El Castillo Temple of Kulkucan - Chichen Itza', 'Mexico', '20.682925785452', '-88.56861263800', 'upcoming', '', 'Chichen Itza, a UNESCO World Heritage site in Mexico, holds immense cultural significance as a remnant of the ancient Mayan civilization. Its architectural marvels, such as the Pyramid of Kukulcan, showcase advanced knowledge in astronomy and mathematics. This sacred site served both as a hub for religious ceremonies and as a center of trade, reflecting the Mayan people\'s complex societal structure. The site\'s alignment with astronomical events highlights the Mayans\' deep connection to the cosmos. Today, Chichen Itza stands as a symbol of the rich heritage and ingenuity of the Mayan civilization, drawing visitors from around the world to marvel at its wonders.', '2023-02-17', '2023-02-17', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://doi.org/10.34946/D6B88P', 'Maya, pyramid, Yucatan', NULL),
	('qx9f-av27', 'Deadwood', 'United States of America', '44.377964', '-103.729139', 'Published', 'The historic city of Deadwood is surrounded by thick pine forests and as such is vulnerable to wildfires. Given the risks the Deadwood historic society decided to preserve its historic district through laser scanning documentation. In the spring of 2003 TSP Architects from Rapid City used two Cyrax 2500 3D laser scanners to document 5992 linear feet of building facades along Deadwoods downtown main street. ', 'Deadwood is a small town in the Black Hills of Lawrence County, South Dakota which first got its start as a mining camp during the gold rush of 1876. As its population grew the nearby surrounding hills forced the town to develop around a small dense downtown.\nAlthough the first buildings were made primarily of wood and canvas, the present appearance of the downtown is the result of the fire of 1879 which destroyed most of the commercial district. Following the fire, the town was rebuilt using more permanent materials in vogue at the time. \nIn 1879 Deadwood was a wealthy city and the residents and builders were able to indulge in the latest styles and materials. After the great fire, stone, and brick were the preferred materials and for certain buildings such as banks, hotels and public buildings the grand styles were seen as appropriate. By 1910 the initial wave of building and prosperity had ceased and the subsequent economic decline of the area caused the buildings to remain substantially unchanged.\n\n', '2003-05-07', '2003-05-28', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'south dakota, black hills, deadwood, mining', 'yes'),
	('qxmp-w847', 'IDN-ACH-PID-SKT-S-002', 'Indonesia', '5.248425', '95.905582', 'Unpublished', 'The site is an Islamic cemetery for at least ten graves that stretch north-south and orientation towards the Qibla (west). The graves are in the enclosed building with two rooms inside. The west room consists of 4 graves while the east room consists of 6 graves. The floor level in the east room is lower than in the west room. In the west room, the distance between each tomb is rather loose (not too close to each other) and the floor in between the tombs has been plastered with cement. In the east room, between the tombs is very close to each other. In the middle, between the head- and footstones are given small round river stones. \nOutside the building, there are several graves that newly indications.\nIn addition, there is a stone monument to the west of the cemetery. There is also an old well in the south of the cemetery.', '', '0000-00-00', '2021-10-12', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('qzje-rr80', 'Baa Miskiyy (KFA-TLS-1 )', 'Maldives', '4.3659227523406', '73.651901049311', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).', 'The local believed this mosque was  the Friday mosque of the island built around 1355 Hijri and a person named Manchangoalhi Ganduvaru Manippulhu was  the only one who prays in this mosque whenever he came to Thulusdhoo island.  There was two wells in this mosque', '2019-03-04', '2019-03-10', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', NULL),
	('r3yx-0c81', 'Gan Mound (LAM-GAN-2 )', 'Maldives', '1.893671241', '73.53697054', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).', 'A large artificial earthen mound (havittha) marking the site of an ancient Buddhist ritual complex that also includes the ruins of a dozens of stupas and other coral stone structures. The surface of the mound is currently covered with pieces of coral rubble and overgrown with vegetation, among which are also scattered several fragments of more finely worked coral stone blocks with ornamental details. ', '2018-08-13', '2018-09-13', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Buddhist Site, Indian Ocean', 'yes'),
	('r518-1t94', 'Rock Art Sites of Somaliland - Nabi Galay', 'Somaliland', '  9.756888', ' 44.576618', 'Published', 'In September 2013, CyArk digitally documented Laas Geel, Dhagah Nabi Galay and Dhagah Kureh rock shelters using laser scanning and photogrammetry.  The project was conducted in partnership with the Horn Heritage Charity, a nongovernmental organization that works to protect and promote the archaeological heritage of the Horn of Africa and ICCROM, the International Centre for the Study of the Preservation and Restoration of Cultural Property.  CyArk also provided a training workshop to  heritage professionals from Somaliland. The expedition was made possible through a generous donation from the Government of Switzerland.', 'The complex cave and rock shelters of Laas Geel, Dhagah Kureh, and Dhagah Nabi Galay lie just 30-45 minutes outside of Hargeisa, the capital of Somaliland, a self-declared republic and autonomous region of Somalia. Exhibiting outstanding Neolithic rock art, the sites\' cave paintings are considered to be some of the best preserved rock paintings in all of Africa. The images provide valuable information about some of the earliest pastoralists living in this region. The paintings, dated to the third and second millennia BC, depict the herding of humpless cows, sheep and goats, as well as the hunting of antelopes, giraffes, and other wild animals.', '2013-09-10', '2013-09-15', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/5wLCLQamXaTLLw', 'https://cyark.org/projects/rock-art-sites-of-somaliland  ', 'somalia, somaliland, hargesia, laas geel, cave paintings, cave art, horn of africa, granite', 'yes'),
	('rbzy-c847', 'Makam Habib 1', 'Indonesia', '5.185894', '96.621311', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BRN-PDA-S-002) is a small cemetery with graves marked by carved gravestones on an earthen mound. Two graves are on the top of the mound. The graves are all located within several meters of each other. A group of gravestones of various styles are no longer in their original position. The stones were collected from the surrounding area and kept under a tree near the two in situ graves.', '2021-10-07', '2021-10-21', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('rebk-tb21', 'Star of India - Maritime Museum of San Diego', 'United States of America', '32.720375', '-117.173548', 'Published', 'Photogrammetry, 1079 images captured with Nikon d7000, while the ship was in drydock for regular painting and maintenance. Images were masked with Agisoft Metashape, processed with Reality Capture.', 'The Star of India is the oldest ship still sailing, an iron hulled 205ft merchant vessel built in 1863. This ship is both a California Historical Landmark and United States National Historical Landmark.', '2020-02-18', '2020-02-18', '2020-10-15', 'CC BY', 'https://creativecommons.org/licenses/by/4.0', NULL, '', 'ship, museum', 'yes'),
	('rg3a-nr94', 'Chiesa di San Francesco o del Rosario - Rocca Imperiale', 'Italy', '40.109500144391', '16.579047765185', 'Published', 'Exterior scan only', '', '2013-00-00', '2013-00-00', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', '', 'yes'),
	('rhe9-0980', 'Santa Trinita Church in Florence', 'Italy', '43.770', '11.250', 'Upcoming', 'Florence As It Was has multiple aims within its broad goal of recreating selected structures in the city as they appeared in the year 1500. The pointclouds and photogrammetric models we build certainly serve their purposes as visual portals into the past, but the translations of early modern descriptions, transcriptions of contemporary documents, and the creation of a database of people, places, and things weaves these images into layers of information that help us interpret what we see. Intended as a study tool (as opposed to a substitution for the real thing), this project provides users with a combination of the type of original source materials that historians of art and architecture in particular typically use when crafting scholarly works. Its multi-variances routinely force us to make choices and adhere to a list of priorities as we go.\n\nWe have progressed deliberately and with an eye toward posting the most original portions of our work first, and then filling in the gaps later on. We have concentrated much of our attention on the physically and politically challenging work of securing permissions, traveling to Florence, and then using state-of-the-art technology to scan the most important structures in the city before editing and modeling those scans so that they reflect accurately the dimensions and color patterns of those buildings.', 'from Wikipedia: a Roman Catholic church located in front of the piazza of the same name, traversed by Via de\' Tornabuoni, in central Florence, region of Tuscany, Italy. It is the mother church of the Vallumbrosan Order of Monks, founded in 1092 by a Florentine nobleman. South on Via de\' Tornabuoni is the Ponte Santa Trinita over the river Arno; across the street is the Palazzo Spini Feroni.', '2022-11-28', '2022-11-28', '2023-06-13', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', 'https://florenceasitwas.wlu.edu/', 'https://florenceasitwas.wlu.edu/architecture/santa-trinita.html', 'Florence, FAIW, church', 'yes'),
	('rmgv-c264', 'Temple of Karnak Obelisks - Luxor', 'Egypt', '25.718330', '32.658333', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. ', 'A portion of the Temple of Karnak, on the Luxor side of the Nile. The Obelisk of Tuthmosis is prominent and the Obelisk of Hatshepsut is further back.\n\nCAVECam #14 \'LuxorKarnakObelisks\'\nShown in this CAVEcam is a portion of the Temple of Karnak, on the Luxor side of the Nile. The Obelisk of Tuthmosis is prominent and the Obelisk of Hatshepsut is further back. Greg Wickham is seated with temple guards in the shade. See: http://www.calit2.net/newsroom/rss.php?id=1862 and http://en.wikipedia.org/wiki/Karnak', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Egypt, Luxor, Thebes, Temple, CaveCam', 'yes'),
	('rmkh-dr35', 'IDN-ACH-PID-TIR-S-001-F-0001', 'Indonesia', '5.213942', '95.951337', 'Unpublished', 'The site is a complex of Zawiyah and Tgk Chik Di Tiro Cemetery. There is an old zawiyah building in the form of "bale" with wooden stilt construction. In front of the building, there is a pool made of stone and mortar. An old well is on the south side. On the north side there is a cupola building with the grave of Tgk Chik di Tiro in it. Besides the grave of Tgk Chik Di Tiro, there are several other graves in the cupola. Other graves are also around it, up to the north and east side of the zawiyah building.', '', '0000-00-00', '2021-10-14', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('rp8j-ba59', 'Palazzo Ruccellai - Florence', 'Italy', '43.7713107414', '11.2493235761', 'Published', 'Includes facade and 1st courtyard/entryway', 'A 15th century townhouse in Florence, Italy. This building is a key example of renaissance architecture. ', '2013-00-00', '2013-00-00', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'Firenze', 'true'),
	('rxn2-t847', 'Masjid Day Bubue (F1)', 'Indonesia', '5.301486', '95.967737', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site  (MAHS-IDN-ACH-PID-PBR-S-002) is an old mosque complex that contains the main mosque building, a smaller raised \'bale\' pavilion, a well, two cisterns for ablutions, a toilet, foundation structure, and a mound with graves on it. The mosque is built in a traditional Acehnese wooden construction style with a two-tiered roof. The entrance to the mosque is on the east side. In front of the mosque (to the east) are two cisterns and a well. North of the cistern is a toilet. The ground in front of the mosque is slightly elevated and surrounded by a foundation structure. On the south side, there is a bale (raised pavilion), also made from wood. There is a grave around with some old grave stones to the east of the mosque.\n\nThe feature (MAHS-IDN-ACH-PID-PBR-S-002-F-0001) is a mosque built in traditional Acehnese style with a two-tiered roof supported by wooden pillar construction. The building has a square floor plan measuring approximately 8.5 x 8.5 meters. The floor is a concrete foundation. There are four main wooden pillars in the middle and twelve wooden pillars around the sides to support the roof. The wooden pillars are octagonal. Each pillar is joined with a wooden support at the top. Most of the structural construction is made from wood, joined using wooden pegs. Some of the joints are secured using palm fiber ropes. The tiered roof is made from metal sheeting. \nThe side walls are half open and made of loose fitting wooden boards. The entrance to the mosque is on the east side with concrete stairs leading into the structure. \nA number of the main horizontal and diagonal support beams holding up the roof are covered in intricate carvings of floral vines, geometric patterns, and Arabic inscriptions. The main mosque building is associated in the same complex with a number of other related features.', '2021-09-09', '2021-09-09', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('s697-9z87', 'IDN-ACH-BRN-PSN-S-004', 'Indonesia', '5.219153', '96.745996', 'Unpublished', 'The site is a cemetery with several ancient graves besides some new graves. The ancient graves are marked with a gravestones in the form of standing slab carved from andesite stone. Other than that, there are also many round river stones (sakrah) placed on the ground as a grave marker.', '', '0000-00-00', '2021-10-22', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('s9by-nv28', 'Ramesseum - Thebes', 'Egypt', '25.72766', '32.61053', 'Published', 'Ancient Thebes is home to the Ramesseum, one of the world\'s most important surviving examples of an ancient Egyptian temple. Partners from INSIGHT, Plowman Craven and XENEXUS used laser scanning to collect an accurate sampling of the Ramesseum\'s ground plan for use in publication and conservation of the monument. Comprehensive laser scan coverage for the entire Ramesseum area was acquired along with detailed close-range 3D scans within the stone temple itself.', 'The Ramesseum is the memorial temple (or mortuary temple) of Pharaoh Ramesses II in Thebes. The site is located within the Theban necropolis across from modern city of Luxor and the Nile. Thebes known to the ancient Egyptians as Waset, was an ancient Egyptian city located along the Nile about 800 kilometers (500 mi) south of the Mediterranean. Thebes was the capital of Egypt for long periods during the Middle Kingdom and New Kingdom eras and benefitted greatly from trade due to its proximity to Nubia and the Eastern Desert.', '2004-07-05', '2004-07-12', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'egypt, thebes, ramses, Ramesseum, temple', 'yes'),
