INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('p1ek-4k68','Cidade Velha','Cabo Verde','14.9150581','-23.605064','Published','In March 2015, CyArk digitally documented Cidade Velha in partnership with the African World Heritage Fund. Panoramic photography and LiDAR laser scanning were completed at four locations around the city including the S&eacute Cathedral, Nossa Senhora do Ros&aacuterio Church, Fort Real de S&atildeo Filipe and the Pillory square. CyArk also conducted a training workshop for African World Heritage Fund staff, local experts from Cape Verde and a variety of heritage specialists from the Lusophone community around the world. The workshop focused on digital documentation methods and the how digital data can be used for conservation.','<p>First colonized in the mid-1400s by the Portuguese, Cabo Verde would quickly become the center of the largest human diaspora in history.</p><p>Beginning relatively small scaled, the town, Ribeira Grande, received a Royal Charter in 1466 giving permission to own and trade enslaved captives from Africa. Over the next 100 years, Ribeira Grande would increase in importance through its dominant trade in gold and slaves to the extent of being subject to frequent raids by pirates and other nations, including Sir Francis Drake in 1585, making it necessary to build the strongest fort of its day, <i>Forte de Sao Felipe</i>, in 1590.</p><p>With the building of the fort, Ribeira Grande stood center stage in the industry of human trafficking, the Trans-Atlantic Slave Trade. During the 15th and 16th centuries, the majority of Cabo Verdians were involved in the slave trade in one way or another, from direct purchasing and selling to outfitting ships sailing east or north. </p><p>With an intense mixing of cultures, Cabo Verde became the first colony to establish a creole language and culture that still exists today.</p><p>Due to its strategic location between Europe, Africa, and the Americas, Cabo Verde was an essential stop for early explorers traveling West including Christopher Columbus on his third voyage to the Americas and James Cook. As an international port of call, Cabo Verde also became an experimental ground for new fruits and vegetables heading from and into Europe and the Americas.</p><p>Ribeira Grande began to decline beginning with an attack by the French in 1712. A new capital was founded to the west, Praia, and lured the elite class away from Ribeira Grande, now called <i>Cidade Velha</i>, or old town.</p>','2015-03-01','2015-03-06','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/WQJyKwAAE8n8Jg','https://cyark.org/projects/cidade-velha','church, fortress, pillar, colonialism, creole','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('p3xw-f907','Lowry Pueblo National Historic Landmark - Great Kiva (Canyon of the Ancients)','United States of America','37.584418','-108.919361','Upcoming','Due to its outstanding architectural value, Lowry Pueblo was designated as a National Historic Landmark in 1967 and became part of the Canyons of the Ancients National Monument in 2000. In 2016, Lowry Pueblo was documented by the University of Colorado Denver Center of Preservation Research (CoPR) through a combination of 3D laser scanning and high resolution imagery. The data provides an accurate baseline to monitor deterioration of the architectural remains and a means for planning future preservation efforts.','The Canyons of Ancients National Monument lies in the Four Corners region of the American Southwest and houses the Lowry Pueblo National Historic Landmark. The national monument is home to thousands of architectural sites and offers evidence of cultures and traditions spanning millennia. These sites include cliff dwellings, single family dwellings, great kivas, multi-storey adobe structures, shrines, rock paintings, petroglyphs and towers. Today, twenty-four native tribes claim cultural affiliation with Canyons of the Ancient National Monument.','0000-00-00','0000-00-00','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'N/A','indigenous, Puebloans, Colorado',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('p40q-kq68','Latham Square - Map the Moment','United States of America','37.806106','-122.270308','Published','This data was collected as part of the Map the Moment initiative, a volunteer project to document the artwork and changes to the streetscape following the killing of George Floyd and the demonstrations that followed. Avidan Fernandez and Whitney Peterson from CyArk collected and processed this data using a Nikon D810 to scan the murals that adorned the boarded up retail units.','Latham Square is located at the intersection of Telegraph Ave. and Broadway in Oakland, CA. The plaza is often heavily trafficked, with commuters biking, walking, and driving to and from Oakland and its surrounding areas. Amidst the BLM demonstrations from the summer of 2020, the retail spaces that surround this plaza were boarded up, giving local artists the opportunity to turn each storefront into a canvas for public art and murals. ','2020-06-12','2020-06-12','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'https://cyark.org/about/blog/?p=map-the-moment','BLM, Oakland, mural',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('p84w-dm84','Ali Thakurufaanu Ziyaarat, Thakandhoo (HAF-TKD-2)','Maldives','6.8438801384','72.9939899221','Published','The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and a Nikon D750 for photogrammetry.','This is the shrine mausoleum (ziyaarat) of Ali Thakurufaanu. He was killed in 1572 in battle against the Portuguese. When he was struck down, his head was severed and taken to Malé as a gift to the Portuguese administrator Andhiri Andhirin, and later buried on the island of Funadhoo near Malé. His body, however, was buried here in Thakandhoo and this ziyaarat was later erected over the grave.','2019-12-02','2019-12-02','2020-05-07','CC BY-NC-ND','https://creativecommons.org/licenses/by-nd/4.0',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('pb6n-zc53','Jamia Masjid Khudabad','Pakistan','26.646899','67.73977','Published','In 2015, the Lahore University of Management Science (LUMS) documented the Jamia Masjid Khudabad with the support of USAID as part of the Digital Preservation of Pakistan’s Heritage project. The data provides an accurate base map to monitor deterioration of the architectural, figural, and inscriptional works of the site.  This data complements existing historical documentation and conservation materials and advances the capability for planning future preservation efforts.  ','The Jamia Mosque Khudabad is situated in Khudabad, Dadu District in the Sindh province of Pakistan. The mosque was built between 1700 and 1718 and was designed to showcase the wealth and power of the local governor, Mian Yar Muhammad Kalhoro. Fully decorated with fresco paintings and outstanding tile work in geometric and floral designs, the Khudabad mosque stands as a testament to what was, for a brief time, a glorious capital city.\nIn 1768, the last Kalhoro ruler moved his capital away from Khudabad and without official support, the fifty-year old mosque was left to slowly decay. \nThe following century saw no improvement in the Khudabad mosque’s condition. In fact, during the heavy rains of 1994-95, one of the main domes over the prayer hall collapsed. Two other large domes and nineteen smaller ones were also damaged in the  monsoon rains. Some repair work was undertaken in 2009 to stabilize the structure and reconstruct the domes.\n','2015-08-10','2015-08-14','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0','http://heritage360.pk/mka/masjidkhudabad.html','','khudabad, sindh, pakistan, heritage, mosque, kalhoro, jamia','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('pcpm-h210','Heart of Neolithic Orkney - The Ring of Brodgar','Scotland','59.001499','-3.229778','Upcoming','In 2010, Historic Environment Scotland partnered with CyArk and the School of Simulation and Visualisation to document five of Scotland\'s UNESCO World Heritage Sites in five years. These sites include the Antonine Wall, St. Kilda, Edinburgh, New Lanark and Neolithic Orkney. Neolithic Orkney is a grouping of neolithic monuments in the Orkney archipelago on the Northeast coast of Scotland that provide a rare glimpse into prehistoric life in Northern Europe. Documentation efforts at Neolithic Orkney focused on several key archaeological sites including Skara Brae, the Ring of Brodgar, Maeshowe and the Stones of Stenness. In August 2010, the project partners used LiDAR, or laser scanning, to record the present condition of the structures as well as the surrounding context for use in monitoring and to support the ongoing management of the sites. ','Some 5,000 years ago, the prehistoric people of the Orkney Islands began building extraordinary monuments out of stone. Each of the four Heart of Neolithic Orkney sites is a masterpiece of Neolithic design and construction in itself. But together they represent one of the richest surviving Neolithic landscapes in Western Europe. The series of important domestic and ritual monuments gives us incredible insights into the society, skills and spiritual beliefs of the people who built the monuments. The Ring of Brodgar is a great stone circle 130m across. Surrounded by a rock cut ditch, it is set in a spectacular natural amphitheatre of lochs and hills.','2010-08-01','2010-08-31','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode',NULL,'https://www.historicenvironment.scot/visit-a-place/places/ring-of-brodgar-stone-circle-and-henge/','cairn, stone circle, archaeology, prehistory, chambered tomb, ','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('pr0c-nz13','&Ccedil;atalh&ouml;y&uuml;k , East Mound, North Area 2016','Turkey','37.667840795660',' 32.82817747617','Published','This collection includes a mixed remote sensing dataset made of terrestrial laser scanning point clouds, point cloud comparison data, structure from motion-generated polygonal meshes, and related textures and metadata. It was recorded at the Neolithic site of &Ccedil;atalh&ouml;y&uuml;k, Turkey under the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project carried out in 2012-2017 by scholars and students from the University of California Merced and Cardiff University. The historic series of North Area and South Area point clouds were documented by means of a Faro Focus S120 time of flight laser scanning during six consecutive field seasons (2012-2017), while the East Mound and West Mound landscape 3-D models were generated from low-altitude photos captured by an unmanned aerial vehicle (drone) in 2015.\n\nThe goal of the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project was to capture the current state of the site to comply with UNESCO site management guidelines for conservation and to understand and quantitatively assess the deterioration of its mud-brick architecture through time via 3-D data comparison and geo spatial methods. The analyses of laser scanning data focus on the wall features of eight buildings of the North Area (B5, B48, B49, B55, B64, B82, B114, B119), which were chosen as priority by Ashley Lingle, the Head of Conservation at &Ccedil;atalh&ouml;y&uuml;k. Point clouds of wall features were segmented and aligned using the open source software CloudCompare. Pairs of perfectly aligned and identically segmented point clouds were then compared using the M3C2 method in CloudCompare to compute differences (standard deviation) and significant change. The differences among aligned and identical features represent the material loss occurred in those walls in 2012-2017. The point clouds were then analyzed in a GIS platform including environmental data logged in the North Area and vulnerability assessment made in situ by the Conservation Team.','&Ccedil;atalh&ouml;y&uuml;k (Turkish pronunciation:   also &Ccedil;atal H&ouml;y&uuml;k and &Ccedil;atal H&uuml;y&uuml;k; from Turkish &Ccedil;atal \'fork\' + h&ouml;y&uuml;k \'tumulus\') was a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7100 BC to 5700 BC, and flourished around 7000 BC.