	('sebe-xm37', 'La Montale', 'San Marino', '43.930138732899', '12.452420325563', 'Published', 'A multi-modal scan was performed of the Montale, including terrestrial lidar and photogrammetry, and aerial drone. A first set of exterior and interior scans were performed on July 14th 2016, with a scaffold in place to enable access to the tower interior. Later, on July 17th, another set of exterior scans were performed wihtout this scaffold, giving an unobfuscated view of the whole tower. The dataset includes 31 lidar scans, 1543 drone images, and 1789 terrestrial images.', 'The Montale is the smallest of the three towers atop San Marino\'s Mount Titano,  and is included in the area designated a Unesco Heritage site in 2008. In 2017 a survey was undertaken by the Cultural Heritage Engineering Initiave (CHEI), then called CISA3, in partnership with the University of the Republic of San Marino. This survey covered the whole of the mountain and historic center, and special focus was given to important structures, including the three towers: The Guaira, the Cesta, andthe Montale,  the Palazzo Pubblico, the Parva Domus, the Piazza della Liberta, and the Bascilica di San Marino, Chiesa di San Pietro, all of which are made available as datasets on OpenHeritage3D.', '2016-07-14', '2016-07-17', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'unesco, mountain, medieval, italy, tower', 'yes'),
	('sgf3-qp47', 'Bagan - Ananda Ok Kyaung', 'Myanmar', '21.171873', '94.867177', 'Upcoming', 'CyArk conducted a third independent mission to Bagan in 2017, following two earlier expeditions in collaboration with Carleton University. The 2017 mission took place following a major earthquake in 2016 and the documentation was focused on the extent of damage that occurred to previously surveyed monuments.These expeditions assisted UNESCO and the Myanmar Department of Archaeology (DoA) towards conservation efforts at the massive archaeological site. CyArk and partners utilized LiDAR and both aerial and terrestrial photogrammetry to document the monuments. This expedition was funded through the Google Cultural Institute.\r\n', 'The ancient city of Bagan, was the political, economic, and cultural center of the Bagan Kingdom from approximately 1044 to 1287 CE. The rulers of Bagan oversaw the construction of over 5,000 religious monuments over an area covering about 65 square kilometers on the Bagan plains. More than 2,000 of the original  structures have survived in varying states of repair until the present and can be found in the Bagan Archaeological Zone.   The small Ananda Ok Kyaung chapel, or monastery, features 18th-century murals of life in the area during the Began period.   ', '2017-04-20', '2017-04-28', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/KALSm4FCvgIVJg', 'https://cyark.org/projects/bagan', 'burma, buddhist, pagan kingdom, pagoda, monastery', 'yes'),
	('sghd-hw63', 'Ranavijaypur Mosque', 'Bangladesh', '22.668068', '89.758039', 'Published', 'The Ranavijaypur Mosque was documented by staff and students from the Architecture Discipline of Khulna University and the Faculty of Arts and Humanities of Jahangirnagar University under the leadership of Dr. A.T.M. Masood Reza as part of the R.E.D. (Rapid Emergency Documentation) program funded by the Aliph Foundation and implemented by CyArk. The mosque was documented as part of a disaster simulation to study how quickly a team could complete the digital documentaion of a historic building using photogrammetry. All five stages of the R.E.D. methodology (Planning, Data Collection, Input Organization, Data processing and Creation of Results) were completed in under 48 hours. ', 'The site is found within the UNESCO World Heritage Site of the Historic Mosque City of Bagerhat and is an active mosque used by the community for daily prayers as well as a storm shelter during cyclones. The mosque is believed to have been first built in the late-fifteenth century and is consistent with the many other Khan Jahan Ali style mosques found within Khalifatabad (Bagerhat). The mosque has unusually thick walls measuirng 2.74 meters. ', '2022-12-09', '2022-12-09', '2023-07-04', 'CC BY-SA', 'https://creativecommons.org/licenses/by-sa/4.0', '', '', 'Bagerhat, bangladesh, islam, mosque, masjid, khan jahan, ronbijoypur, ranavijaypur, khalifatabad', NULL),
	('sgm6-zz06', 'Makam Tuha Meunasah Baroh (F1)', 'Indonesia', '5.193723', '96.587723', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BRN-PDA-S-005) is an old cemetery that is currently used as a garden and that contains contains dozens of grave markers. Most of the grave markers are mid-sized rounded stones. A rectangular patch of stones contains a number of historic gravestones.\n\nA concrete well (MAHS-IDN-ACH-BRN-PDA-S-005-F-0001) surrounded by a large earthenware ring wall. The outside of the ring wall is ornamented with triangular motifs. The well still contains water. The feature is located in an area that is currently used as a garden, but in the past was used as a cemetery.', '2021-10-14', '2021-10-14', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('sgy0-jx56', 'Voortrekker Settler Cottage', 'South Africa', '-29.602917', '30.385278', 'Published', 'This site is one of the early Voortrekker Settler Cottages, though certain elements have changed over the years(e.g. the thatched roof has been replaced). Typical features of Voortrekker cottages include thick walls of mud brick or shale, yellowwood floors and ceilings, and haylofts. In 2012, CyArk partnered with the University of KwaZulu Natal (UKZN), the African Conservation Trust (ACT), and Heritage KwaZulu-Natal to form a new chapter, CyArk South Africa. The site was scanned as part of a UKZN Heritage Mapping Unit project to digitally document historical buildings in Pietermaritzburg. ', 'Known for its beautiful examples of Victorian and Edwardian architecture, the Voortrekker Settlers Cottage is located in Pietermaritzburg, South Africa, the capital of the KwaZulu-Natal province. The city was founded in 1838 by Dutch-speaking Voortrekkers (early Dutch settlers) who moved away from the British authorities in the Cape and headed north into Natal. The town was laid out according to the traditional Voortrekker grid pattern and from 1840 people quarried shale and manufactured bricks to construct the thatched Voortrekker cottages like this one. ', '2012-08-27', '2012-08-27', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'Voortrekker, Afrikaans, cottage', 'yes'),
	('shjj-ed10', 'Monastery of Santa Maria Vallsanta', 'Spain', '41.566954050307', '1.1620319586318', 'Published', 'A collaboration between Calidos and University of California San Diego\'s Cultural Heritage Engineering Initiative (CHEI), this dataset consists of 1140 images,  303 captured through manual drone flight, and 837 from terrestrial cameras', 'from wikipedia "https://ca-m-wikipedia-org.translate.goog/wiki/Santa_Maria_de_Vallsanta?_x_tr_sl=ca&_x_tr_tl=en&_x_tr_hl=ca&_x_tr_pto=wapp"\r\n\r\n The construction of the monastery began in 1235. The new monastery was intended to replace that of Santa Maria de la Bovera . [2] which was in bad conditions due to lack of water. The community, composed of twenty-three nuns, moved in 1249 with Agnès de Guimerà as its first abbess . In 1267 the construction was already completed.\r\n\r\nIt received several donations, highlighting the one made in 1272 by King Jaume I that financed a large part of the construction works of the cloister . [2] The community was active during the 14th and 15th centuries . There is no news about the origin of the monastery\'s income or whether it received later donations from the crown or the nobility. In 1348 the monastery was affected by a plague epidemic that decimated the community.\r\n\r\nA new epidemic ravaged the monastery in 1403, reducing it to the mother abbess, a mother prioress, a sexton and two sisters. In 1589 the cenobi was in complete decay; it had only three nuns, no abbess and debts were piling up. Francesc Oliver de Boteller, abbot of the Poblet monastery and general visitor of the Cistercian order, then ordered the nuns to move to the monastery of Santa Maria del Pedregal, [2] [3] located near Tàrrega , which put an end to active life in Vallsanta. After the abandonment of the religious activity the building was left in ruins.', '2023-06-21', '2023-06-21', '2023-07-08', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', '', 'monastery, convent, Catalonia, Calidos, CHEI, ruins, church', 'yes'),
	('shvk-8173', 'Basilica di San Marino and Chiesa di San Pietro', 'San Marino', '43.937389809773', '12.446645831412', 'Published', 'A multi-modal scan was performed of the Basilica di San Marino and neighboring Church of St. Peter including terrestrial lidar and photogrammetry, and aerial drone.  The dataset includes 42 lidar scans, of the exterior, interior, and attic spaces,  925 drone images, and 2664 terrestrial images.', 'The Cesta is the second and most central of the three towers atop San Marino\'s Mount Titano,  and is included in the area designated a Unesco Heritage site in 2008. In 2017 a survey was undertaken by the Cultural Heritage Engineering Initiave (CHEI), then called CISA3, in partnership with the University of the Republic of San Marino. This survey covered the whole of the mountain and historic center, and special focus was given to important structures, including the three towers: The Guaira, the Cesta, andthe Montale,  the Palazzo Pubblico, the Parva Domus, the Piazza della Liberta, and the Bascilica di San Marino, Chiesa di San Pietro, all of which are made available as datasets on OpenHeritage3D.', '2016-07-15', '2016-07-15', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'unesco, mountain, medieval, italy, church, chiesa, peter, pietro', 'yes'),
	('sjc3-9y05', 'Hall of the 500 - Palazzo Vecchio ', 'Italy', '43.769330194463', '11.256529974157', 'Published', 'The Cyrax LiDAR scanner is an early, non-spherical laser scanning system. This dataset contains 30 frame laser scans with 21 images. Though the original scans are provided, they are unregisted. A registered model is provided in the data derivatives" volume with rgb projects from images', 'The Hall of the 500 in Florence\'s Palazzo Vecchio (Salone dei Cinquecento) is a large chamber containing a number of important artworks. It is understood to be the home of a possible lost Da Vinci painting, as he was commissioned to create a wall-sized battle scene. This model served as a contextual map upon which to plan various thermography and endoscopy experiments, in the attempt to locate the missing Da Vinci. These efforts are described in the 2010 National Geographic Documentary  Secrets of Florence" episode 2."', '2002-07-14', '2002-07-16', '2023-12-30', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'https://chei.ucsd.edu/', 'florence, firenze, cinquecento, salone, da vinci, medici', 'yes'),
	('sjyw-3r43', 'Houghton Hall', 'United Kingdom', '52.826882', '0.657748', 'Published', 'Although much of the home and its original furniture and fabrics are still intact, the Old Master paintings that once decorated the walls are gone. Sir Robert Walpole sold Houghton’s vast art collection to Catherine the Great in 1779. These paintings typically reside in St. Petersburg’s State Hermitage Museum, but in 2013, they were loaned to Houghton for a special exhibition, which CyArk scanned and digitally captured using a Faro S120. The scans were used to create an iPad application that allows viewers to compare what is currently on display at Houghton Hall with the estate’s original decor. ', 'Built in the 1720s by Sir Robert Walpole, Britain\'s first Prime Minister, Houghton Hall is a fine example of England’s Palladian houses. Walpole employed the architects James Gibbs and Colen Campbell, and interior decorator William Kent, to design a residence that would leave none questioning his considerable power and status. The residence served a dual function: entertaining England’s political elite and housing Walpole’s family. In 1797, the house passed down to the first Marquess of Cholmondeley after the death of Horace Walpole, Sir Robert’s only surviving son. Today, it remains a Cholmondeley family home. ', '0000-00-00', '0000-00-00', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'N/A', 'Palladian style, England, countryside', 'yes'),
	('skcd-3k43', 'Salvation Mountain - Museum', 'United States of America', '33.254334464183', '-115.4727598128', 'upcoming', '', '', '2024-02-03', '2024-02-03', '2024-05-17', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://calidos.cat/', 'Tower; Medieval;', NULL),
	('sr8j-hj11', 'Villa Poniatowski - Rome', 'Italy', '41.917957369627', '12.475471889464', 'Published', 'Collaboration between CHEI and Sapienza University', 'This photogrammetric scan features the Etruscan collection, which had undergone some environmental damage at the time of this survey', '2018-06-19', '2018-06-21', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', '', 'villa, Rome', 'yes'),