[2] In July 2012, it was inscribed as a UNESCO World Heritage Site.\n\n&Ccedil;atalh&ouml;y&uuml;k is located overlooking the Konya Plain, southeast of the present-day city of Konya (ancient Iconium) in Turkey, approximately 140 km (87 mi) from the twin-coned volcano of Mount Hasan. The eastern settlement forms a mound which would have risen about 20 m (66 ft) above the plain at the time of the latest Neolithic occupation. There is also a smaller settlement mound to the west and a Byzantine settlement a few hundred meters to the east. The prehistoric mound settlements were abandoned before the Bronze Age. A channel of the &Ccedil;arşamba River once flowed between the two mounds, and the settlement was built on alluvial clay which may have been favorable for early agriculture.\n\nSource: https://en.wikipedia.org/wiki/%C3%87atalh%C3%B6y%C3%BCk','0000-00-00','0000-00-00','2021-02-28','CC BY-NC','https://creativecommons.org/licenses/by/4.0',NULL,'https://library.ucsd.edu/dc/collection/bb62154893','','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('prmc-an45','Jackson Rooming House - A Jim Crow Era Boarding House in the South','United States of America','27.9521987','-82.4520423','Upcoming','The Digital Heritage and Humanities Center at the University of South Florida (USF) Libraries, working in collaboration with the Tampa Bay History Center, used a suite of reality capture and laser scanning and imaging technologies to document the deteriorating Jackson Rooming House in Tampa, Florida. The project was undertaken in an effort to capture the as-built construction and extant features of the home in an effort to digitally preserve this imperiled site. Resultant datasets will be used in a planned museum exhibition at the Tampa Bay History Center, featuring Virtual Reality and immersive exhibit design applications that will center on Tampa\'s history and the Jim Crow Era.','The Jackson Rooming House is a National Register of Historic Places (NRHP) listed home provided shelter and refuge for African American travelers during the Jim Crow segregation era. Also known as the Jackson House,it was constructed in 1901 in the downtown area of the City of Tampa, Florida. During the home\'s height of use, several prominent musicians and entertainers were known to have stayed there, including Count Basie, Cab Calloway, James Brown, Ella Fitzgerald, and Ray Charles. The site sits near the once thriving black business district in Tampa, along Central Avenue, that was home to numerous nightclubs in the 1960s. The home today is largely ruinous and deteriorated since the NRHP listing in 2007, and has been considered imperiled and one of the annual \"11 to save\" listed sites by the Florida Trust for Historic Preservation.','2019-02-16','2019-02-16','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode',NULL,'https://www.lib.usf.edu/dhhc/','Jim Crow era, heritage, 3d, structure from motion, segregation, African American, history, music, urban renewal, USF',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('pvkt-zq12','Shiva Mandir Johi','Pakistan','26.689398','67.611085','Published','In 2015, the Lahore University of Management Science (LUMS) documented the Shiva Mandir Johi with the support of USAID as part of the Digital Preservation of Pakistan’s Heritage project. The data provides an accurate base map to monitor deterioration of the architectural, figural, and inscriptional works of the site.  This data complements existing historical documentation and conservation materials and advances the capability for planning future preservation efforts.  ','The Shiva Mandir Johi is a Hindu temple located in the city of Johi in Sindh province, Pakistan. Built in the 1850’s the temple features two domes, a large tall dome and a small and round dome to the West. The monument is currently suffering from a lack of maintenance and water infiltration however Hindu iconography including delicate carvings and several paintings are still visible.\n','2015-09-15','2015-09-16','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0','http://heritage360.pk/shiva/temple_shiva.html','','johi, sindh, pkistan, hindu, temple, mandir, shiva','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('q70e-6p13','Dhandimagu Miskiyy (GNI-DDM-5 )','Maldives','-0.289610286112','73.413438937477','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Drone DJI Phantom 4 Pr for photogrammetry).','Dhandimagu Miskiyy is believed to be the central early mosque of the island. I was originally floored with white sand, direclty on top of which woven palm mats were placed at prayer times. The stone flooring was added later as part of the extensive renovations and reconstrcutions of the building over the centuries.','2018-11-04','2018-11-05','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Mosque, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('q881-zx15','Cidade Velha - Pillory','Cabo Verde','14.915020','-23.605050','Published','In March 2015, CyArk digitally documented Cidade Velha in partnership with the African World Heritage Fund. Panoramic photography and LiDAR laser scanning were completed at four locations around the city including the S&eacute Cathedral, Nossa Senhora do Ros&aacuterio Church, Fort Real de S&atildeo Filipe and the Pillory square. CyArk also conducted a training workshop for African World Heritage Fund staff, local experts from Cape Verde and a variety of heritage specialists from the Lusophone community around the world. The workshop focused on digital documentation methods and the how digital data can be used for conservation.','<p>First colonized in the mid-1400s by the Portuguese, Cabo Verde would quickly become the center of the largest human diaspora in history.</p><p>Beginning relatively small scaled, the town, Ribeira Grande, received a Royal Charter in 1466 giving permission to own and trade enslaved captives from Africa. Over the next 100 years, Ribeira Grande would increase in importance through its dominant trade in gold and slaves to the extent of being subject to frequent raids by pirates and other nations, including Sir Francis Drake in 1585, making it necessary to build the strongest fort of its day, <i>Forte de Sao Felipe</i>, in 1590.</p><p>With the building of the fort, Ribeira Grande stood center stage in the industry of human trafficking, the Trans-Atlantic Slave Trade. During the 15th and 16th centuries, the majority of Cabo Verdians were involved in the slave trade in one way or another, from direct purchasing and selling to outfitting ships sailing east or north. </p><p>With an intense mixing of cultures, Cabo Verde became the first colony to establish a creole language and culture that still exists today.</p><p>Due to its strategic location between Europe, Africa, and the Americas, Cabo Verde was an essential stop for early explorers traveling West including Christopher Columbus on his third voyage to the Americas and James Cook. As an international port of call, Cabo Verde also became an experimental ground for new fruits and vegetables heading from and into Europe and the Americas.</p><p>Ribeira Grande began to decline beginning with an attack by the French in 1712. A new capital was founded to the west, Praia, and lured the elite class away from Ribeira Grande, now called <i>Cidade Velha</i>, or old town.</p>','2015-03-01','2015-03-06','2020-06-19','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/WQJyKwAAE8n8Jg','https://cyark.org/projects/cidade-velha','church, fortress, pillar, colonialism, creole','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qafh-a256','Oise-Aisne American Cemetery','France','49.203627','3.547227','Published','To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document eight military cemetery chapels dedicated to the American armed forces throughout Europe. The Oise-Aisne American Cemetery chapel and map room were documented in August 2016 using LiDAR laser scanning and aerial and terrestrial photogrammetry. CyArk’s digital documentation allows people who are unable to physically visit the site to experience the monument and remember those who gave their lives for their country.','The Oise-Aisne American Cemetery and Memorial in France contains the remains of 6,012 American war dead, most of whom lost their lives while fighting in this vicinity in 1918 during World War I. Their headstones, aligned in long rows on the 36.5-acre site, rise in a gentle slope from the entrance to the memorial at the far end. The burial area is divided into four plots by wide paths lined by trees and beds of roses; at the intersection are a circular plaza and the flagpole.\n\nThe memorial is a curving colonnade, flanked at the ends by a chapel and a map room. It is built of rose-colored sandstone with white trim bearing sculptured details of wartime equipment. The chapel contains an altar of carved stone. Engraved upon its Walls of the Missing are 241 names. Rosettes mark the names of those since recovered and identified. The map room contains an engraved and colored wall map portraying the military operations in this region during 1918.','2016-08-03','2016-08-04','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'https://www.abmc.gov/cemeteries-memorials/europe/oise-aisne-american-cemetery','oise-aisne, america, american, cemetery, abmc, france, ww1, ww2, memorial, chapel','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qcc3-b484','Fort Laramie National Historic Site','United States of America','42.2030181','-104.55799','Published','In 2009, Wyoming\'s Fort Laramie was the subject of a digital preservation pilot project between the National Park Service, CyArk, and the University of Colorado, Denver. The documentation of Fort Laramie focused on the four remaining buildings of Officer\'s Row (Old Bedlam, Post Trader\'s Complex, Post Surgeon\'s Quarters, Lt. Colonel\'s Quarters), the adjacent Parade Ground, and the ruins of the Post Hospital. The team used laser scanners and photography to capture the interior and exterior of the buildings as well as the surrounding grounds for context. The project produced highly accurate 3D data to aid in the ongoing conservation and restoration work of the fort. Additional 3D reconstructions, animations, and other multimedia were generated to supplement existing educational and interpretive media.','Although small, measuring 100 by 80 feet, the construction of the site\'s first building in 1834 marked the beginning of a major transformation in the American west. What would later become Fort Laramie, began as a trading post where it\'s owners primarily traded buffalo robes with local American Indian communities, particularly the Lakota or Sioux. Throughout the mid to late 1800s, the site changed alongside the decline of the buffalo population, the intensive westward movement of emigrant populations, and the US government\'s militaristic takeover of American Indian lands. Fort Laramie became one of the most consequential military posts on the northern plains, playing a significant and controversial role in American Indian relations. As the 19th century came to a close along with Western expansion, the role of the fort diminished. The buildings on the site today reflect a significant turning point in shaping the American landscape today.','2009-09-18','2009-09-21','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/tAIC3hDt90-0Ig','https://cyark.org/projects/fort-laramie','great plains, wastward expansion, native american, trade','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qdpd-2250','USS Pampanito Submarine','United States of America','37.809941','-122.416395','Published','USS Pampanito was towed to Bay Ship & Yacht shipyard and raised out of the water in a dry dock for repairs. On Friday, November 11, 2016 the submarine was scanned.  