	('srn0-8v04', 'Santa Maria Antiqua al foro Romano', 'Italy', '41.891184', '12.485681', 'Published', 'In 2007 Dr. Elizabeth Louden, Texas Tech University and Professor Michele Chiuini, Ball State University completed laser scanning of S. Maria Antiqua within the Roman Forum.  The survey data collected allowed for the creation of a digital model where the ancient masonry walls can be mapped to provide a precise record of the construction materials and the location of the delicate frescoes.. The data was also collected to provide a point in time record should a seismic event cause damage to the walls and frescoes and to provide baseline data to create images and precision drawings where necessary. This project was funded by the Kacyra Family Foundation and fits into a larger panorama of conservation and research work undertaken over the past seven years.', 'Built in the middle of the 5th century on the north-western slope of the Palatine Hill, Santa Maria Antiqua is the earliest and most significant Christian monument within the Roman Forum. The church contains a unique collection of wall paintings from the 6th to late 8th century. The discovery of these paintings have given many theories on the development of early medieval art and given distinctive beliefs in archaeology. The church was abandoned in the 9th century after an earthquake buried the buildings; it remained sealed for over 1000 years until its rediscovery in the early 20th century.', '2007-05-28', '2007-06-06', '2020-07-07', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nd/4.0', NULL, '', 'Rome, church, Santa Maria Antiqua, forum, roma, foro', 'yes'),
	('ssvf-5286', 'Santa Maria d\'Agramunt Portico', 'Spain', '41.78722', '1.09895', 'Published', 'terrestrial 120 photos taken with CANON 5D MkII + 16-35 f/2.8L USM lens', 'This is one of the most important Romanesque buildings in the western regions of Catalonia. It is particularly notable for the exquisite carved decoration on the doorway on the main façade. It belongs to what is known as the Lleida school. This church has a basilica floor plan and three naves under barrel vaults and a triple semicircular apse with blocked-in Lombard arcades. The upper stories of the tower-bell tower (Gothic, 14th century), chapels and sacristy (16-17th centuries) were added at a later date. The most interesting feature is to be found on the main doorway (mid 13th century), which has ten splayed semicircular archivolts, and on the capitals of the columns on which they stand. The carvings on the interior archivolt are presided by a high-relief of the Virgin holding the Child, flanked by scenes of the Nativity. There are a wide variety of carved motifs on the archivolts and capitals (also in the interior).', '2015-10-09', '2015-10-09', '2020-12-06', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, '', 'church, portico, medieval, Agramunt', 'yes'),
	('svf0-yb84', 'Vasha Veyo (GNI-DDG-1)', 'Maldives', '-0.308406194853', '73.432553020788', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner ', 'This bathing tank (veyo) is the only surviving component of a mosque complex formerly on this site, which is still referred to locally as Doshu Miskiyy.', '2018-10-24', '2018-10-24', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Bathing Tank, Indian Ocean', 'yes'),
	('sxhy-m751', 'The Old Friday Mosque at Fonadhoo (LAM-FND-4)', 'Maldives', '1.8328013024976', '73.501822588429', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using  Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry', 'The Old Friday Mosque on the island of Fonadhoo in Laamu Atoll was built in the early eighteenth century. The coral stone structure contains three verandahs and a separate mihrab chamber surrounding a central prayer hall. The surrounding yard contains a number of old coral stone grave markers, some of which are enclosed within low coral block walls of bisthaan.', '2018-08-25', '2018-08-25', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', NULL),
	('sy3v-j946', 'Corbelled Houses of Karoo - Rietpoort', 'South Africa', '-31.63772', '21.9842', 'Published', 'The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.', 'The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'corbel, karoo, northern cape, south africa', 'yes'),
	('sy7x-fz63', 'Sixty Dome Mosque - Mosque City of Bagerhat', 'Bangladesh', '22.674482', '89.741823', 'Published', 'In 2019, CyArk partnered with Google Arts and Culture and ICOMOS to digitally document three structures at the Historic City of Bagerhat in Bangladesh. The structures are particularly at risk due to the impacts of climate change including rising sea levels and increased salinity in water being absorbed into the bricks. CyArk used aerial and terrestrial photogrammetry as well as LiDAR or laser scanning to digitally capture the monuments. The site will utilize the documentation to better understand and address the impacts of climate change and connect people with these places.', 'The Mosques at the Historic City of Bagerhat are touchstones for understanding the early influences of Islam in Bangladesh and diversity of architectural style in Southeast Asia. The monuments at Bagerhat are some of the finest examples of the Khan Jahan style, named after the Sufi Saint who founded the city in the mid 15th century. With few options for building materials in the area, builders of the city utilized their expertise in brick making. The 60 Dome Mosque is one of 360 buildings that once stood in Bagerhat. Today, the mosque remains an important place of worship for local residents and visitors throughout Bangladesh and the world. ', '2019-04-23', '2019-05-03', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/project/heritage-on-the-edge-bagerhat', '', 'bagerhat, khan jahan, khalifatabad, bangladesh', 'yes'),
	('t2d3-s071', 'Naniwa-Sumiyoshi Komainu', 'Japan', '34.666904', '135.460492', 'Published', 'In June 2019, Dr. Gildas Sidobre of NRHK completed terrestrial photogrammetry of two Naniwa-Sumiyoshi-style komainu located at the Sanja Jinja shrine in Osaka, Japan. The photographs were taken with a Samsung NX500 mirrorless camera.', 'Built sometime around 1780, this pair of komainu are situated at the main entrance of the Sanja Jinja shrine, in Osaka, Japan. The two sculptures flank Sanja Jinja’s main entryway (the torii), which would classify them as sando komainu. Sometimes referred to as lion-dogs', '2019-06-27', '2019-06-29', '2021-01-21', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, '', 'komainu, Shinto, statue (apotropaic?)', 'yes'),
	('t3mf-d997', 'Cape Canaveral Space History - Gemini Manned Missions at Launch Complex 19', 'United States of America', '28.506714', '-80.554250', 'Upcoming', 'The Digital Heritage and Humanities Center at the University of South Florida (USF) Libraries, is working in collaboration with the Cape Canaveral Air Force Station 45th Space Wing, cultural resources division to digitally document important historic launch facilities and resources relating to manned missions, space exploration, and US space history. We are using the latest in 3D laser scanning and imaging methods to assist with conservation, management, and public interpretive development of Cape Canaveral\'s rich space history. Using newly available technologies in 3D laser scanning and survey, USF is recording the existing remains of building complexes associated with historical events such as John Glenn\'s orbit of the Earth and the Mercury Missions that led the United States into Space. Other important features being documented include launch complexes associated with the American missile program that began largely as a result of the Cold War, such as the Minuteman and Atlas programs, and also the sacred ground resting place for the space shuttle remains from the Challenger disaster. Many of the structures and complexes are unique in design and use. Today, many are now abandoned and are being lost to time, but through these new 3D technologies, USF is providing valuable information for long-term conservation and future interpretation of these important historical sites.', 'This historic launch complex at Cape Canaveral Air Force Station, Florida, is a deactivated launch site used by NASA for all of the Gemini manned spaceflights. It was also used by unmanned Titan I and Titan II missiles and was in use during the years from 1959 to 1966. A total of 27 launches, 10 of which were manned, were made from the site. It was last used for the Gemini XII launch, on November 11, 1966.', '2015-08-26', '2015-08-28', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://www.lib.usf.edu/dhhc/cape-canaveral-3d/', 'space, manned missions, US Air Force, NASA, heritage, Gemini, historic preservation, USF', 'yes'),
	('t9sj-mf53', 'Pantheon', 'Italy', '41.898662224324', '12.476868728641', 'Published', 'Mirrored from\nhttp://repository.edition-topoi.org/collection/BDPP\n\nThe collection \'Digital Pantheon\' is based on research data of the Bern Digital Pantheon project. This project - directed by Gerd Graßhoff, Michael Heinzelmann and Markus Wäfler of the University of Bern - created a digital 3d scan of the Pantheon in Rome using a laser scanner in several scanning campaigns in the years 2005 to 2008. On the basis of these data, the registered papers were published and the website www.digitalpantheon.ch established. Since 2010, this website is no longer being maintained.\n\nThe collection \'Digital Pantheon\' is further processing the research data. It provides long-term archiving of the data, which has been further analysed within the framework of the Excellence Cluster TOPOI, and makes it available to interested researchers and the public.', 'The Pantheon (UK: /ˈpænθiən/, US: /-ɒn/; Latin: Pantheum,[nb 1] from Greek Πάνθειον Pantheion, [temple] of all the gods") is a former Roman temple', '0000-00-00', '0000-00-00', '2021-02-28', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', 'https://creativecommons.org/licenses/by-nc-sa/4.0', '', 'http://repository.edition-topoi.org/collection/BDPP', 'yes'),
	('tapz-7c91', 'Benteng Inong Balee (F1)', 'Indonesia', '5.60814', '95.529847', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'This site (MAHS-IDN-ACH-ABS-MRY-S-004) is the remains of a fortification built on a headland rising steeply from the coast. The western boundary is a cliff bordering the sea, the north and south is a small valley, while to the east is a ridge.\nThe fort is orientated toward the sea, as evidenced by the presence of cannon embrasure placed on the west wall. From there, it has an open view across the bay. \nThe fort is an open square with three walls each on the west, north, and south sides. The west wall still stands firm, in contrast to the other side. This wall is composed of andesite stone with lime mortar adhesive. The north wall is only survived by the foundation made from andesite stone material mixed with chunks of coral lime. The south wall is reduced to stone ruins that extend for about 52 meters. Some parts still look like the original structure, the arrangement of andesite stone arranged as a wall without lime plaster. Inside the fort, there are three gravestones, not in situ, just lying around. Other features visible on this site are stone mounds and the foundations of structures toward the southern valley. In the northern valley, closer to the coast, there are many ceramic sherds visible on the surface (Daly, et al. 2019).\n\n(MAHS-IDN-ACH-ABS-MRY-S-004-F-001)\nThis feature is the perimeter wall of the Inong Balee fort. The shape is like an open U. It can be divided into three parts, the west, south, and north wall. The west wall that stands on a cliff bordering the sea. This wall extends north-south along 53 m with a wall height between 1 - 2.7 m. Most of the walls still stand, but many parts have cracked and some have collapsed. This wall has at least four cannon windows, two of which are still clearly visible, while the other two have collapsed. These openings are spaced at regular intervals along the wall. The base of the wall is on the same level as the ground. \n The wall is about 2 meters wide, with the bottom wider than the top. The outer side of the wall is inclined towards the inside. \nThe wall are composed of andesite stone with lime-plaster.\nThe south is different from the west wall. It is a stone structure without lime-plaster that extends east-west about 52 m along the contour on the upper boundary. This wall has collapsed leaving only stone ruins which are scattered around and into the valley below. Some of the original formations can still be seen at the bottom. The east end is connected to a structure that leads to the south about 8 meters long. It is a foundation structure of limestone.\nThe south wall is a continuation of the west wall that cuts perpendicular to the south corner. At the bottom of the south corner, there is a structure connected with a lime-plaster, but the rest is a stone structure without the lime-plaster.\nIn the north, there is a wall that extends west-east. It extends along the contour on the upper boundary with the valley on the north. Some of it has been restored by BPCB. The wall has been restored to about 10 meters from the northwest corner to the north. There is a massive wall composed of andesite stone and cement-plaster 2.1 m wide and 89 cm high. From the wall, the structure is connected to the north for about 25 m. This structure survives in the form of a foundation composed of stone with lime-plaster adhesive and looks like a barrier or revetment to prevent landslides. At the east end, the wall is connected to a foundation that runs west-east. The foundation is composed of chunks of limestone, arranged lengthwise following the contour for approximately 30 m.', '2021-09-07', '2021-09-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('taz6-n215', 'Ayutthaya - Wat Phra Si Sanphet', 'Thailand', '14.3558549', '100.558410', 'Published', 'The CyArk field mission to Ayutthaya took place in June 2017. The archaeological complex of Wat Phra Si Sanphet, the focus of the expedition, was impacted during a major flood event in 2011.The primary purpose of the trip was to assist UNESCO and the Fine Arts Department (FAD) of Thailand in mapping the site and providing detailed documentation surrounding the subsidence of the monuments. The documentation was conducted utilizing LiDAR and both aerial and terrestrial photogrammetry. Our work was supported through a generous grant from Seagate.', 'Founded in 1350 C.E., Ayutthaya was the Siamese capital of Thailand until the 18th century. Ayutthaya developed into a booming city starting in 1378 C.E., surpassing the old capital of Sukhothai. King Ramathibodi declared Ayutthaya the new capital and it was named after a magical kingdom from the Ramakien, an epic story about Thailand. The city was attacked and burned to the ground  in 1767 C.E. by the Burmese army. The only remaining buildings in Ayutthaya are of stone, as the wood structure burned to the ground in 1767 C.E. After the destruction of Ayutthaya, the capital was moved to Bangkok and there was an effort to recreate the urban template and architecture of Ayutthaya. In Thai, the official name of Bangkok retains Ayutthaya as part of the formal name.', '2017-06-19', '2017-06-26', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/ggIi2RrJ7NDkKA', 'https://cyark.org/projects/ayutthaya', 'city, gulf of siam, architecture, infrastructure', 'yes'),