Our goal was to create a baseline scan for future comparison, to inform future repairs, to compare to her builders drawings, and to facilitate interpretation and research.','USS Pampanito made six patrols in the Pacific during World War II during which she sank six Imperial Japanese ships and damaged four others. Operated by the Maritime Park Association, Pampanito hosts over 100,000 visitors a year and is one of the most popular historic vessels in the country. In addition to day time visitors, over 1,500 kids a year participate in Pampanito\'s educational day and overnight programs. Pampanito is a National Historic Landmark.','2016-11-11','2016-11-11','2020-01-10','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode',NULL,'https://maritime.org/sub/',NULL,'yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qe2p-r626','Luxor Temple First Court Night 2','Egypt','25.7','32.639357','Published','Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n','See: http://www.calit2.net/newsroom/rss.php?id=1862 and\nhttp://en.wikipedia.org/wiki/Luxor_Temple\n\nCAVECam #24 \'LuxorTempleNight\'\n    This CAVEcam was shot in the Luxor Temple showing the First Court\n    of Ramesses II and the 14th Century Mosque of Abu al-Haggag, at\n    night. ','2011-05-25','2011-05-25','2021-02-28','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/4.0',NULL,'','Egypt, Luxor, Thebes, Temple, CaveCam','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qg7a-d271','San Antonio Missions - Mission Concepcion','United States of America','29.3910369','-98.4933448','Published','In the spring of 2010, CyArk collaborated with the National Park Service and Los Compadres, now known as Mission Heritage Partners, to digitally preserve San Antonio Missions National Historical Park. CyArk partnered with Critigen, a geospatial consulting company which used laser scanning and digital photography to document the missions. The 3D data was used by site managers for the continued preservation of the missions as well as the creation of interactive educational materials. The documentation was also used to inform the sites\' application for inscription to the UNESCO World Heritage List, to which it was successfully inscribed in 2015.','Located along the San Antonio River in Texas, the San Antonio Missions National Historical Park encompasses five Spanish Colonial sites: Mission Concepci&oacuten, Mission Espada, Mission San Jos&eacute, Mission San Juan, and the Espada Aqueduct. These outposts were originally built to expand and defend the Spanish frontier and spread Christianity to local Native American populations, but also acted as centers of agricultural production, weaving, iron working, and carpentry. Today, the San Antonio Missions represent the largest collection of Spanish Colonial missions in the United States.						','2010-01-20','2010-02-02','2020-06-19','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/NQJydYx20sqaIg','https://cyark.org/projects/san-antonio-missions','texas, san antonio, christianity, spanish, catholic, colonization, colonialism','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qhqk-3425','Corbelled Houses of Karoo - Werda','South Africa','-31.56834','22.0291','Published','The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.','The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n','0000-00-00','0000-00-00','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','corbel, karoo, northern cape, south africa','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qjsg-hq73','Waitangi - Te Whare R&umacr;nanga','New Zealand','-35.265743','174.082733','Published','The Waitangi Treaty Grounds were documented by CyArk in December 2017 using a combination of terrestrial and aerial photogrammetry and LiDAR laser scanning. Documentation was completed on the entire site extents with higher fidelity capture at the Te Whare R&umacr;nanga (the carved meeting house), the Treaty House as well as the Ng&amacr;tokimatawhaorua (the ceremonial war canoe). The data will be used by the Waitangi Treaty Grounds in ongoing management and promotion of the site. The work at Waitangi was completed through generous support from Air New Zealand.','On February 5th, 1840, over three hundred different M&amacr;ori and European representatives met on the lawn of James Busby\'s home to discuss the treaty of Waitangi and the sovereignty of the nation of New Zealand. Signed the next day by those in attendance, the treaty is considered the founding document of the country of New Zealand with February 6th celebrated as a national holiday. The site today preserves James Busby\'s residence, renamed as the \'Treaty House\', along with a M&amacr;ori meeting house that was built alongside it to celebrate the conception of independence. ','2017-09-20','2017-12-08','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/dgLCBczC35cKIg','https://cyark.org/projects/waitangi','waitangi, treaty, newzealand, maori, meetinghouse','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qkhk-s475','Amphitheatre of Carthage','Tunisia','36.857887','10.329568','Published','The amphitheatre of Carthage was documented in 2012 as part of the EU funded ATHENA project (Ancient Theaters Enhancement for New Actualities). The program was first deployed in 2009 and was concerned with the innovation, protection and preservation of ancient theaters across the Euromed region. Inherent as well is making the people, local communities, diverse actors across the Mediterranean more appreciative of the value of these theaters to making them more sustainable for future generations.\n','Situated in the suburbs of Tunis, the Carthage Theater stands as a major monument to Carthage, an ancient city destroyed by the Romans in 146 BCE, but later built in 44 BCE to become a great city in the Mediterranean. The Theater was thought to have been destroyed in 5 Century AD butunderwent several periods of restorations and renovations. Today, it hosts major international events such as the Carthage Festival of Art, and at one time it was thought to hold up to 5000 spectators.','2012-06-27','2012-07-02','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','tunis, tunisia, amphitheatre, roman, julius caesar','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qx9f-av27','Deadwood','United States of America','44.377964','-103.729139','Published','The historic city of Deadwood is surrounded by thick pine forests and as such is vulnerable to wildfires. Given the risks the Deadwood historic society decided to preserve its historic district through laser scanning documentation. In the spring of 2003 TSP Architects from Rapid City used two Cyrax 2500 3D laser scanners to document 5992 linear feet of building facades along Deadwoods downtown main street. ','Deadwood is a small town in the Black Hills of Lawrence County, South Dakota which first got its start as a mining camp during the gold rush of 1876. As its population grew the nearby surrounding hills forced the town to develop around a small dense downtown.\nAlthough the first buildings were made primarily of wood and canvas, the present appearance of the downtown is the result of the fire of 1879 which destroyed most of the commercial district. Following the fire, the town was rebuilt using more permanent materials in vogue at the time. \nIn 1879 Deadwood was a wealthy city and the residents and builders were able to indulge in the latest styles and materials. After the great fire, stone, and brick were the preferred materials and for certain buildings such as banks, hotels and public buildings the grand styles were seen as appropriate. By 1910 the initial wave of building and prosperity had ceased and the subsequent economic decline of the area caused the buildings to remain substantially unchanged.\n\n','2003-05-07','2003-05-28','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','south dakota, black hills, deadwood, mining','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('qzje-rr80','Baa Miskiyy (KFA-TLS-1 )','Maldives','4.3659227523406','73.651901049311','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).','The local believed this mosque was  the Friday mosque of the island built around 1355 Hijri and a person named Manchangoalhi Ganduvaru Manippulhu was  the only one who prays in this mosque whenever he came to Thulusdhoo island.  There was two wells in this mosque','2019-03-04','2019-03-10','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Mosque, Indian Ocean',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('r3yx-0c81','Gan Mound (LAM-GAN-2 )','Maldives','1.893671241','73.53697054','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).','A large artificial earthen mound (havittha) marking the site of an ancient Buddhist ritual complex that also includes the ruins of a dozens of stupas and other coral stone structures. The surface of the mound is currently covered with pieces of coral rubble and overgrown with vegetation, among which are also scattered several fragments of more finely worked coral stone blocks with ornamental details. ','2018-08-13','2018-09-13','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Buddhist Site, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('r518-1t94','Rock Art Sites of Somaliland - Nabi Galay','Somaliland','  9.756888',' 44.576618','Published','In September 2013, CyArk digitally documented Laas Geel, Dhagah Nabi Galay and Dhagah Kureh rock shelters using laser scanning and photogrammetry.  The project was conducted in partnership with the Horn Heritage Charity, a nongovernmental organization that works to protect and promote the archaeological heritage of the Horn of Africa and ICCROM, the International Centre for the Study of the Preservation and Restoration of Cultural Property.  CyArk also provided a training workshop to  heritage professionals from Somaliland. The expedition was made possible through a generous donation from the Government of Switzerland.','The complex cave and rock shelters of Laas Geel, Dhagah Kureh, and Dhagah Nabi Galay lie just 30-45 minutes outside of Hargeisa, the capital of Somaliland, a self-declared republic and autonomous region of Somalia. Exhibiting outstanding Neolithic rock art, the sites\' cave paintings are considered to be some of the best preserved rock paintings in all of Africa. The images provide valuable information about some of the earliest pastoralists living in this region. The paintings, dated to the third and second millennia BC, depict the herding of humpless cows, sheep and goats, as well as the hunting of antelopes, giraffes, and other wild animals.','2013-09-10','2013-09-15','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/5wLCLQamXaTLLw','https://cyark.org/projects/rock-art-sites-of-somaliland  ','somalia, somaliland, hargesia, laas geel, cave paintings, cave art, horn of africa, granite','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('rebk-tb21','Star of India, Maritime Museum of San Diego','United States of America','32.720375','-117.173548','Published','Photogrammetry, 1079 images captured with Nikon d7000, while the ship was in drydock for regular painting and maintenance. Images were masked with Agisoft Metashape, processed with Reality Capture.','The Star of India is the oldest ship still sailing, an iron hulled 205ft merchant vessel built in 1863. This ship is both a California Historical Landmark and United States National Historical Landmark.','2020-02-18','2020-02-18','2020-10-15','CC BY','https://creativecommons.org/licenses/by/4.0',NULL,'','ship, museum','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('rmgv-c264','Temple of Karnak Obelisks, Luxor','Egypt','25.718330','32.658333','Published','Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. ','A portion of the Temple of Karnak, on the Luxor side of the Nile. The Obelisk of Tuthmosis is prominent and the Obelisk of Hatshepsut is further back.\n\nCAVECam #14 \'LuxorKarnakObelisks\'\nShown in this CAVEcam is a portion of the Temple of Karnak, on the Luxor side of the Nile. The Obelisk of Tuthmosis is prominent and the Obelisk of Hatshepsut is further back. Greg Wickham is seated with temple guards in the shade. See: http://www.calit2.net/newsroom/rss.php?id=1862 and http://en.wikipedia.org/wiki/Karnak','2011-05-25','2011-05-25','2021-02-28','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/4.0',NULL,'','Egypt, Luxor, Thebes, Temple, CaveCam','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('s9by-nv28','Ramesseum - Thebes','Egypt','25.72766','32.61053','Published','Ancient Thebes is home to the Ramesseum, one of the world\'s most important surviving examples of an ancient Egyptian temple. Partners from INSIGHT, Plowman Craven and XENEXUS used laser scanning to collect an accurate sampling of the Ramesseum\'s ground plan for use in publication and conservation of the monument. Comprehensive laser scan coverage for the entire Ramesseum area was acquired along with detailed close-range 3D scans within the stone temple itself.','The Ramesseum is the memorial temple (or mortuary temple) of Pharaoh Ramesses II in Thebes. The site is located within the Theban necropolis across from modern city of Luxor and the Nile. Thebes known to the ancient Egyptians as Waset, was an ancient Egyptian city located along the Nile about 800 kilometers (500 mi) south of the Mediterranean. Thebes was the capital of Egypt for long periods during the Middle Kingdom and New Kingdom eras and benefitted greatly from trade due to its proximity to Nubia and the Eastern Desert.','2004-07-05','2004-07-12','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','egypt, thebes, ramses, Ramesseum, temple','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('sgf3-qp47','Bagan - Ananda Ok Kyaung','Myanmar','21.171873','94.867177','Upcoming','CyArk conducted a third independent mission to Bagan in 2017, following two earlier expeditions in collaboration with Carleton University. The 2017 mission took place following a major earthquake in 2016 and the documentation was focused on the extent of damage that occurred to previously surveyed monuments.These expeditions assisted UNESCO and the Myanmar Department of Archaeology (DoA) towards conservation efforts at the massive archaeological site. CyArk and partners utilized LiDAR and both aerial and terrestrial photogrammetry to document the monuments. This expedition was funded through the Google Cultural Institute.\r\n','The ancient city of Bagan, was the political, economic, and cultural center of the Bagan Kingdom from approximately 1044 to 1287 CE. The rulers of Bagan oversaw the construction of over 5,000 religious monuments over an area covering about 65 square kilometers on the Bagan plains. More than 2,000 of the original  structures have survived in varying states of repair until the present and can be found in the Bagan Archaeological Zone.   The small Ananda Ok Kyaung chapel, or monastery, features 18th-century murals of life in the area during the Began period.   ','2017-04-20','2017-04-28','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/KALSm4FCvgIVJg','https://cyark.org/projects/bagan','burma, buddhist, pagan kingdom, pagoda, monastery','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('sgy0-jx56','Voortrekker Settler Cottage','South Africa','-29.602917','30.385278','Published','This site is one of the early Voortrekker Settler Cottages, though certain elements have changed over the years(e.g. the thatched roof has been replaced). Typical features of Voortrekker cottages include thick walls of mud brick or shale, yellowwood floors and ceilings, and haylofts. In 2012, CyArk partnered with the University of KwaZulu Natal (UKZN), the African Conservation Trust (ACT), and Heritage KwaZulu-Natal to form a new chapter, CyArk South Africa. The site was scanned as part of a UKZN Heritage Mapping Unit project to digitally document historical buildings in Pietermaritzburg. ','Known for its beautiful examples of Victorian and Edwardian architecture, the Voortrekker Settlers Cottage is located in Pietermaritzburg, South Africa, the capital of the KwaZulu-Natal province. The city was founded in 1838 by Dutch-speaking Voortrekkers (early Dutch settlers) who moved away from the British authorities in the Cape and headed north into Natal. The town was laid out according to the traditional Voortrekker grid pattern and from 1840 people quarried shale and manufactured bricks to construct the thatched Voortrekker cottages like this one. ','2012-08-27','2012-08-27','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'N/A','Voortrekker, Afrikaans, cottage','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('sjyw-3r43','Houghton Hall','United Kingdom','52.826882','0.657748','Published','Although much of the home and its original furniture and fabrics are still intact, the Old Master paintings that once decorated the walls are gone. Sir Robert Walpole sold Houghton’s vast art collection to Catherine the Great in 1779. These paintings typically reside in St. Petersburg’s State Hermitage Museum, but in 2013, they were loaned to Houghton for a special exhibition, which CyArk scanned and digitally captured using a Faro S120. The scans were used to create an iPad application that allows viewers to compare what is currently on display at Houghton Hall with the estate’s original decor. ','Built in the 1720s by Sir Robert Walpole, Britain\'s first Prime Minister, Houghton Hall is a fine example of England’s Palladian houses. Walpole employed the architects James Gibbs and Colen Campbell, and interior decorator William Kent, to design a residence that would leave none questioning his considerable power and status. The residence served a dual function: entertaining England’s political elite and housing Walpole’s family. In 1797, the house passed down to the first Marquess of Cholmondeley after the death of Horace Walpole, Sir Robert’s only surviving son. Today, it remains a Cholmondeley family home. ','0000-00-00','0000-00-00','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'N/A','Palladian style, England, countryside','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('srn0-8v04','Santa Maria Antiqua al foro Romano','Italy','41.891184','12.485681','Published','In 2007 Dr. Elizabeth Louden, Texas Tech University and Professor Michele Chiuini, Ball State University completed laser scanning of S. Maria Antiqua within the Roman Forum.  The survey data collected allowed for the creation of a digital model where the ancient masonry walls can be mapped to provide a precise record of the construction materials and the location of the delicate frescoes.. The data was also collected to provide a point in time record should a seismic event cause damage to the walls and frescoes and to provide baseline data to create images and precision drawings where necessary. This project was funded by the Kacyra Family Foundation and fits into a larger panorama of conservation and research work undertaken over the past seven years.','Built in the middle of the 5th century on the north-western slope of the Palatine Hill, Santa Maria Antiqua is the earliest and most significant Christian monument within the Roman Forum. The church contains a unique collection of wall paintings from the 6th to late 8th century. The discovery of these paintings have given many theories on the development of early medieval art and given distinctive beliefs in archaeology. The church was abandoned in the 9th century after an earthquake buried the buildings; it remained sealed for over 1000 years until its rediscovery in the early 20th century.','2007-05-28','2007-06-06','2020-07-07','CC BY-NC-SA','https://creativecommons.org/licenses/by-nd/4.0',NULL,'','Rome, church, Santa Maria Antiqua, forum, roma, foro','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('ssvf-5286','Santa Maria d\'Agramunt Portico','Spain','41.78722','1.09895','Published','terrestrial 120 photos taken with CANON 5D MkII + 16-35 f/2.8L USM lens','This is one of the most important Romanesque buildings in the western regions of Catalonia. It is particularly notable for the exquisite carved decoration on the doorway on the main façade. It belongs to what is known as the Lleida school. This church has a basilica floor plan and three naves under barrel vaults and a triple semicircular apse with blocked-in Lombard arcades. The upper stories of the tower-bell tower (Gothic, 14th century), chapels and sacristy (16-17th centuries) were added at a later date. The most interesting feature is to be found on the main doorway (mid 13th century), which has ten splayed semicircular archivolts, and on the capitals of the columns on which they stand. The carvings on the interior archivolt are presided by a high-relief of the Virgin holding the Child, flanked by scenes of the Nativity. There are a wide variety of carved motifs on the archivolts and capitals (also in the interior).','2015-10-09','2015-10-09','2020-12-06','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'','church, portico, medieval, Agramunt','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('svf0-yb84','Vasha Veyo (GNI-DDG-1)','Maldives','-0.308406194853','73.432553020788','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner ','This bathing tank (veyo) is the only surviving component of a mosque complex formerly on this site, which is still referred to locally as Doshu Miskiyy.','2018-10-24','2018-10-24','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Bathing Tank, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('sxhy-m751','The Old Friday Mosque at Fonadhoo (LAM-FND-4)','Maldives','1.8328013024976','73.501822588429','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using  Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry','The Old Friday Mosque on the island of Fonadhoo in Laamu Atoll was built in the early eighteenth century. The coral stone structure contains three verandahs and a separate mihrab chamber surrounding a central prayer hall. The surrounding yard contains a number of old coral stone grave markers, some of which are enclosed within low coral block walls of bisthaan.','2018-08-25','2018-08-25','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Mosque, Indian Ocean',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('sy3v-j946','Corbelled Houses of Karoo - Rietpoort','South