	('tc0g-ah24', 'The Lolurun Catholic Church of Petrus and Paulus (MAHS-IDN-MLK-TMB-WTM-S-008)', 'Indonesia', '-7.851751', '131.37949', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The Roman Catholic Church of Santo Petrus and Paulus Lolurun (MAHS-IDN-MLK-TMB-WTM-S-008) faces the sea to the southeast of the town of Lolurun in Tanimbar, Maluku Province, Indonesia. The church presents a vivid amalgam of local and colonial aesthetic traditions, with stairs leading up to its entrance flanked by statues of Peter and Paul within glass enclosed shrines. Built in 1932, the church is a wooden two-tiered building topped by a steeple. Inside the long nave, there are rows of benches, an altar, as well as paintings behind the altar of the church and along the walls of the nave depicting the Stations of the Cross.', '2022-09-19', '2022-09-21', '2024-04-03', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en ', 'https://sketchfab.com/3d-models/catholic-church-of-santo-petrus-paulus-7f40d9502f454c6d877a7e56044d874f', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'indonesia, church-architecture, indonesia-culture-heritage, maluku, church-architecture, photogrammetry, realitycapture, southeast-asia, catholic-church, indonesianculture, indianocean, indonesianhistory, southeastasianheritage, indonesia-cultural-heritage, indonesianheritage\nindianoceanheritage, tanimbar', NULL),
	('tmfy-yc09', 'San Antonio Missions - Mission  San Juan', 'United States of America', '29.346849', '-98.4756907', 'Published', 'In the spring of 2010, CyArk collaborated with the National Park Service and Los Compadres, now known as Mission Heritage Partners, to digitally preserve San Antonio Missions National Historical Park. CyArk partnered with Critigen, a geospatial consulting company which used laser scanning and digital photography to document the missions. The 3D data was used by site managers for the continued preservation of the missions as well as the creation of interactive educational materials. The documentation was also used to inform the sites\' application for inscription to the UNESCO World Heritage List, to which it was successfully inscribed in 2015.', 'Located along the San Antonio River in Texas, the San Antonio Missions National Historical Park encompasses five Spanish Colonial sites: Mission Concepci&oacuten, Mission Espada, Mission San Jos&eacute, Mission San Juan, and the Espada Aqueduct. These outposts were originally built to expand and defend the Spanish frontier and spread Christianity to local Native American populations, but also acted as centers of agricultural production, weaving, iron working, and carpentry. Today, the San Antonio Missions represent the largest collection of Spanish Colonial missions in the United States.						', '2010-01-20', '2010-02-02', '2020-06-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/NQJydYx20sqaIg', 'https://cyark.org/projects/san-antonio-missions', 'texas, san antonio, christianity, spanish, catholic, colonization, colonialism', 'yes'),
	('tn1g-rp12', 'MAHS-IDN-ACH-ABS-MRY-S-001-F-0002', 'Indonesia', '5.633958', '95.471277', 'Unpublished', '', 'The Kandang is a large, open air enclosure inside what was formerly a garden (Taman Sari) within the grounds of the palace of the Aceh Sultanate. The masonry walls run square around a large open space, and measure 21.65 meters in length, 21.5 meters wide, 3.4 meters high, and about 1.1 meter thick. There is a single entrance cut into the south side, just off center. The structure dates to the sixteenth16th/early 17th century. Its originally intended function is not clear.', '0000-00-00', '2021-06-08', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('tn6a-v741', 'Benteng Indrapatra (F10)', 'Indonesia', '5.633644', '95.472122', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'Cluster of thick-walled defensive fortifications and ancillary structures positioned on the coast. The site (MAHS-IDN-ACH-ABS-MRY-S-001) consists of four main well-built rectangular structures. Two of the walled fortifications are intact and in good condition (restored by BPCB), while the other two are ruined foundations. There are a number of supporting features built within or in close proximity to the main defensive fortification, such as wells. Some of the features are surrounded by standing water and a canal.\n\n(MAHS-IDN-ACH-ABS-MRY-S-001-F010) Feature 10 is a large, well-constructed fortification that is roughly square in shape. It is approximately 27 meters on each side for a total contained area of approximately 700 square meters. The walls are made from stones bounded by mortar and concrete. The exterior walls are slightly slanted, wider at the base than at the top. The front and side walls of the fort are higher than the back walls. There is a corridor attached to the wall on the front and sides. It is raised higher than the ground level on the inside. This fort has high, sturdy walls with embrasures on each side. There are three embrasures on the front, and three on each side. There are two embrasures on the back that are level with the ground. The embrasure can serve for the placement of cannons. The top has a flat floor surface. There are three building rooms at the top, one room in the middle, and two rooms attached to the front side wall that connected to each embrasure. The room in the middle is rectangular with an elongated semi-circular arched roof. It has one access door from the southeast. The other two rooms attached to the wall have almost the same shape. One side of the wall is open without a door. At first glance, it looks like a short passage. The floor of the room is composed of stone masonry. This fort has no permanent access stairs.', '2021-05-07', '2021-05-07', '2022-05-25', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('tnav-3t41', 'Lukang Longshan Temple', 'Taiwan', '24.050433', '120.435436', 'Published', 'In March of 2016, CyArk partnered with the China University of Technology (CUTe) and the Taiwanese Bureau of Cultural Heritage to digitally document the Lukang Longshan Temple in Changhua, Taiwan. CyArk employed the latest data capture technologies to document the entire complex including the four principal buildings and connecting courtyards. As part of this expedition CyArk also trained students from the Center for Cultural Sites Rehabilitation and Development program at CUTe on digital documentation techniques. The data generated through the documentation efforts complements existing historical documentation of the site and advances the capability of site managers for planning future preservation efforts.', 'The Lukang Longshan Temple is the largest temple in the Township of Lukang and is one of the most revered Buddhist temples in Taiwan. Originally built in the 17th century near the historic port canal, the temple was moved to its present site in 1786. Recognized as an important national heritage site by the Taiwanese Ministry of Culture, the 9,600 square foot complex consists of four main structures; the Main Gate, Hall of the Five Gates, Main Hall and Rear hall along with two enclosed yards. The temple houses a shrine to the Bodhisattva Guanyin, goddess of mercy and compassion and remains a popular place of worship for Mahayana Buddhists. The temple is also known for containing a myriad of impressive architectural features including many painted murals, woodcarvings, including the largest caisson or spiderweb wooden ceiling in Taiwan and two carved granite columns shaped like dragons.', '2016-04-25', '2016-04-26', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/yQIy1eJQl-BEIw', 'https://cyark.org/projects/lukang-longshan-temple', 'caisson, lukang, fujian, qing, guanyin, ', 'yes'),
	('tt9n-0168', 'Cape Canaveral Space History - Mercury Friendship 7 at Launch Complex 14', 'United States of America', '28.491092', '-80.546839', 'Upcoming', 'The Digital Heritage and Humanities Center at the University of South Florida (USF) Libraries, is working in collaboration with the Cape Canaveral Air Force Station 45th Space Wing, cultural resources division to digitally document important historic launch facilities and resources relating to manned missions, space exploration, and US space history. We are using the latest in 3D laser scanning and imaging methods to assist with conservation, management, and public interpretive development of Cape Canaveral\'s rich space history. Using newly available technologies in 3D laser scanning and survey, USF is recording the existing remains of building complexes associated with historical events such as John Glenn\'s orbit of the Earth and the Mercury Missions that led the United States into Space. Other important features being documented include launch complexes associated with the American missile program that began largely as a result of the Cold War, such as the Minuteman and Atlas programs, and also the sacred ground resting place for the space shuttle remains from the Challenger disaster. Many of the structures and complexes are unique in design and use. Today, many are now abandoned and are being lost to time, but through these new 3D technologies, USF is providing valuable information for long-term conservation and future interpretation of these important historical sites.', 'Launch Complex 14, is an Historical District and National Historical Landmark. This Launch Complex was built between 1956 and 1957, and was most famously associated with the 1959 and 1960 manned Mercury missions.', '2018-03-19', '2018-03-19', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, 'https://www.lib.usf.edu/dhhc/cape-canaveral-3d/', 'space, manned missions, US Air Force, NASA, heritage, John Glenn, Friendship 7, Mercury, USF', ''),
	('tvdz-xm73', 'IDN-ACH-PID-PID-S-001', 'Indonesia', '5.369093', '95.928207', 'Unpublished', 'The site is in a cemetery area close to settlement.', '', '0000-00-00', '2021-10-01', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('twzt-kd05', 'Suresnes American Cemetery', 'France', '48.871776', '2.217431', 'Published', 'To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document eight military cemetery chapels dedicated to the American armed forces throughout Europe. The Suresnes American Cemetery chapel and two loggia were documented in July 2016 using LiDAR laser scanning and aerial and terrestrial photogrammetry. CyArk’s digital documentation allows people who are unable to physically visit the site to experience the monument and remember those who gave their lives for their country.', 'The Suresnes American Cemetery and Memorial is a United States military cemetery in Suresnes, Hauts-de-Seine, France. It is the resting place of 1,541 American soldiers killed in World War I. A panoramic view of Paris can be seen from the site, which is located high on the slopes of Mont Valérien. The site is managed by the American Battle Monuments Commission (ABMC).\n\nThe people of Suresnes donated this land to the United States in 1917, following America’s entry into World War I. Loaned in perpetuity, it became the site for America\'s first permanent overseas cemetery. Although Suresnes American Cemetery was the first permanent cemetery in Europe, the chapel was not completed until 1932.\n', '2016-07-27', '2016-07-28', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, 'https://www.abmc.gov/cemeteries-memorials/europe/suresnes-american-cemetery', 'suresnes, america, cemetery, abmc, france, ww1, ww2, memorial, chapel', 'yes'),
	('txve-tm52', 'Theatre and Amphitheatre of Merida', 'Spain', '38.91599', '-6.338139', 'Published', 'The theatre and amphitheatre of Mérida was documented in 2012 as part of the EU funded ATHENA project (Ancient Theaters Enhancement for New Actualities). The program was first deployed in 2009 and was concerned with the innovation, protection and preservation of ancient theaters across the Euromed region. Inherent as well is making the people, local communities, diverse actors across the Mediterranean more appreciative of the value of these theaters to making them more sustainable for future generations.\n', 'The large Roman theater of Merida was constructed between 15 and 16 century BC and the adjacent amphitheater was built in the 8th century BC. The amphitheater has an elliptical shape with an arena of 64 meters by 41 meters used for gladiatorial contests and 15,000 spectators and has lowest, middle and upper tier rows for the ruling classes and the commoners. ', '2009-12-04', '2009-12-09', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'roman, theatre, merida, amphitheatre, arena, athena, spain', 'yes'),
	('tywa-fk49', 'IDN-ACH-BRN-PDA-S-004-F-0001', 'Indonesia', '5.200381', '96.564325', 'Unpublished', 'The mosque building is a traditional Acehnese style with two-tiered roof supported by wooden pillar construction. \nThe original building was a square floor plan with a size of about 6.5 x 6.5 meters. The side walls are half-open made of wooden board. \n\nThe roof is rectangular. The metal roof is topped with a "patala". Roof construction with four main support poles in the middle and twelve supporting poles at the edges. The wooden pillars are octagonal. At the base of the pillars, there is a wooden frame that extends around and binds the edge post. Each side pole is then joined with a wooden support at the top. Ribs and battens are also made of wood, and all is joined using wooden pegs. ', '', '0000-00-00', '2021-10-11', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('tyye-f633', 'Gem Miskiyy (GNI-DDM-1)', 'Maldives', '-0.280675302518', '73.415712958881', 'Published', '', 'Gem Miskiyy is believed to be the first mosque built on the island of Fuvamulah – with its construction attributed to the thirteenth-century Islamic holy man, Abu Bakr Naib Kaleygefaanu. It was constructed in the area of a previous Buddhist ritual complex after the conversion of the local population. The mosque compound also contains a bathing tank (veyo), a well, an enclosed shrine (ziyaarat) and a cemetery. ', '2018-10-10', '2018-10-20', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Mosque, Indian Ocean', 'yes'),
	('v1ak-ws82', 'MAHS-IDN-ACH-BNA-BTR-S-001-F-0001', 'Indonesia', '5.545734', '95.316172', 'Unpublished', 'The Gunongan (MAHS-IND-ACH-BNA-S-001-F-0001) is one of the few surviving structures from the former palace grounds of the Aceh Sultanate. It is an open structure building with ten sides, and has three levels. This massive building is built of stone, sand, brick, and lime mortar. The entrance building is oriented toward the southwest. The base of every exterior corner is ornamented with a single large trefoil design. Floral ornamentation is also found on the corners of the upper level, featuring an Acehnese pucok reubong motif.', '', '0000-00-00', '2021-07-05', '0000-00-00', '', 'https://creativecommons.org/licenses/by/4.0', '', '', '', NULL),
	('v1pz-0r22', 'Waitangi - Ng&amacr;tokimatawhaorua', 'New Zealand', '-35.267961', '174.082106', 'Published', 'The Waitangi Treaty Grounds were documented by CyArk in December 2017 using a combination of terrestrial and aerial photogrammetry and LiDAR laser scanning. Documentation was completed on the entire site extents with higher fidelity capture at the Te Whare R&umacr;nanga (the carved meeting house), the Treaty House as well as the Ng&amacr;tokimatawhaorua (the ceremonial war canoe). The data will be used by the Waitangi Treaty Grounds in ongoing management and promotion of the site. The work at Waitangi was completed through generous support from Air New Zealand.', 'On February 5th, 1840, over three hundred different M&amacr;ori and European representatives met on the lawn of James Busby\'s home to discuss the treaty of Waitangi and the sovereignty of the nation of New Zealand. Signed the next day by those in attendance, the treaty is considered the founding document of the country of New Zealand with February 6th celebrated as a national holiday. The site today preserves James Busby\'s residence, renamed as the \'Treaty House\', along with a M&amacr;ori meeting house that was built alongside it to celebrate the conception of independence. ', '2017-09-20', '2017-12-08', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/dgLCBczC35cKIg', 'https://cyark.org/projects/waitangi', 'waitangi, treaty, newzealand, maori, meetinghouse', 'yes'),
	('v398-0657', 'San Antonio Missions - Mission San Jose', 'United States of America', '29.3182497', '-98.4550949', 'Published', 'In the spring of 2010, CyArk collaborated with the National Park Service and Los Compadres, now known as Mission Heritage Partners, to digitally preserve San Antonio Missions National Historical Park. CyArk partnered with Critigen, a geospatial consulting company which used laser scanning and digital photography to document the missions. The 3D data was used by site managers for the continued preservation of the missions as well as the creation of interactive educational materials. The documentation was also used to inform the sites\' application for inscription to the UNESCO World Heritage List, to which it was successfully inscribed in 2015.', 'Located along the San Antonio River in Texas, the San Antonio Missions National Historical Park encompasses five Spanish Colonial sites: Mission Concepci&oacuten, Mission Espada, Mission San Jos&eacute, Mission San Juan, and the Espada Aqueduct. These outposts were originally built to expand and defend the Spanish frontier and spread Christianity to local Native American populations, but also acted as centers of agricultural production, weaving, iron working, and carpentry. Today, the San Antonio Missions represent the largest collection of Spanish Colonial missions in the United States.						', '2010-01-20', '2010-02-02', '2020-06-19', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/NQJydYx20sqaIg', 'https://cyark.org/projects/san-antonio-missions', 'texas, san antonio, christianity, spanish, catholic, colonization, colonialism', 'yes'),
	('v7a2-me37', 'Rock Art Sites of Somaliland - Laas Geel', 'Somaliland', '  9.781088', ' 44.443695', 'Published', 'In September 2013, CyArk digitally documented Laas Geel, Dhagah Nabi Galay and Dhagah Kureh rock shelters using laser scanning and photogrammetry.  The project was conducted in partnership with the Horn Heritage Charity, a nongovernmental organization that works to protect and promote the archaeological heritage of the Horn of Africa and ICCROM, the International Centre for the Study of the Preservation and Restoration of Cultural Property.  CyArk also provided a training workshop to  heritage professionals from Somaliland. The expedition was made possible through a generous donation from the Government of Switzerland.', 'The complex cave and rock shelters of Laas Geel, Dhagah Kureh, and Dhagah Nabi Galay lie just 30-45 minutes outside of Hargeisa, the capital of Somaliland, a self-declared republic and autonomous region of Somalia. Exhibiting outstanding Neolithic rock art, the sites\' cave paintings are considered to be some of the best preserved rock paintings in all of Africa. The images provide valuable information about some of the earliest pastoralists living in this region. The paintings, dated to the third and second millennia BC, depict the herding of humpless cows, sheep and goats, as well as the hunting of antelopes, giraffes, and other wild animals.  The Laas Geel shelters feature poly chrome painted panels that are considered to be some of the oldest known rock art in the Horn of Africa. The scenes depict human figures and animals painted in bright reds, whites, yellows, and sometimes black. In many cases the human figures are shown with arms outstretched in postures that demonstrate reverence and perhaps even worship which may indicate the important status ascribed to cattle in this pastoral culture.', '2013-09-10', '2013-09-15', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/5wLCLQamXaTLLw', 'https://cyark.org/projects/rock-art-sites-of-somaliland  ', 'somalia, somaliland, hargesia, laas geel, cave paintings, cave art, horn of africa, granite', 'yes'),
	('v9qk-7s37', 'Patarana Batu Berukir (F3)', 'Indonesia', '5.54564', '95.316199', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BNA-BTR-S-001) was formerly part of the palace grounds of the Aceh sultanate. Its was largely destroyed by an invading Dutch force in 1874. Four stone structures, however,  remain standing to this day: The Gunongan, Kandang, Patarana Stone, and Pinto Khob. The Gunongan, Kandang, and Patarana Stone are all in very close proximity to one another, while the Pintu Khob is a little further away to the northeast, now separated from the site of the other three by a modern street. In the 17th century, however, all four structures were part of a landscaped area of the palace with a stream (Krueng Daroy) running through it. But the condition of the landscape has undergone many changes since then and is now incorporated into the modern construction of the city of Banda Aceh.\n\nThis feature (MAHS-IND-ACH-BNA-S-001-F-0003) is a carved stone monolith with circular sides measuring 1.63 meters in diameter and 69 centimeters high. The upper surface is flat and there is a hole in the middle 52 centimeters in diameter. The circular side is made of indentations, there are 10 indentations. The sides are carved with geometric motifs all around the perimeter. The stone is placed on a foundation made of cement.\nField Notes\nThere are many speculations about the function of the stone. Some said that the stone is the place for the coronation of the sultan, some said it is a place to clean or wash oneself, some think it is a place for execution of punishment. Its actual intended function, however remains unclear. ', '2021-07-09', '2021-07-09', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('vdae-mr89', 'Palace of Fine Arts', 'Mexico', '19.43520', '-99.141200', 'Published', 'CyArk documented the Palacio de Bellas Artes in October 2018 in collaboration with the Instituto Nacional de Bellas Artes (INBA) and the Agenda Digital de Cultura office of the Secretaria de Cultura. The focus of the expedition was to document the monuments exterior surfaces as well as the main theatre and stage within the monument. CyArk used a combination of laser scanning with a FARO X330 and terrestrial and aerial photogrammetry completed with a Nikon D810 and Phantom 4 Pro drone respectively. Access to the roof of the monument was provided to CyArk staff as the chief architect of the Palacio wanted accurate as built records of the utility ducting that surrounds the structure. As the monument is highly trafficked, CyArk took advantage of a planned closure of the monument to document the gardens and front facade.', 'Known as the greatest house of culture in Mexico, the Palacio de Bellas Artes was built upon the site of the first National Theatre, in anticipation of the 100th anniversary of Mexico\'s independence from Spain. Issues related to the soft subsoil as well as political unrest during the Mexican Revolution necessitated several delays and construction was not completed until 1934. The exterior of the building is done primarily in the Neoclassical and Art Nouveau styles while the interior is predominantly Art Deco. Both the interior and exterior of the building feature a variety of architectural elements drawn from Mexican history and culture and the building is also home to several important murals created by famous Mexican artists like Diego Rivera and David Siquieros. One of the most iconic monuments in Mexico City, he building has and continues to host some of the most noteworthy performances and exhibitions.', '2018-10-01', '2018-10-05', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/BgIyValw0p1xLg', 'https://cyark.org/projects/palacio-de-bellas-artes', 'inba, theatre, theater, neoclassical, art nouveau, art deco', 'yes'),
	('vekr-zf42', 'Fort Conger', 'Canada', '81.744574', '-64.783064', 'Published', 'Parks Canada approached Dr. Peter Dawson, Department of Archaeology, University of Calgary to inquire about the possibility of using laser scanning to create a 3D digital archive of the site. In the summer of 2010, Chris Tucker and Peter Dawson used a Z & F Imager 5006i laser scanner, equipped with a motorized M-Cam camera retrofitted to the scanner for automatic color mapping, and a Minolta Vivid 910 laser scanner to capture 3-dimensional mages of Fort Conger for the purposes of conservation, preservation, and community outreach education. This was the first time laser scanners had been used in the Canadian High Arctic. Dr. Richard Levy, University of Calgary, then created 3D models and animations. Utilizing all of this data, CyArk created a web portal integrating the highly accurate laser scan data with a rich collection of documentation, including photographs, video footage, drawings, and historic documents assembled by Parks Canada’s Margaret Bertulli and Lyle Dick.', 'Fort Conger is located in Quttinirpaaq National Park on northeastern Ellesmere Island. The nearest community on Ellesmere Island (Grise Fiord) is located more than 800 km to the south, while Canadian Forces Station Alert is approximately 100 km to the northeast. Fort Conger is situated approximately 10 m from the ocean on the eastside of Discovery Harbour, with a steep bank (2.5 m high) leading from the site to the ocean. \nThe standing structures, building foundations, and artifacts present at Fort Conger are legacies to the achievements of several remarkable expeditions, as well as the hardships suffered by their participants. The British Arctic Expedition of 1875-76 was the first of these, followed less than a decade later by the better-known Lady Franklin Bay Expedition (1881-84). Under the command of Lieutenant Adolphus Greely, this expedition was able to amass a considerable amount of scientific data, despite the harrowing escape and rescue of its few surviving members. In early 1899, American Polar Explorer Robert Peary arrived and used Fort Conger to stage a series of attempts to reach the North Pole.\n', '2010-07-17', '2010-07-30', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://www.pc.gc.ca/apps/dfhd/page_fhbro_eng.aspx?id=9344', '', '', 'yes'),
	('vf8z-df24', 'Corbelled Houses of Karoo - Silvery Holme', 'South Africa', '-31.4882', '22.23402', 'Published', 'The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.', 'The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n', '0000-00-00', '0000-00-00', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'corbel, karoo, northern cape, south africa', 'yes'),
	('vfnc-yc47', 'Kobe Mosque (MAHS-JPN-HYG-KOB-S-001)', 'Japan', '34.69616773', '135.1879169', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D850 DSLR, and DJI Mavic 3 Pro drone.', 'Built in 1935 as the first mosque in Japan, the Kobe Mosque (MAHS-JPN-HYG-KOB-S-001) is built of stone mosque in a modern ‘Moorish’ style featuring a dome, two square minarets, and two round minarets. Inside are three stories and a basement providing prayer space. The main prayer hall on the first floor features a marble mihrab and minbar. The prayer space for women on the second floor overlooks the main prayer hall. It is frequented by Muslims attending daily prayers and visitors.', '2024-01-22', '2024-01-24', '2024-04-03', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0/deed.en ', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/3d-models/kobe-mosque-kobe-japan-717799326e424ffb969e51de4c80ed1e', 'Japan, islamic-architecture, East Asian Heritage', 'yes'),
	('vn76-gd41', 'Chiesa di Sanatorio Antitubercolare Vittorio Emanuele III', 'Italy', '44.939444169218', '8.6164162510591', 'upcoming', 'A multimodal survey incorporating drone, and terrestrial photogrammetry, along with terrestrial LiDAR. Two LiDAR scans were performed comparing data from BLK360 g2 and Faro Focus S350. ', 'This is the first work of famed architect Ignazio GardellaThis church was built in 1930 in Alessandria, Piedmont on the grounds of a tuberculosis hospital.  The church features a split nave, separating parishioners by a wall into two groups.', '2024-02-27', '2024-02-27', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://www.floornature.com/blog/ignazio-gardella-rationalist-gems-alessandria-14605/', 'rationalist, Gardella, church, piedmont', NULL),