Africa','-31.63772','21.9842','Published','The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.','The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n','0000-00-00','0000-00-00','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','corbel, karoo, northern cape, south africa','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('sy7x-fz63','Sixty Dome Mosque - Mosque City of Bagerhat','Bangladesh','22.674482','89.741823','Published','In 2019, CyArk partnered with Google Arts and Culture and ICOMOS to digitally document three structures at the Historic City of Bagerhat in Bangladesh. The structures are particularly at risk due to the impacts of climate change including rising sea levels and increased salinity in water being absorbed into the bricks. CyArk used aerial and terrestrial photogrammetry as well as LiDAR or laser scanning to digitally capture the monuments. The site will utilize the documentation to better understand and address the impacts of climate change and connect people with these places.','The Mosques at the Historic City of Bagerhat are touchstones for understanding the early influences of Islam in Bangladesh and diversity of architectural style in Southeast Asia. The monuments at Bagerhat are some of the finest examples of the Khan Jahan style, named after the Sufi Saint who founded the city in the mid 15th century. With few options for building materials in the area, builders of the city utilized their expertise in brick making. The 60 Dome Mosque is one of 360 buildings that once stood in Bagerhat. Today, the mosque remains an important place of worship for local residents and visitors throughout Bangladesh and the world. ','2019-04-23','2019-05-03','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0','https://artsandculture.google.com/project/heritage-on-the-edge-bagerhat','','bagerhat, khan jahan, khalifatabad, bangladesh','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('t2d3-s071','Naniwa-Sumiyoshi Komainu','Japan','34.666904','135.460492','Published','In June 2019, Dr. Gildas Sidobre of NRHK completed terrestrial photogrammetry of two Naniwa-Sumiyoshi-style komainu located at the Sanja Jinja shrine in Osaka, Japan. The photographs were taken with a Samsung NX500 mirrorless camera.','Built sometime around 1780, this pair of komainu are situated at the main entrance of the Sanja Jinja shrine, in Osaka, Japan. The two sculptures flank Sanja Jinja’s main entryway (the torii), which would classify them as sando komainu. Sometimes referred to as lion-dogs','2019-06-27','2019-06-29','2021-01-21','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'','komainu, Shinto, statue (apotropaic?)','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('t3mf-d997','Cape Canaveral Space History - Gemini Manned Missions at Launch Complex 19','United States of America','28.506714','-80.554250','Upcoming','The Digital Heritage and Humanities Center at the University of South Florida (USF) Libraries, is working in collaboration with the Cape Canaveral Air Force Station 45th Space Wing, cultural resources division to digitally document important historic launch facilities and resources relating to manned missions, space exploration, and US space history. We are using the latest in 3D laser scanning and imaging methods to assist with conservation, management, and public interpretive development of Cape Canaveral\'s rich space history. Using newly available technologies in 3D laser scanning and survey, USF is recording the existing remains of building complexes associated with historical events such as John Glenn\'s orbit of the Earth and the Mercury Missions that led the United States into Space. Other important features being documented include launch complexes associated with the American missile program that began largely as a result of the Cold War, such as the Minuteman and Atlas programs, and also the sacred ground resting place for the space shuttle remains from the Challenger disaster. Many of the structures and complexes are unique in design and use. Today, many are now abandoned and are being lost to time, but through these new 3D technologies, USF is providing valuable information for long-term conservation and future interpretation of these important historical sites.','This historic launch complex at Cape Canaveral Air Force Station, Florida, is a deactivated launch site used by NASA for all of the Gemini manned spaceflights. It was also used by unmanned Titan I and Titan II missiles and was in use during the years from 1959 to 1966. A total of 27 launches, 10 of which were manned, were made from the site. It was last used for the Gemini XII launch, on November 11, 1966.','2015-08-26','2015-08-28','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode',NULL,'https://www.lib.usf.edu/dhhc/cape-canaveral-3d/','space, manned missions, US Air Force, NASA, heritage, Gemini, historic preservation, USF','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('t9sj-mf53','Pantheon','Italy','41.898662224324','12.476868728641','Published','Mirrored from\nhttp://repository.edition-topoi.org/collection/BDPP\n\nThe collection \'Digital Pantheon\' is based on research data of the Bern Digital Pantheon project. This project - directed by Gerd Graßhoff, Michael Heinzelmann and Markus Wäfler of the University of Bern - created a digital 3d scan of the Pantheon in Rome using a laser scanner in several scanning campaigns in the years 2005 to 2008. On the basis of these data, the registered papers were published and the website www.digitalpantheon.ch established. Since 2010, this website is no longer being maintained.\n\nThe collection \'Digital Pantheon\' is further processing the research data. It provides long-term archiving of the data, which has been further analysed within the framework of the Excellence Cluster TOPOI, and makes it available to interested researchers and the public.','The Pantheon (UK: /ˈpænθiən/, US: /-ɒn/; Latin: Pantheum,[nb 1] from Greek Πάνθειον Pantheion, [temple] of all the gods\") is a former Roman temple','0000-00-00','0000-00-00','2021-02-28','2021-02-28','https://creativecommons.org/licenses/by/4.0','https://creativecommons.org/licenses/by-nc-sa/4.0','','http://repository.edition-topoi.org/collection/BDPP','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('taz6-n215','Ayutthaya - Wat Phra Si Sanphet','Thailand','14.3558549','100.558410','Published','The CyArk field mission to Ayutthaya took place in June 2017. The archaeological complex of Wat Phra Si Sanphet, the focus of the expedition, was impacted during a major flood event in 2011.The primary purpose of the trip was to assist UNESCO and the Fine Arts Department (FAD) of Thailand in mapping the site and providing detailed documentation surrounding the subsidence of the monuments. The documentation was conducted utilizing LiDAR and both aerial and terrestrial photogrammetry. Our work was supported through a generous grant from Seagate.','Founded in 1350 C.E., Ayutthaya was the Siamese capital of Thailand until the 18th century. Ayutthaya developed into a booming city starting in 1378 C.E., surpassing the old capital of Sukhothai. King Ramathibodi declared Ayutthaya the new capital and it was named after a magical kingdom from the Ramakien, an epic story about Thailand. The city was attacked and burned to the ground  in 1767 C.E. by the Burmese army. The only remaining buildings in Ayutthaya are of stone, as the wood structure burned to the ground in 1767 C.E. After the destruction of Ayutthaya, the capital was moved to Bangkok and there was an effort to recreate the urban template and architecture of Ayutthaya. In Thai, the official name of Bangkok retains Ayutthaya as part of the formal name.','2017-06-19','2017-06-26','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/ggIi2RrJ7NDkKA','https://cyark.org/projects/ayutthaya','city, gulf of siam, architecture, infrastructure','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('tmfy-yc09','San Antonio Missions - Mission  San Juan','United States of America','29.346849','-98.4756907','Published','In the spring of 2010, CyArk collaborated with the National Park Service and Los Compadres, now known as Mission Heritage Partners, to digitally preserve San Antonio Missions National Historical Park. CyArk partnered with Critigen, a geospatial consulting company which used laser scanning and digital photography to document the missions. The 3D data was used by site managers for the continued preservation of the missions as well as the creation of interactive educational materials. The documentation was also used to inform the sites\' application for inscription to the UNESCO World Heritage List, to which it was successfully inscribed in 2015.','Located along the San Antonio River in Texas, the San Antonio Missions National Historical Park encompasses five Spanish Colonial sites: Mission Concepci&oacuten, Mission Espada, Mission San Jos&eacute, Mission San Juan, and the Espada Aqueduct. These outposts were originally built to expand and defend the Spanish frontier and spread Christianity to local Native American populations, but also acted as centers of agricultural production, weaving, iron working, and carpentry. Today, the San Antonio Missions represent the largest collection of Spanish Colonial missions in the United States.						','2010-01-20','2010-02-02','2020-06-19','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/NQJydYx20sqaIg','https://cyark.org/projects/san-antonio-missions','texas, san antonio, christianity, spanish, catholic, colonization, colonialism','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('tnav-3t41','Lukang Longshan Temple','Taiwan','24.050433','120.435436','Published','In March of 2016, CyArk partnered with the China University of Technology (CUTe) and the Taiwanese Bureau of Cultural Heritage to digitally document the Lukang Longshan Temple in Changhua, Taiwan. CyArk employed the latest data capture technologies to document the entire complex including the four principal buildings and connecting courtyards. As part of this expedition CyArk also trained students from the Center for Cultural Sites Rehabilitation and Development program at CUTe on digital documentation techniques. The data generated through the documentation efforts complements existing historical documentation of the site and advances the capability of site managers for planning future preservation efforts.','The Lukang Longshan Temple is the largest temple in the Township of Lukang and is one of the most revered Buddhist temples in Taiwan. Originally built in the 17th century near the historic port canal, the temple was moved to its present site in 1786. Recognized as an important national heritage site by the Taiwanese Ministry of Culture, the 9,600 square foot complex consists of four main structures; the Main Gate, Hall of the Five Gates, Main Hall and Rear hall along with two enclosed yards. The temple houses a shrine to the Bodhisattva Guanyin, goddess of mercy and compassion and remains a popular place of worship for Mahayana Buddhists. The temple is also known for containing a myriad of impressive architectural features including many painted murals, woodcarvings, including the largest caisson or spiderweb wooden ceiling in Taiwan and two carved granite columns shaped like dragons.','2016-04-25','2016-04-26','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/yQIy1eJQl-BEIw','https://cyark.org/projects/lukang-longshan-temple','caisson, lukang, fujian, qing, guanyin, ','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('tt9n-0168','Cape Canaveral Space History - Mercury Friendship 7 at Launch Complex 14','United States of America','28.491092','-80.546839','Upcoming','The Digital Heritage and Humanities Center at the University of South Florida (USF) Libraries, is working in collaboration with the Cape Canaveral Air Force Station 45th Space Wing, cultural resources division to digitally document important historic launch facilities and resources relating to manned missions, space exploration, and US space history. We are using the latest in 3D laser scanning and imaging methods to assist with conservation, management, and public interpretive development of Cape Canaveral\'s rich space history. Using newly available technologies in 3D laser scanning and survey, USF is recording the existing remains of building complexes associated with historical events such as John Glenn\'s orbit of the Earth and the Mercury Missions that led the United States into Space. Other important features being documented include launch complexes associated with the American missile program that began largely as a result of the Cold War, such as the Minuteman and Atlas programs, and also the sacred ground resting place for the space shuttle remains from the Challenger disaster. Many of the structures and complexes are unique in design and use. Today, many are now abandoned and are being lost to time, but through these new 3D technologies, USF is providing valuable information for long-term conservation and future interpretation of these important historical sites.','Launch Complex 14, is an Historical District and National Historical Landmark. This Launch Complex was built between 1956 and 1957, and was most famously associated with the 1959 and 1960 manned Mercury missions.','2018-03-19','2018-03-19','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode',NULL,'https://www.lib.usf.edu/dhhc/cape-canaveral-3d/','space, manned missions, US Air Force, NASA, heritage, John Glenn, Friendship 7, Mercury, USF','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('twzt-kd05','Suresnes American Cemetery','France','48.871776','2.217431','Published','To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document eight military cemetery chapels dedicated to the American armed forces throughout Europe. The Suresnes American Cemetery chapel and two loggia were documented in July 2016 using LiDAR laser scanning and aerial and terrestrial photogrammetry. CyArk’s digital documentation allows people who are unable to physically visit the site to experience the monument and remember those who gave their lives for their country.','The Suresnes American Cemetery and Memorial is a United States military cemetery in Suresnes, Hauts-de-Seine, France. It is the resting place of 1,541 American soldiers killed in World War I. A panoramic view of Paris can be seen from the site, which is located high on the slopes of Mont Valérien. The site is managed by the American Battle Monuments Commission (ABMC).\n\nThe people of Suresnes donated this land to the United States in 1917, following America’s entry into World War I. Loaned in perpetuity, it became the site for America\'s first permanent overseas cemetery. Although Suresnes American Cemetery was the first permanent cemetery in Europe, the chapel was not completed until 1932.\n','2016-07-27','2016-07-28','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'https://www.abmc.gov/cemeteries-memorials/europe/suresnes-american-cemetery','suresnes, america, cemetery, abmc, france, ww1, ww2, memorial, chapel','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('txve-tm52','Theatre and Amphitheatre of Merida','Spain','38.91599','-6.338139','Published','The theatre and amphitheatre of Mérida was documented in 2012 as part of the EU funded ATHENA project (Ancient Theaters Enhancement for New Actualities). The program was first deployed in 2009 and was concerned with the innovation, protection and preservation of ancient theaters across the Euromed region. Inherent as well is making the people, local communities, diverse actors across the Mediterranean more appreciative of the value of these theaters to making them more sustainable for future generations.\n','The large Roman theater of Merida was constructed between 15 and 16 century BC and the adjacent amphitheater was built in the 8th century BC. The amphitheater has an elliptical shape with an arena of 64 meters by 41 meters used for gladiatorial contests and 15,000 spectators and has lowest, middle and upper tier rows for the ruling classes and the commoners. ','2009-12-04','2009-12-09','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','roman, theatre, merida, amphitheatre, arena, athena, spain','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('tyye-f633','Gem Miskiyy (GNI-DDM-1)','Maldives','-0.280675302518','73.415712958881','Published','','Gem Miskiyy is believed to be the first mosque built on the island of Fuvamulah – with its construction attributed to the thirteenth-century Islamic holy man, Abu Bakr Naib Kaleygefaanu. It was constructed in the area of a previous Buddhist ritual complex after the conversion of the local population. The mosque compound also contains a bathing tank (veyo), a well, an enclosed shrine (ziyaarat) and a cemetery. ','2018-10-10','2018-10-20','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Mosque, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('v1pz-0r22','Waitangi - Ng&amacr;tokimatawhaorua','New Zealand','-35.267961','174.082106','Published','The Waitangi Treaty Grounds were documented by CyArk in December 2017 using a combination of terrestrial and aerial photogrammetry and LiDAR laser scanning. Documentation was completed on the entire site extents with higher fidelity capture at the Te Whare R&umacr;nanga (the carved meeting house), the Treaty House as well as the Ng&amacr;tokimatawhaorua (the ceremonial war canoe). The data will be used by the Waitangi Treaty Grounds in ongoing management and promotion of the site. The work at Waitangi was completed through generous support from Air New Zealand.','On February 5th, 1840, over three hundred different M&amacr;ori and European representatives met on the lawn of James Busby\'s home to discuss the treaty of Waitangi and the sovereignty of the nation of New Zealand. Signed the next day by those in attendance, the treaty is considered the founding document of the country of New Zealand with February 6th celebrated as a national holiday. The site today preserves James Busby\'s residence, renamed as the \'Treaty House\', along with a M&amacr;ori meeting house that was built alongside it to celebrate the conception of independence. ','2017-09-20','2017-12-08','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/dgLCBczC35cKIg','https://cyark.org/projects/waitangi','waitangi, treaty, newzealand, maori, meetinghouse','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('v398-0657','San Antonio Missions - Mission San Jose','United States of America','29.3182497','-98.4550949','Published','In the spring of 2010, CyArk collaborated with the National Park Service and Los Compadres, now known as Mission Heritage Partners, to digitally preserve San Antonio Missions National Historical Park. CyArk partnered with Critigen, a geospatial consulting company which used laser scanning and digital photography to document the missions. The 3D data was used by site managers for the continued preservation of the missions as well as the creation of interactive educational materials. The documentation was also used to inform the sites\' application for inscription to the UNESCO World Heritage List, to which it was successfully inscribed in 2015.','Located along the San Antonio River in Texas, the San Antonio Missions National Historical Park encompasses five Spanish Colonial sites: Mission Concepci&oacuten, Mission Espada, Mission San Jos&eacute, Mission San Juan, and the Espada Aqueduct. These outposts were originally built to expand and defend the Spanish frontier and spread Christianity to local Native American populations, but also acted as centers of agricultural production, weaving, iron working, and carpentry. Today, the San Antonio Missions represent the largest collection of Spanish Colonial missions in the United States.						','2010-01-20','2010-02-02','2020-06-19','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/NQJydYx20sqaIg','https://cyark.org/projects/san-antonio-missions','texas, san antonio, christianity, spanish, catholic, colonization, colonialism','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('v7a2-me37','Rock Art Sites of Somaliland - Laas Geel','Somaliland','  9.781088',' 44.443695','Published','In September 2013, CyArk digitally documented Laas Geel, Dhagah Nabi Galay and Dhagah Kureh rock shelters using laser scanning and photogrammetry.  The project was conducted in partnership with the Horn Heritage Charity, a nongovernmental organization that works to protect and promote the archaeological heritage of the Horn of Africa and ICCROM, the International Centre for the Study of the Preservation and Restoration of Cultural Property.  CyArk also provided a training workshop to  heritage professionals from Somaliland. The expedition was made possible through a generous donation from the Government of Switzerland.','The complex cave and rock shelters of Laas Geel, Dhagah Kureh, and Dhagah Nabi Galay lie just 30-45 minutes outside of Hargeisa, the capital of Somaliland, a self-declared republic and autonomous region of Somalia. Exhibiting outstanding Neolithic rock art, the sites\' cave paintings are considered to be some of the best preserved rock paintings in all of Africa. The images provide valuable information about some of the earliest pastoralists living in this region. The paintings, dated to the third and second millennia BC, depict the herding of humpless cows, sheep and goats, as well as the hunting of antelopes, giraffes, and other wild animals.  The Laas Geel shelters feature poly chrome painted panels that are considered to be some of the oldest known rock art in the Horn of Africa. The scenes depict human figures and animals painted in bright reds, whites, yellows, and sometimes black. In many cases the human figures are shown with arms outstretched in postures that demonstrate reverence and perhaps even worship which may indicate the important status ascribed to cattle in this pastoral culture.','2013-09-10','2013-09-15','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/5wLCLQamXaTLLw','https://cyark.org/projects/rock-art-sites-of-somaliland  ','somalia, somaliland, hargesia, laas geel, cave paintings, cave art, horn of africa, granite','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('vdae-mr89','Palace of Fine Arts','Mexico','19.43520','-99.141200','Published','CyArk documented the Palacio de Bellas Artes in October 2018 in collaboration with the Instituto Nacional de Bellas Artes (INBA) and the Agenda Digital de Cultura office of the Secretaria de Cultura. The focus of the expedition was to document the monuments exterior surfaces as well as the main theatre and stage within the monument. CyArk used a combination of laser scanning with a FARO X330 and terrestrial and aerial photogrammetry completed with a Nikon D810 and Phantom 4 Pro drone respectively. Access to the roof of the monument was provided to CyArk staff as the chief architect of the Palacio wanted accurate as built records of the utility ducting that surrounds the structure. As the monument is highly trafficked, CyArk took advantage of a planned closure of the monument to document the gardens and front facade.','Known as the greatest house of culture in Mexico, the Palacio de Bellas Artes was built upon