	('vngf-1h12', 'Angkor Wat Western Causeway', 'Cambodia', '13.412556', '103.860628', 'Published', 'In March of 2004, a group from the University of California at Berkeley conducted a laser scan project in Angkor, Cambodia in cooperation with Sofia University of Tokyo, Japan. The project gathered HDS scans and photographs of the Angkor Wat Western Causeway and the temple Banteay Kdei. The data set was used to support on-going reconstruction and stabilization of various Angkor monuments by Sofia University. The project was funded by Sofia University.', 'Angkor was the site for a series of capitals belonging to the Khmer empire for much of the ninth through fifteenth centuries. These ruins are located amid forests and farmland to the north of the Great Lake (Tonle Sap), near present day Siem Reap, Cambodia, and are a UNESCO World Heritage Site. The temples of Angkor, now partially restored, constitute the premier collection of Khmer art and architecture. The resplendent monuments of the Khmer were constructed from AD 879 - 1191, although the site, itself, was inhabited by the Khmers from AD 802 through AD 1431. Yet it was during the twelfth century, when the last temples were built, that the Khmers reached their peak during the reigns of Suryavarman II and Jayavarman VII. And it was from Angkor that these god-kings ruled their grand empire, stretching from the south of Vietnam to Yunan, China and from the western edge of Vietnam to the Bay of Bengal. The monumental temples they built not only proclaimed the king\'s wealth and status, but they also helped solidify his rule as a god-king by providing a sanctuary of worship for his cult after aligning himself with a deity, such as the Hindu god Vishnu or the Buddhist Bodhisattva Avalokiteshavara.', '2004-03-05', '2004-03-12', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'angkor, khmer, cambodia, causeway', 'yes'),
	('vq5n-kk71', 'Medinet Habu First Court', 'Egypt', '25.71985', '32.600658', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n', 'Temple of Ramesses III at Medinet Habu. \nSee:\n    http://www.calit2.net/newsroom/rss.php?id=1862  and\n    http://en.wikipedia.org/wiki/Medinet_Habu_(temple)\nlocations include:\n\nCAVECam #19 \'LuxorMedinetHabuFirstCourt\'\n    This CAVEcam was shot in the Temple of Ramesses III at Medinet\n    Habu. This is the First Court. \n', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Medinet Habu, Luxor, Egypt, Thebes, Temple, CaveCam', 'yes'),
	('vv0h-dq68', 'Annaberg Plantation', 'United States of America', '18.3644447', '-64.728889', 'Published', 'In 2015, CyArk partnered with Trimble Navigation, Virgin Islands National Park, and Friends of the Virgin Islands National Park to digitally preserve the Annaberg Sugar Plantation. The documentation team, consisting of both CyArk and Trimble personnel, digitally documented the site and remaining plantation structures, such as the windmill and sugar factory. The data captured was used to monitor erosion of existing structures, identify structures hidden beneath the dense tropical vegetation, and create future plans for conservation.', 'The Annaberg Sugar Plantation in the Virgin Islands is part of one of the largest historic migrations of people and resources throughout the world. For centuries, the Virgin Islands was a crossroads for indigenous peoples, colonial powers, and the transatlantic slave trade. The plantation structures that the National Park Service preserves on the site today demonstrate the agricultural success of the Danish Colonial era, but also its human cost. A 40-foot high windmill constructed with sails to direct the wind was state of the art at the time of its completion in 1805. Not far from the windmill, built into the foundation of the sick house, the Annaberg "Dungeon" served as a means of punishment for enslaved laborers. Etched into the walls are images of merchant ships, transportation instrumental to the plantation\'s success but also the majority of the population\'s enslavement. Boats would also become crucial to enslaved people\'s resistance, with at least 12 people escaping to the nearby British island of Tortola. The Annaberg Sugar Plantation\'s landscape reveals complex histories of ingenuity, colonial violence, and resistance, remaining a powerful site for understanding the impact of colonialism on the global economy and on the daily lives of individuals.', '2015-04-13', '2015-04-18', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/wgIyX7yW2OyZJw', 'https://cyark.org/projects/annaberg-sugar-plantation', 'colonialism, danish, agriculture, st. johns, plantation', 'yes'),
	('vvcn-p631', 'Tewkesbury Abbey South Transept', 'United Kingdom', '51.990481651407', '-2.160583844250', 'Published', 'Point cloud data and images collected with a Trimble X7 scanner. Software used: Trimble Perspective, Trimble RealWorks and Autodesk ReCap Pro. A collaboration between Gloucestershire Building Recording Group and the Royal Agricultural University. Data collect by Isobel Milne for a Master dissertation researching civilian use of 3D scanning to record, identify and share information on medieval timber framed roof structures.', 'The Abbey Church of St Mary the Virgin, Tewkesbury - commonly known as Tewkesbury Abbey - is a former Benedictine monastery and is now a parish church. Considered one of the finest examples of Norman architecture in Britain, Its striking Norman tower and long nave have dominated the Tewkesbury skyline for nearly 900 years. ', '2022-05-10', '2022-05-10', '2022-04-09', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-sa/4.0', '', '', '', 'yes'),
	('vwr1-4991', 'Gan Mound (LAM-GAN-2-S2 )', 'Maldives', '1.8936712407422', '73.536970538455', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a Drone DJI Phantom 4 Pr for photogrammetry).', 'A large artificial earthen mound (havittha) marking the site of an ancient Buddhist ritual complex that also includes the ruins of a dozens of stupas and other coral stone structures. The surface of the mound is currently covered with pieces of coral rubble and overgrown with vegetation, among which are also scattered several fragments of more finely worked coral stone blocks with ornamental details. ', '2018-08-13', '2018-09-13', '2020-02-24', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Buddhist Site, Indian Ocean', 'yes'),
	('w0hn-4b81', 'Benteng Indrapatra (F2)', 'Indonesia', '5.633958', '95.471277', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'Cluster of thick-walled defensive fortifications and ancillary structures positioned on the coast. The site (MAHS-IDN-ACH-ABS-MRY-S-001) consists of four main well-built rectangular structures. Two of the walled fortifications are intact and in good condition (restored by BPCB), while the other two are ruined foundations. There are a number of supporting features built within or in close proximity to the main defensive fortification, such as wells. Some of the features are surrounded by standing water and a canal.\n\n(MAHS-IDN-ACH-ABS-MRY-S-001-F-0002) This feature features two thick parallel walls that make up the exterior sites of a large square stone enclosure which is known from historic sources to have been a fortification. The construction consists of mid to large stones mortared together. The enclosure has one formal opening in the northern wall. The perimeter of the outside wall is approximately 280 meters in total length and the interior is about 5,000 square meters. The feature contains a number of smaller features that have been documented individually by the MAHS. The feature is well-built and has been restored as a heritage site.', '2021-05-07', '2021-05-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('w47s-yq72', 'Templo Mayor', 'Mexico', '19.4346046', '-99.131881', 'Published', 'In March 2016, CyArk documented Templo Mayor in the historic center of Mexico City. CyArk offered its assistance to site conservators who were recording some of the more fragile artifacts located around the temple along with several ornate objects from the adjacent museum. As transporting the original artifacts is a dangerous endeavor, museum staff requested 3D scans in order to create replicas that can be loaned to other museums.This research project was undertaken in collaboration with the Templo Mayor Museum. We would like to thank our partners at the National Institute of Anthropology and History (INAH) for the opportunity to assist with their work and our partners at Leica Geosystems and Artec 3D for lending equipment in support of the project.', 'Templo Mayor was one the principal temples of Tenochtitlan, the former capital of the Aztec empire. Built sometime after 1325 CE, the structure was dedicated to two Aztec deities, Huitzilopochtli the god of war and Tlaloc the god of rain and agriculture. The temple was surrounded by a serpent wall and the entire structure would have been brightly painted. Templo Mayor was destroyed by the Spanish in 1521 C.E. to make way for construction of a new cathedral. The ruins were buried and largely forgotten until their rediscovery in the 1970\'s.', '2016-03-10', '2016-03-11', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/1gKSZwmOQWQCIg', 'https://cyark.org/projects/templo-mayor', 'templo mayor, mexico city, mexica, mesoamerica, pyramid', 'yes'),
	('w54r-pb82', 'Chav&iacuten de Huantar', 'Peru', '-9.5943679', '-77.177551', 'Published', 'CyArk\'s involvement with Chav&iacuten de Huntar began in 2005 when a research group from University of California, Berkeley traveled to Chav&iacuten to document the archaeological site with LiDAR. This expedition was meant to supplement research conducted under John Rick at Stanford University. The data produced in this expedition, currently hosted by CyArk, became a foundation for executing a conservation plan for the site. The venture was funded jointly by Stanford University and the Kacyra Family Foundation. With changing and more intensive El Ni&ntildeo weather patterns, Chav&iacuten has been under risk of flood erosion.  In 2017 CyArk returned to Chav&iacuten to document the site\'s canals and the adjoining river bed to assist ongoing conservation efforts. LiDAR and photogrammetic documentation was completed over the principal structures.', 'Located in the Peruvian Andes, Chav&iacuten de Huantar was the strategic capital and religious center of the pre-Inca, Chav&iacuten civilization. The project team from the University of California at Berkeley traveled to Chav&iacuten to digitally preserve this important site. The project\'s goal was to support and supplement archaeological activities and research being conducted by Stanford University with the intent of the new data becoming the foundation for an on-site conservation plan.							', '2017-07-17', '2017-07-24', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/VwLyaBwv7bFPKA', 'https://cyark.org/projects/chavn-de-huntar', 'ancash, archaeology, city, ceremony, pyramid', 'yes'),
	('w6g8-zh94', 'Malindi Mosque - Kilwa Kisiwani', 'Tanzania', '-8.958015', '39.50014', 'Published', 'In 2018, CyArk digitally documented three monuments at Kilwa Kisiwani, UNESCO World Heritage Site in Tanzania as part of the Heritage on the Edge program. CyArk utilized aerial and terrestrial photogrammetry as well as LiDAR or laser scanning to document the monuments. CyArk also hosted a one day workshop with ICOMOS and local heritage managers to train site stewards in digital documentation techniques and practices. The documented structures include the Gereza, Malindi Mosque, and the Great Mosque. Site manager will utilize the resulting documentation to better understand the impacts of climate change on the heritage site which is particularly at risk due to its close proximity to the coastline. ', 'Kilwa Kisiwani was inscribed into the World Heritage List (with Songo Mnara) in 1981 as an exceptional testimony to the expansion of the Swahili coastal culture, the spread of Islam in East Africa and the extraordinarily extensive and prosperous Indian Ocean trade from the medieval period up to the modern era. The Great Mosque of Kilwa is the oldest standing mosque on the East African coast. ', '2018-12-11', '2018-12-19', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/project/heritage-on-the-edge-kilwa-kisiwani', '', 'tanzania, kilwa, swahili, east africa', 'yes'),
	('w96g-dk23', 'Benteng Iskandar Muda (F1)', 'Indonesia', '5.591998', '95.512038', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site ((MAHS-IDN-ACH-ABS-MRY-S-002) is a large, well-built stone fortification near the coast on the  western bank of the Krueng Raya river. The ground level is almost the same as the water level of the sea and river. It causes the land around of the site to often be submerged in water at high tide.\nThe site is a fort-building complex, it consists of several components. \nThere is a thick outer rectangular wall. The perimeter is fortified by two parallel walls with sand fill between them.  The upper part could function as a parapet. The outer wall is equipped with embrasures - four on each side. The outer wall has an opening atop a flight of stairs leading up from the southeast. \nOn the inside, the ground level is the same as the ground level of the outside the fort. In the middle, there is a raised platform ground level made from stone walls filled with soil. There are two sets of stairs going up from the southeast and northeast. The top of the raised platform has the remains of what seems to be a building/structure.\nThere are two wells within the main perimeter walls in the east and south corners. \nAll structures are built of andesite stone with lime plaster adhesive materials.\n\nThis feature (MAHS-IDN-ACH-ABS-MRY-S-002-F-0001) is the main outer perimeter wall of the fortification. It consists of two parallel walls, with the space between filled with rubble and sand to create a walkway around the entire fortification. The outer wall is about 3.26 m high, while the inner wall is about 1.55 m high. The walls are made of andesite stone with lime plaster. The outer wall construction is not made perpendicular, and the top tends tilt to the inside, making the bottom of the wall wider than the top. The wall is about 4.5 m thick at its base. The distance between the outer wall and inner wall is about 3.3 m. There are some embrasures on the outer wall, four embrasure on each side, for a total of 16 embrasure. The embrasure are set at regular intervals around the wall. There is a staircase from the outside that connects with the top hallway attached to the outer wall. There is also a staircase on the inside that is attached to the southeast wall.', '2021-09-07', '2021-09-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('w9nz-em50', 'Tewkesbury Abbey North Transept', 'United Kingdom', '51.990481651407', '-2.160583844250', 'Published', 'Point cloud data and images collected with a Trimble X7 scanner. Software used: Trimble Perspective, Trimble RealWorks and Autodesk ReCap Pro. A collaboration between Gloucestershire Building Recording Group and the Royal Agricultural University. Data collect by Isobel Milne for a Master dissertation researching civilian use of 3D scanning to record, identify and share information on medieval timber framed roof structures.', 'The Grade I listed Abbey Church of St Mary the Virgin, Tewkesbury - commonly known as Tewkesbury Abbey - is a former Benedictine monastery and is now a parish church. Considered one of the finest examples of Norman architecture in Britain, Its striking Norman tower and long nave have dominated the Tewkesbury skyline for nearly 900 years. Alterations were made to the northern transept between the early and late 13th century and extensive rebuilding of the east arm occurred in the early 14th century.  Dendrochronology analysis suggests the North Transept was constructed around 1521.', '2022-05-10', '2022-05-10', '2022-04-09', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-sa/4.0', '', '', '', 'yes'),