the site of the first National Theatre, in anticipation of the 100th anniversary of Mexico\'s independence from Spain. Issues related to the soft subsoil as well as political unrest during the Mexican Revolution necessitated several delays and construction was not completed until 1934. The exterior of the building is done primarily in the Neoclassical and Art Nouveau styles while the interior is predominantly Art Deco. Both the interior and exterior of the building feature a variety of architectural elements drawn from Mexican history and culture and the building is also home to several important murals created by famous Mexican artists like Diego Rivera and David Siquieros. One of the most iconic monuments in Mexico City, he building has and continues to host some of the most noteworthy performances and exhibitions.','2018-10-01','2018-10-05','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/BgIyValw0p1xLg','https://cyark.org/projects/palacio-de-bellas-artes','inba, theatre, theater, neoclassical, art nouveau, art deco','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('vekr-zf42','Fort Conger','Canada','81.744574','-64.783064','Published','Parks Canada approached Dr. Peter Dawson, Department of Archaeology, University of Calgary to inquire about the possibility of using laser scanning to create a 3D digital archive of the site. In the summer of 2010, Chris Tucker and Peter Dawson used a Z & F Imager 5006i laser scanner, equipped with a motorized M-Cam camera retrofitted to the scanner for automatic color mapping, and a Minolta Vivid 910 laser scanner to capture 3-dimensional mages of Fort Conger for the purposes of conservation, preservation, and community outreach education. This was the first time laser scanners had been used in the Canadian High Arctic. Dr. Richard Levy, University of Calgary, then created 3D models and animations. Utilizing all of this data, CyArk created a web portal integrating the highly accurate laser scan data with a rich collection of documentation, including photographs, video footage, drawings, and historic documents assembled by Parks Canada’s Margaret Bertulli and Lyle Dick.','Fort Conger is located in Quttinirpaaq National Park on northeastern Ellesmere Island. The nearest community on Ellesmere Island (Grise Fiord) is located more than 800 km to the south, while Canadian Forces Station Alert is approximately 100 km to the northeast. Fort Conger is situated approximately 10 m from the ocean on the eastside of Discovery Harbour, with a steep bank (2.5 m high) leading from the site to the ocean. \nThe standing structures, building foundations, and artifacts present at Fort Conger are legacies to the achievements of several remarkable expeditions, as well as the hardships suffered by their participants. The British Arctic Expedition of 1875-76 was the first of these, followed less than a decade later by the better-known Lady Franklin Bay Expedition (1881-84). Under the command of Lieutenant Adolphus Greely, this expedition was able to amass a considerable amount of scientific data, despite the harrowing escape and rescue of its few surviving members. In early 1899, American Polar Explorer Robert Peary arrived and used Fort Conger to stage a series of attempts to reach the North Pole.\n','2010-07-17','2010-07-30','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0','https://www.pc.gc.ca/apps/dfhd/page_fhbro_eng.aspx?id=9344','','','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('vf8z-df24','Corbelled Houses of Karoo - Silvery Holme','South Africa','-31.4882','22.23402','Published','The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.','The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n','0000-00-00','0000-00-00','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','corbel, karoo, northern cape, south africa','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('vngf-1h12','Angkor Wat Western Causeway','Cambodia','13.412556','103.860628','Published','In March of 2004, a group from the University of California at Berkeley conducted a laser scan project in Angkor, Cambodia in cooperation with Sofia University of Tokyo, Japan. The project gathered HDS scans and photographs of the Angkor Wat Western Causeway and the temple Banteay Kdei. The data set was used to support on-going reconstruction and stabilization of various Angkor monuments by Sofia University. The project was funded by Sofia University.','Angkor was the site for a series of capitals belonging to the Khmer empire for much of the ninth through fifteenth centuries. These ruins are located amid forests and farmland to the north of the Great Lake (Tonle Sap), near present day Siem Reap, Cambodia, and are a UNESCO World Heritage Site. The temples of Angkor, now partially restored, constitute the premier collection of Khmer art and architecture. The resplendent monuments of the Khmer were constructed from AD 879 - 1191, although the site, itself, was inhabited by the Khmers from AD 802 through AD 1431. Yet it was during the twelfth century, when the last temples were built, that the Khmers reached their peak during the reigns of Suryavarman II and Jayavarman VII. And it was from Angkor that these god-kings ruled their grand empire, stretching from the south of Vietnam to Yunan, China and from the western edge of Vietnam to the Bay of Bengal. The monumental temples they built not only proclaimed the king\'s wealth and status, but they also helped solidify his rule as a god-king by providing a sanctuary of worship for his cult after aligning himself with a deity, such as the Hindu god Vishnu or the Buddhist Bodhisattva Avalokiteshavara.','2004-03-05','2004-03-12','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','angkor, khmer, cambodia, causeway','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('vq5n-kk71','Medinet Habu First Court','Egypt','25.71985','32.600658','Published','Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n','Temple of Ramesses III at Medinet Habu. \nSee:\n    http://www.calit2.net/newsroom/rss.php?id=1862  and\n    http://en.wikipedia.org/wiki/Medinet_Habu_(temple)\nlocations include:\n\nCAVECam #19 \'LuxorMedinetHabuFirstCourt\'\n    This CAVEcam was shot in the Temple of Ramesses III at Medinet\n    Habu. This is the First Court. \n','2011-05-25','2011-05-25','2021-02-28','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/4.0',NULL,'','Medinet Habu, Luxor, Egypt, Thebes, Temple, CaveCam','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('vv0h-dq68','Annaberg Plantation','United States of America','18.3644447','-64.728889','Published','In 2015, CyArk partnered with Trimble Navigation, Virgin Islands National Park, and Friends of the Virgin Islands National Park to digitally preserve the Annaberg Sugar Plantation. The documentation team, consisting of both CyArk and Trimble personnel, digitally documented the site and remaining plantation structures, such as the windmill and sugar factory. The data captured was used to monitor erosion of existing structures, identify structures hidden beneath the dense tropical vegetation, and create future plans for conservation.','The Annaberg Sugar Plantation in the Virgin Islands is part of one of the largest historic migrations of people and resources throughout the world. For centuries, the Virgin Islands was a crossroads for indigenous peoples, colonial powers, and the transatlantic slave trade. The plantation structures that the National Park Service preserves on the site today demonstrate the agricultural success of the Danish Colonial era, but also its human cost. A 40-foot high windmill constructed with sails to direct the wind was state of the art at the time of its completion in 1805. Not far from the windmill, built into the foundation of the sick house, the Annaberg \"Dungeon\" served as a means of punishment for enslaved laborers. Etched into the walls are images of merchant ships, transportation instrumental to the plantation\'s success but also the majority of the population\'s enslavement. Boats would also become crucial to enslaved people\'s resistance, with at least 12 people escaping to the nearby British island of Tortola. The Annaberg Sugar Plantation\'s landscape reveals complex histories of ingenuity, colonial violence, and resistance, remaining a powerful site for understanding the impact of colonialism on the global economy and on the daily lives of individuals.','2015-04-13','2015-04-18','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/wgIyX7yW2OyZJw','https://cyark.org/projects/annaberg-sugar-plantation','colonialism, danish, agriculture, st. johns, plantation','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('vwr1-4991','Gan Mound (LAM-GAN-2-S2 )','Maldives','1.8936712407422','73.536970538455','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a Drone DJI Phantom 4 Pr for photogrammetry).','A large artificial earthen mound (havittha) marking the site of an ancient Buddhist ritual complex that also includes the ruins of a dozens of stupas and other coral stone structures. The surface of the mound is currently covered with pieces of coral rubble and overgrown with vegetation, among which are also scattered several fragments of more finely worked coral stone blocks with ornamental details. ','2018-08-13','2018-09-13','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Buddhist Site, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('w47s-yq72','Templo Mayor','Mexico','19.4346046','-99.131881','Published','In March 2016, CyArk documented Templo Mayor in the historic center of Mexico City. CyArk offered its assistance to site conservators who were recording some of the more fragile artifacts located around the temple along with several ornate objects from the adjacent museum. As transporting the original artifacts is a dangerous endeavor, museum staff requested 3D scans in order to create replicas that can be loaned to other museums.This research project was undertaken in collaboration with the Templo Mayor Museum. We would like to thank our partners at the National Institute of Anthropology and History (INAH) for the opportunity to assist with their work and our partners at Leica Geosystems and Artec 3D for lending equipment in support of the project.','Templo Mayor was one the principal temples of Tenochtitlan, the former capital of the Aztec empire. Built sometime after 1325 CE, the structure was dedicated to two Aztec deities, Huitzilopochtli the god of war and Tlaloc the god of rain and agriculture. The temple was surrounded by a serpent wall and the entire structure would have been brightly painted. Templo Mayor was destroyed by the Spanish in 1521 C.E. to make way for construction of a new cathedral. The ruins were buried and largely forgotten until their rediscovery in the 1970\'s.','2016-03-10','2016-03-11','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/1gKSZwmOQWQCIg','https://cyark.org/projects/templo-mayor','templo mayor, mexico city, mexica, mesoamerica, pyramid','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('w54r-pb82','Chav&iacuten de Huantar','Peru','-9.5943679','-77.177551','Published','CyArk\'s involvement with Chav&iacuten de Huntar began in 2005 when a research group from University of California, Berkeley traveled to Chav&iacuten to document the archaeological site with LiDAR. This expedition was meant to supplement research conducted under John Rick at Stanford University. The data produced in this expedition, currently hosted by CyArk, became a foundation for executing a conservation plan for the site. The venture was funded jointly by Stanford University and the Kacyra Family Foundation. With changing and more intensive El Ni&ntildeo weather patterns, Chav&iacuten has been under risk of flood erosion.  