	('wa8f-n728', 'City Hall NYC - Map the Moment', 'United States of America', '40.712734', '-74.006015', 'Published', 'This data was collected as part of the Map the Moment initiative, a volunteer project to document the artwork and changes to the streetscape following the killing of George Floyd and the demonstrations that followed. This data was collected by Lisa Conte and processed by Joe Graham-Felsen. They used a Canon 5D Mark 3 to scan this data and the various murals that appeared throughout the city. ', 'New York City Hall sits in Lower Manhattan and is the oldest continuously operating city hall in the United States. During the summer’s Black Lives Matter demonstrations, the site saw hundreds of protesters, many of whom were seeking police reform and a lower NYPD budget. ', '2020-07-09', '2020-07-09', '2021-04-20', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://cyark.org/about/blog/?p=map-the-moment', 'BLM, NYC, public art', NULL),
	('wd8n-1z74', 'Maaloodhu Gee - Keela (HAF-KLA-1)', 'Maldives', '6.9597695754', '73.2146389129', 'Published', 'The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner.', 'This structure was formerly used as a Maaloodhu-Ge, as recital hall for deovotional readings of texts to celebrate the birth of the Prophet Muhammad. After new forms of islamic reformism became popular in the Maldives in the 1980s, these practices were abandoned, and this building is now used to house a school', '2020-02-02', '2020-02-02', '2020-05-07', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nd/4.0', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Islamic, Indian Ocean', 'yes'),
	('wjjb-fk60', 'Chichen Itza Site Survey - Aerial Drone 2018', 'Mexico', '20.682726885634', '-88.56875137865', 'upcoming', 'Manually piloted drone survey, incorporating 6 ground control points', 'Chichen Itza, a UNESCO World Heritage site in Mexico, holds immense cultural significance as a remnant of the ancient Mayan civilization. Its architectural marvels, such as the Pyramid of Kukulcan, showcase advanced knowledge in astronomy and mathematics. This sacred site served both as a hub for religious ceremonies and as a center of trade, reflecting the Mayan people\'s complex societal structure. The site\'s alignment with astronomical events highlights the Mayans\' deep connection to the cosmos. Today, Chichen Itza stands as a symbol of the rich heritage and ingenuity of the Mayan civilization, drawing visitors from around the world to marvel at its wonders.', '2018-07-21', '2018-07-21', '2024-05-15', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', 'https://doi.org/10.34946/D6B88P', 'Maya, Yucata', NULL),
	('wr06-mh92', 'Oj&uacutebo &Ogravesogbo', 'Nigeria', '7.755538', '4.551601', 'Published', 'In September 2019, CyArk and a team from IMISI3D in collaboration with the Adunni Olorisha Trust (AOT) and the National Commission for Museums and Monuments (NCMM) of Nigeria documented three monumental structures at the UNESCO World Heritage Site of Osun Osogbo. Despite its national and international significance, many of the shrines and art pieces in the Sacred Grove have fallen into disrepair over the years due to a lack of resources. In an effort to revitalize some of the work done by Susanne Wenger, since 2005 the AOT and NCMM have begun implementing conservation efforts on some of the shrines in collaboration with the local community.  The documentation completed as part of this project provides a comprehensive and detailed inventory of the current conditions in 2019 as well as a variety of multimedia content that can be used to raise awareness of the site. Aerial and terrestrial photogrammetry and laser scanning were employed at Il&egravedi Ont&ogravet&ograveo, the assembly hall of the &Ogravegb&oacuteni earth cult; Oj&uacutebo &Ogravesogbo, the central shrine for &Ogravesun worship and Iy&aacute Mo&ogravep&oacute , a monumental statue and shrine to the goddess of women\'s occupations. Over the course of one week, CyArk and four workshop participants from IMISI3D documented the structures and conducted interviews with local artists and artisans in &Ogravesogbo.', 'The 75 hectare sacred grove of Osun Osogbo is the last remaining high forest in the country containing monumental sculptures and shrines depicting Yoruba deities. The site was assigned World Heritage status in 2005, and represents the last example of a once widespread practice of establishing sacred groves by the Yoruba people. The site is unique in having a large component of 20th century sculpture, some created by Austrian artist Suzanne Wenger who eventually became a high priestess and dedicated her life to the sacred grove. ', '2019-09-19', '2019-09-24', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', NULL, NULL, NULL, 'yes'),
	('wrg9-p135', 'Downtown Madaba', 'Jordan', '31.716486', '35.794805', 'Upcoming', 'Dr Robert Bewley is the Director of the Aerial Photographic Archive for Archaeology in the Middle East (APAAME). This is long-term research project founded by David Kennedy and based at the University of Sheffield (1978-1990 and then the University of Western Australia (1990-2015). In 2015 it moved to the University of Oxford (School of Archaeology). Since 1998 it has been directed by Professor David Kennedy and now Dr Robert Bewley. The project is designed both to develop a methodology suited to the region, discover, record, monitor and illuminate settlement history in the Near East. The archive currently consists of over 115,000 (mainly aerial) images and maps, the majority of which are displayed on the archive’s Flickr site. Although principally focused on Jordan, in which there has been an annual programme of flying since 1997 (The Aerial Archaeology in Jordan (AAJ) Project), high resolution satellite imagery on Google Earth is now permitting research on neighbouring countries.\n\nThe photos collected of downtown Madaba were collected from a helicopter in October 2019 by Dana Salameen, Pascal Flohr and Robert Bewley.                 ', 'Madaba is the capital city of Madaba Governorate in central Jordan. The city is best known for its Byzantine and Umayyad mosaics, especially a large Byzantine-era mosaic map of the Holy Land. The area of the Madaba Archaeological Park West was excavated by several archaeological expeditions over several decades, uncovering the main buildings in the area: the Roman Cardo, the Burnt Palace and the Martyrs Church of the Byzantine Period, and the remains of different Islamic buildings overlapping to the earlier structures in the northern area of the archaeological park. In the past, the area of the Madaba Archaeological Park West has been intensively excavated by F. Michele Piccirillo on behalf of the Studium Biblicum Franciscanum (1985) and Cherie Lenzen (1992-1993), administered by Pierre Bikai, Director of ACOR, on behalf of USAID, and Ghazi Bisheh (1993-1994) on behalf of the DoA and ACOR. The final publication of the results of the more recent expeditions is due to appear in 2017 in an ACOR publication by Robert Schick, who agreed to share his pre-publication data with the team of the MRAMP 2016 Pilot Season', '2019-10-24', '2019-10-24', '2020-07-07', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by/4.0', NULL, 'https://www.flickr.com/photos/apaame/collections', 'Madaba, Madaba governorate, Middle East, aerial archaeology, aerial photography, air photo, ancient history;,archaeology ', NULL),
	('ws0a-3g91', 'Al Azem Palace', 'Syria', '33.5102348', '36.3070869', 'Published', 'The Al Azem Palace was documented as part of Project Anqa, a collaboration between the International Council on Monuments and Sites (ICOMOS), CyArk and Carleton University, funded by the Arcadia Foundation in the UK. The project began in 2015 in response to the catastrophic loss of heritage in the Middle East and aimed to protect monuments by providing training on digital preservation techniques for local heritage professionals in the region. CyArk provided several training and workshops in Lebanon to Syrian heritage professionals in 2016 and 2017 in partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage. The Al Azem Palace in Damascus was documented by the Syrian Directorate General of Antiquities and Museums in 2017, using photogrammetry and LiDAR.', 'The Al Azem Palace construction began in 1749 by the Ottoman governor of Damascus As\'ad al-Azem. The palace has two main wings: the haramlik and the salamlik. The family wing, or haramlik, is a private space that is connected to the kitchen and servant quarters. It includes the baths, which are a replica of the public baths in the city but on a smaller scale. The public area reserved for the outside guests, called the salamlik, contains the formal halls, reception areas and exclusive courtyards for entertainment.', '2017-02-26', '2017-05-05', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/XAJyj43oviGZIA', 'https://cyark.org/projects/al-azem-palace/overview', 'damascus', 'yes'),
	('wsa0-ms10', 'Kompleks Makam Syaikh Muhammad', 'Indonesia', '5.537089', '95.34634', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-BNA-UKR-S-001) is a small Islamic cemetery situated on a slightly raised burial mound. There are indications of six graves on top of the mound marked with different types of gravestones. Five of the graves are marked with elaborately carved gravestones and one is marked with a smooth, rounded stone (sakrah) on each end. Several of the carved gravestones have Arabic inscriptions. A signboard indicates that it is a protected site and identifies it as the Kompleks Makam Syaikh Muhammad.', '2021-10-25', '2022-02-07', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('wvvm-ck87', 'Khan As&#039ad Pasha', 'Syria', '33.509278', '36.30666', 'Published', 'Khan As\'ad Pasha was documented as part of Project Anqa, a collaboration between the International Council on Monuments and Sites (ICOMOS), CyArk and Carleton University, funded by the Arcadia Foundation in the UK. The project began in 2015 in response to the catastrophic loss of heritage in the Middle East and aimed to protect monuments by providing training on digital preservation techniques for local heritage professionals in the region. CyArk provided several training and workshops in Lebanon to Syrian heritage professionals in 2016 and 2017 in partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage. Khan As\'ad Pasha in Damascus was documented by the trained members of the Syrian Directorate General of Antiquities and Museums using photogrammetry and LiDAR.', 'Constructed at a major point of economic activity of the Ottoman Empire\'s rule in Damascus, governor As\'ad Pasha al-Azem oversaw the project which was completed in 1752 and served as a guesthouse, commerce center, and storage facility for merchants traveling through the city. The structure follows the typical layout of a khan or caravanserai and was situated in the heart of the historic trading center along the Suq al-Buzuriyyah. The first floor consists of a courtyard populated with shops and was dedicated to commerce and storage while people mainly used the second floor for lodging. By the twentieth century the Khan As\'ad Pasha no longer functioned as a haven for traveling merchants and in 1980, the Department of Museums and Antiquities used it as a manufacture and storage space. Restoration continues on the khan including restoring the domes which had been damaged in an earthquake, reinforcing the supporting piers, and restoring interior finishes and decor.', '2017-08-09', '2017-08-14', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/HgISe2K5YFf0IQ', 'https://cyark.org/projects/khan-as-ad-pasha', 'khan, caravanserai, damascus, ablaq, governor, ottoman, muqurna, as\'ad pasha al-azm,  ', 'yes'),
	('wx4e-hr62', 'Bagan - Khe Min Ga Zedi', 'Myanmar', '21.177291', '94.875676', 'Upcoming', 'CyArk conducted a third independent mission to Bagan in 2017, following two earlier expeditions in collaboration with Carleton University. The 2017 mission took place following a major earthquake in 2016 and the documentation was focused on the extent of damage that occurred to previously surveyed monuments.These expeditions assisted UNESCO and the Myanmar Department of Archaeology (DoA) towards conservation efforts at the massive archaeological site. CyArk and partners utilized LiDAR and both aerial and terrestrial photogrammetry to document the monuments. This expedition was funded through the Google Cultural Institute.\r\n', 'The ancient city of Bagan, was the political, economic, and cultural center of the Bagan Kingdom from approximately 1044 to 1287 CE. The rulers of Bagan oversaw the construction of over 5,000 religious monuments over an area covering about 65 square kilometers on the Bagan plains. More than 2,000 of the original  structures have survived in varying states of repair until the present and can be found in the Bagan Archaeological Zone.  Constructed in the early 11th century during the Transitional Period of kingdoms, Khe Min Ga Zedi is a rectangular two-story Buddhist temple with four vestibules.  \r\n', '2017-04-20', '2017-04-28', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/KALSm4FCvgIVJg', 'https://cyark.org/projects/bagan', 'burma, buddhist, pagan kingdom, pagoda, monastery', 'yes'),
	('x03k-3p09', 'Cloister of St. Trophime', 'France', '43.6767005', '4.62779998', 'Upcoming', 'The cloister of St Trophime was documented in May 2009 as part of a decades-long international effort led by the World Monuments Fund. The project worked to preserve the church as a valuable architectural example of Christian iconography featuring both Romanesque and Gothic features. In conjunction with Christofori Und Partner, documentation of the cloister, cloister roofs, church portal, interior plaza, and the Place de la R?publique plaza was conducted with laser scanning and digital photography.', 'One of the oldest and most stunning Romanesque structures in the world, the pilgrimage church of Saint-Trophime in Arles holds a cherished and vital place in the living history of Provence. A magnificent bell tower looms over the church\'s western portal and monastic cloister, both repositories for some of the finest relief sculpture of the Romanesque and early Gothic periods found in all of France. This monument was documented with 3D laser scanners and HD photography as part of a decades-long international effort led by World Monuments Fund to preserve the church as a valuable example of Medieval Christian iconographic and architectural achievement.						', '2009-03-27', '2009-04-05', '2018-04-16', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/XgLCxqyN3wrCIQ', 'https://cyark.org/projects/saint-trophime', 'arles, romanesque, catholic, church, christianity, bouches-du-rhone, provence', 'yes'),
	('x4ej-7763', 'xxxx', 'Spain', '41.647821883505', '1.1370715629783', 'Unpublished', '624 manually piloted drone images flown in June of 2024. ', 'Located in Catalonia, Spain, Tarrega holds significant cultural and architectural importance. Its roots trace back to medieval times, evident in the charming narrow streets, historic buildings, and ancient churches that adorn the cityscape. The iconic Santa Maria d’lAlba church, dating back to the 17th century, towers above the town, standing as a testament to Tarrega\'s religious heritage. The city\'s architectural ensemble reflects a blend of Romanesque, Gothic, and Renaissance styles, showcasing centuries of cultural evolution. Tarrega\'s vibrant cultural scene, with festivals celebrating its artistic spirit, drawing visitors from far and wide to experience its rich heritage and lively atmosphere.', '2023-06-22', '2024-04-23', '0000-05-14', 'CC BY-NC', 'https://creativecommons.org/licenses/by-nc/4.0', '', '', '', NULL),
	('x8t5-r843', 'Kathleen', 'United States of America', '37.806411', '-122.423904', 'Published', 'The sloop yacht Kathleen documentation project, undertaken by the Historic American Engineering Record (HAER) in 2012, was sponsored by San Francisco Maritime National Historical Park (SAFR), Craig Kenkel, superintendent. Bill Doll, preservation specialist for SAFR, was the project manager. Documentation for HAER was directed by Todd Croteau, who also prepared the largeformat photographs. Dana Lockett, HAER architect, prepared contour data from LIDAR scan point clouds produced by Gauge Point Calibration and Cyark. Richard K. Anderson prepared the measured drawings and Michael R. Harrison wrote the historical report through a cooperative agreement with the Council of American Maritime Museums.\n', 'The Sloop Kathleen is currently part of the San Francisco maritime National Historic Park and is believed to be the second oldest yacht on San Francisco Bay. The forty-foot sloop was built as a yacht near Fisherman\'s Wharf by Salvatore Pasquinucci in 1904 and served as a pleasure boat on the bay for 107 years. The design of this vessel a centerboard sloop yacht was developed in New York City in the 1840s, the design evolving from local fishing boats noted for their speed under sail. The design was characterized by a wide and shallow hull. Introduced to San Francisco Bay in the 1850s, the sloops worked well on the shallow waters of the Bay and Delta. The popularity of the sloop grew, as more prosperous urban yachtsmen cruised and raced the craft.\n', '2012-06-14', '2012-06-14', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'yacht, maritime, sloop, kathleen, san francisco', 'yes'),
	('xgd9-jw35', 'Pointe du Hoc', 'France', '49.397822', '-0.989506', 'Published', 'I December 2016, CyArk in collaboration with the The United States Military Academy at West Point documented sites associated with the D-Day landings in Normandy. Terrestrial and aerial photogrammetry and LiDAR laser scanning were deployed to document the the beach point of resistance known as Widerstandsnest 62, The American Normandy Cemetery, and Pointe du Hoc.', 'Pointe du Hoc is a promontory with a 100-foot cliff overlooking the English Channel on the northwestern coast of Normandy in the Calvados department, France.\n\nDuring World War II it was the highest point between the American sector landings at Utah Beach to the west and Omaha Beach to the east. The German army fortified the area with concrete casemates and gun pits. On D-Day (June 6, 1944), the United States Army Ranger Assault Group attacked and captured Pointe du Hoc after scaling the cliffs.\n', '2016-12-20', '2016-12-22', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, '', 'pointe du hoc, normandy, france, ww2, war, abmc', 'yes'),
	('xgje-dv75', 'Chateau-Thierry American Monument', 'France', '49.041962', '3.371701', 'Published', 'To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document structures dedicated to the American armed forces throughout Europe. The Chateau-Thierry American Monument was documented in February 2018 using LiDAR laser scanning and aerial and terrestrial photogrammetry. CyArk’s digital documentation allows people who are unable to physically visit the site to experience the monument and remember those who gave their lives for their country.', 'The World War I Chateau-Thierry American Monument, designed by Paul Cret, is located on a hill two miles west of Chateau-Thierry, France, and commands a wide view of the valley of the Marne River. It commemorates the sacrifices and achievements of the Americans and French before and during the Aisne-Marne and Oise-Aisne offensives.\n\nThe monument, also known as the American Aisne-Marne Memorial or Le Monument americain a cote 204, consists of an impressive double colonnade rising above a long terrace. On its west facade are heroic sculptured figures representing the United States and France. On its east facade is a map showing American military operations in this region and an orientation table pointing out the significant battle sites.\n\nGerman advances in late May 1918 led to the 3rd Division joining the fight. Its units assisted French troops in preventing the Germans from crossing the Marne River. The 3rd Division held the south bank of the Marne until the French American counteroffensive forced German withdrawal. It earned the nickname \'Rock of the Marne.\' At the nearby cemeteries rest those Americans who gave their lives in the service of their country.', '2018-02-25', '2018-03-02', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', NULL, 'https://www.abmc.gov/cemeteries-memorials/europe/chateau-thierry-monument', 'oise-aisne, america, american, cemetery, abmc, france, ww1, ww2, memorial, chapel', 'yes'),
	('xhj8-8x48', 'Montcortès Castle and Santa Anna Church', 'Spain', '41.706614', '1.230057', 'Published', 'Includes 163 photos taken from drone, and 1248 terrestrial images', 'The original Montcortès castle was initially documented during the 11th century, in the testament of the knight Guillem Isarn de Trevics. However, as in the case of so many other frontier castles, at the end of the 15th century it was altered and replaced by the building that you can see today.\nNew castle’s works gave as result a magnificent rectangular fortress with two twin towers, a large semicircular Romanesque façade at East, Renaissance type Windows and an arched gallery, work done by Joan Barrufet.\nJust in front the litle church built in the 16th century are placed near the small town of Montornès de Segarra (Catalonia).', '2017-02-16', '2017-02-16', '2020-12-06', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, '', 'castle, church, medieval', 'yes'),
	('xjrn-0h22', 'Okazaki komainu', 'Japan', '34.66639', '135.46028', 'Published', 'In June 2019, Dr. Gildas Sidobre of NRHK completed terrestrial photogrammetry of two Okazaki-style komainu located at the Sanja Jinja shrine in Osaka, Japan. The scans were taken with a Samsung NX500 mirrorless camera.', 'Like many komainu sculptures, this pair of gatekeepers was constructed to ward off any evil spirits that may have ventured into the Sanja Jinja temple, a Shinto shrine located in the Osaka prefecture of Japan. The pair of sculptures guard the main building -- or the honden -- and are stylistically similar to other komainu from the Kansai region, spanning from Onomichi to Kyoto. In typical komainu fashion, one guardian’s mouth is open, and the other shut. However, the left-hand statue rests its foreleg on a cub, while the other paws at a decorated jewel, iconography that is unique to the shishi-yama style of komainu. ', '2019-06-27', '2019-06-29', '2021-01-21', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by/4.0', NULL, '', 'komainu, Shinto, statue (apotropaic?)', 'yes'),
	('xm5s-mh78', 'Medinet Habu - Hypostyle', 'Egypt', '25.71975', '32.600658', 'Published', 'Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n', 'Temple of Ramesses III at Medinet Habu. \nSee:\n    http://www.calit2.net/newsroom/rss.php?id=1862  and\n    http://en.wikipedia.org/wiki/Medinet_Habu_(temple)\n\nCAVECam #7 \'LuxorMedinetHabuHypostyle\'\n    This CAVEcam was shot in the Temple of Ramesses III at Medinet\n    Habu. This is outside of the columns CAVEcam shot and the Royal\n    Treasure Halls. ', '2011-05-25', '2011-05-25', '2021-02-28', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/4.0', NULL, '', 'Medinet Habu, Luxor, Egypt, Thebes, Temple, CaveCam', 'yes'),
	('xm7p-7g80', 'Makam Sultan Ma\'ruf Syah', 'Indonesia', '5.355583', '95.927948', 'Published', 'The Maritime Asia Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage in the Maldives, Indonesia, and elswhere across the region. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using FARO Focus S350 Lidar scanner, Nikon D750 DSLR, and DJI Phantom 4 Pro drone, DJI Matrice 300RTK with ZenMuse L1 and P1 payloads.', 'The site (MAHS-IDN-ACH-PID-PID-S-003) is a small rectangular Islamic cemetery that is currently protected by a fence consisting of five graves placed longitudinally north-south with an orientation facing west (Qibla). \nSome of the graves are marked with a pair of head and foot stones but it is possible that some of the gravestones are missing. The graves with no gravestones have small trees for grave markers. The most prominent graves are marked by standing rectangular slabs with straight sides that round in at the shoulders, and are topped by squat onion finials. The space in-between the gravestones is covered in small rounded stones.', '2021-09-21', '2021-10-30', '2022-08-20', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', 'https://maritimeasiaheritage.cseas.kyoto-u.ac.jp/', 'https://sketchfab.com/MaritimeAsiaHeritageSurvey/collections', 'Southeast Asia, Indonesia, Islamic heritage', NULL),
	('xvd8-hn19', 'Budhuge (LAM-MUN-3)', 'Maldives', '2.013269402', '73.5337118', 'Published', 'Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Drone DJI Phantom 4 Pr for photogrammetry.', 'The bathing tank (veyo) at Budhuge apprears to be the only surviving stone structure of a Buddhist ritual complex that previously existed on this site. ', '2018-09-29', '2018-09-30', '2019-02-15', 'CC BY-NC-ND', 'https://creativecommons.org/licenses/by-nc-nd/3.0/', NULL, 'https://maldivesheritagedata.oxcis.ac.uk/index.htm', 'Maldives, Buddhist Site, Indian Ocean', 'yes'),
	('xypg-he49', 'Nine Dome Mosque - Mosque City of Bagerhat', 'Bangladesh', '22.658487', '89.755398', 'Published', 'In 2019, CyArk partnered with Google Arts and Culture and ICOMOS to digitally document three structures at the Historic City of Bagerhat in Bangladesh. The structures are particularly at risk due to the impacts of climate change including rising sea levels and increased salinity in water being absorbed into the bricks. CyArk used aerial and terrestrial photogrammetry as well as LiDAR or laser scanning to digitally capture the monuments. The site will utilize the documentation to better understand and address the impacts of climate change and connect people with these places.', 'The Mosques at the Historic City of Bagerhat are touchstones for understanding the early influences of Islam in Bangladesh and diversity of architectural style in Southeast Asia. The monuments at Bagerhat are some of the finest examples of the Khan Jahan style, named after the Sufi Saint who founded the city in the mid 15th century. With few options for building materials in the area, builders of the city utilized their expertise in brick making. The 60 Dome Mosque is one of 360 buildings that once stood in Bagerhat. Today, the mosque remains an important place of worship for local residents and visitors throughout Bangladesh and the world. ', '2019-04-23', '2019-05-03', '2020-06-22', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0', 'https://artsandculture.google.com/project/heritage-on-the-edge-bagerhat', '', 'bagerhat, khan jahan, khalifatabad, bangladesh', 'yes'),
	('xzvt-q669', 'Mission San Juan Bautista', 'United States of America', '36.845826', '-121.536219', 'Published', 'In December 2012, CyArk partnered with California State University Monterey Bay, the California Missions Foundation, and the San Juan Bautista parish to digitally document Mission San Juan Bautista. Western Digital supported the project\'s field data collection through the generous donation of portable hard drives. Mission San Juan Bautista is the fourth California Mission to become part of CyArk\'s Digital El Camino Real de California project, which aims to digitally document all twenty-one mission along El Camino Real established by the Spanish in Alta California. ', 'Remnants of Spanish colonization of the Americas, Mission San Juan Bautista provides a window into the development of the American West and the beginnings of the state of California. From its initial construction in 1797, the area surrounding the building has transformed over time becoming a colonial Spanish mission, Mexican pueblo, and finally an American town. The Mission San Juan Bautista encapsulates the inventive artistic influence of Spanish colonial artists seen in the church\'s collection of apostolate paintings. The church also embodies the effects of Spanish colonist\'s program of religious and cultural conversion on local Native American communities marked in the adobe structure, which local American Indian laborers from the Mutsun tribe mostly constructed. Mission San Juan Bautista and the surrounding historic district are touchstones for understanding the diversity of cultural influences that have shaped life in California today.', '2012-12-19', '2012-12-21', '2019-04-18', 'CC BY-NC-SA', 'https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode', 'https://artsandculture.google.com/exhibit/NQJydYx20sqaIg', 'https://cyark.org/projects/mision-san-juan-bautista-de-ligui', 'california, spanish, ohlone, San Benito County, Franciscan, Saint John the Baptist, Diocese of Monterey, colonization', 'yes'),