In 2017 CyArk returned to Chav&iacuten to document the site\'s canals and the adjoining river bed to assist ongoing conservation efforts. LiDAR and photogrammetic documentation was completed over the principal structures.','Located in the Peruvian Andes, Chav&iacuten de Huantar was the strategic capital and religious center of the pre-Inca, Chav&iacuten civilization. The project team from the University of California at Berkeley traveled to Chav&iacuten to digitally preserve this important site. The project\'s goal was to support and supplement archaeological activities and research being conducted by Stanford University with the intent of the new data becoming the foundation for an on-site conservation plan.							','2017-07-17','2017-07-24','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/VwLyaBwv7bFPKA','https://cyark.org/projects/chavn-de-huntar','ancash, archaeology, city, ceremony, pyramid','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('w6g8-zh94','Malindi Mosque - Kilwa Kisiwani','Tanzania','-8.958015','39.50014','Published','In 2018, CyArk digitally documented three monuments at Kilwa Kisiwani, UNESCO World Heritage Site in Tanzania as part of the Heritage on the Edge program. CyArk utilized aerial and terrestrial photogrammetry as well as LiDAR or laser scanning to document the monuments. CyArk also hosted a one day workshop with ICOMOS and local heritage managers to train site stewards in digital documentation techniques and practices. The documented structures include the Gereza, Malindi Mosque, and the Great Mosque. Site manager will utilize the resulting documentation to better understand the impacts of climate change on the heritage site which is particularly at risk due to its close proximity to the coastline. ','Kilwa Kisiwani was inscribed into the World Heritage List (with Songo Mnara) in 1981 as an exceptional testimony to the expansion of the Swahili coastal culture, the spread of Islam in East Africa and the extraordinarily extensive and prosperous Indian Ocean trade from the medieval period up to the modern era. The Great Mosque of Kilwa is the oldest standing mosque on the East African coast. ','2018-12-11','2018-12-19','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0','https://artsandculture.google.com/project/heritage-on-the-edge-kilwa-kisiwani','','tanzania, kilwa, swahili, east africa','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('wa8f-n728','City Hall, NYC - Map the Moment','United States of America','40.712734','-74.006015','Published','This data was collected as part of the Map the Moment initiative, a volunteer project to document the artwork and changes to the streetscape following the killing of George Floyd and the demonstrations that followed. This data was collected by Lisa Conte and processed by Joe Graham-Felsen. They used a Canon 5D Mark 3 to scan this data and the various murals that appeared throughout the city. ','New York City Hall sits in Lower Manhattan and is the oldest continuously operating city hall in the United States. During the summer’s Black Lives Matter demonstrations, the site saw hundreds of protesters, many of whom were seeking police reform and a lower NYPD budget. ','2020-07-09','2020-07-09','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'https://cyark.org/about/blog/?p=map-the-moment','BLM, NYC, public art',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('wd8n-1z74','Maaloodhu Gee - Keela (HAF-KLA-1)','Maldives','6.9597695754','73.2146389129','Published','The Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner.','This structure was formerly used as a Maaloodhu-Ge, as recital hall for deovotional readings of texts to celebrate the birth of the Prophet Muhammad. After new forms of islamic reformism became popular in the Maldives in the 1980s, these practices were abandoned, and this building is now used to house a school','2020-02-02','2020-02-02','2020-05-07','CC BY-NC-ND','https://creativecommons.org/licenses/by-nd/4.0',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Islamic, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('wr06-mh92','Oj&uacutebo &Ogravesogbo','Nigeria','7.755538','4.551601','Published','In September 2019, CyArk and a team from IMISI3D in collaboration with the Adunni Olorisha Trust (AOT) and the National Commission for Museums and Monuments (NCMM) of Nigeria documented three monumental structures at the UNESCO World Heritage Site of Osun Osogbo. Despite its national and international significance, many of the shrines and art pieces in the Sacred Grove have fallen into disrepair over the years due to a lack of resources. In an effort to revitalize some of the work done by Susanne Wenger, since 2005 the AOT and NCMM have begun implementing conservation efforts on some of the shrines in collaboration with the local community.  The documentation completed as part of this project provides a comprehensive and detailed inventory of the current conditions in 2019 as well as a variety of multimedia content that can be used to raise awareness of the site. Aerial and terrestrial photogrammetry and laser scanning were employed at Il&egravedi Ont&ogravet&ograveo, the assembly hall of the &Ogravegb&oacuteni earth cult; Oj&uacutebo &Ogravesogbo, the central shrine for &Ogravesun worship and Iy&aacute Mo&ogravep&oacute , a monumental statue and shrine to the goddess of women\'s occupations. Over the course of one week, CyArk and four workshop participants from IMISI3D documented the structures and conducted interviews with local artists and artisans in &Ogravesogbo.','The 75 hectare sacred grove of Osun Osogbo is the last remaining high forest in the country containing monumental sculptures and shrines depicting Yoruba deities. The site was assigned World Heritage status in 2005, and represents the last example of a once widespread practice of establishing sacred groves by the Yoruba people. The site is unique in having a large component of 20th century sculpture, some created by Austrian artist Suzanne Wenger who eventually became a high priestess and dedicated her life to the sacred grove. ','2019-09-19','2019-09-24','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode',NULL,NULL,NULL,'yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('wrg9-p135','Downtown Madaba','Jordan','31.716486','35.794805','Published','Dr Robert Bewley is the Director of the Aerial Photographic Archive for Archaeology in the Middle East (APAAME). This is long-term research project founded by David Kennedy and based at the University of Sheffield (1978-1990 and then the University of Western Australia (1990-2015). In 2015 it moved to the University of Oxford (School of Archaeology). Since 1998 it has been directed by Professor David Kennedy and now Dr Robert Bewley. The project is designed both to develop a methodology suited to the region, discover, record, monitor and illuminate settlement history in the Near East. The archive currently consists of over 115,000 (mainly aerial) images and maps, the majority of which are displayed on the archive’s Flickr site. Although principally focused on Jordan, in which there has been an annual programme of flying since 1997 (The Aerial Archaeology in Jordan (AAJ) Project), high resolution satellite imagery on Google Earth is now permitting research on neighbouring countries.\n\nThe photos collected of downtown Madaba were collected from a helicopter in October 2019 by Dana Salameen, Pascal Flohr and Robert Bewley.                 ','Madaba is the capital city of Madaba Governorate in central Jordan. The city is best known for its Byzantine and Umayyad mosaics, especially a large Byzantine-era mosaic map of the Holy Land. The area of the Madaba Archaeological Park West was excavated by several archaeological expeditions over several decades, uncovering the main buildings in the area: the Roman Cardo, the Burnt Palace and the Martyrs Church of the Byzantine Period, and the remains of different Islamic buildings overlapping to the earlier structures in the northern area of the archaeological park. In the past, the area of the Madaba Archaeological Park West has been intensively excavated by F. Michele Piccirillo on behalf of the Studium Biblicum Franciscanum (1985) and Cherie Lenzen (1992-1993), administered by Pierre Bikai, Director of ACOR, on behalf of USAID, and Ghazi Bisheh (1993-1994) on behalf of the DoA and ACOR. The final publication of the results of the more recent expeditions is due to appear in 2017 in an ACOR publication by Robert Schick, who agreed to share his pre-publication data with the team of the MRAMP 2016 Pilot Season','2019-10-24','2019-10-24','2020-07-07','CC BY-NC-ND','https://creativecommons.org/licenses/by/4.0',NULL,'https://www.flickr.com/photos/apaame/collections','Madaba, Madaba governorate, Middle East, aerial archaeology, aerial photography, air photo, ancient history;,archaeology ',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('ws0a-3g91','Al Azem Palace','Syria','33.5102348','36.3070869','Published','The Al Azem Palace was documented as part of Project Anqa, a collaboration between the International Council on Monuments and Sites (ICOMOS), CyArk and Carleton University, funded by the Arcadia Foundation in the UK. The project began in 2015 in response to the catastrophic loss of heritage in the Middle East and aimed to protect monuments by providing training on digital preservation techniques for local heritage professionals in the region. CyArk provided several training and workshops in Lebanon to Syrian heritage professionals in 2016 and 2017 in partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage. The Al Azem Palace in Damascus was documented by the Syrian Directorate General of Antiquities and Museums in 2017, using photogrammetry and LiDAR.','The Al Azem Palace construction began in 1749 by the Ottoman governor of Damascus As\'ad al-Azem. The palace has two main wings: the haramlik and the salamlik. The family wing, or haramlik, is a private space that is connected to the kitchen and servant quarters. It includes the baths, which are a replica of the public baths in the city but on a smaller scale. The public area reserved for the outside guests, called the salamlik, contains the formal halls, reception areas and exclusive courtyards for entertainment.','2017-02-26','2017-05-05','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/XAJyj43oviGZIA','https://cyark.org/projects/al-azem-palace/overview','damascus','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('wvvm-ck87','Khan As&#039ad Pasha','Syria','33.509278','36.30666','Published','Khan As\'ad Pasha was documented as part of Project Anqa, a collaboration between the International Council on Monuments and Sites (ICOMOS), CyArk and Carleton University, funded by the Arcadia Foundation in the UK. The project began in 2015 in response to the catastrophic loss of heritage in the Middle East and aimed to protect monuments by providing training on digital preservation techniques for local heritage professionals in the region. CyArk provided several training and workshops in Lebanon to Syrian heritage professionals in 2016 and 2017 in partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage. Khan As\'ad Pasha in Damascus was documented by the trained members of the Syrian Directorate General of Antiquities and Museums using photogrammetry and LiDAR.','Constructed at a major point of economic activity of the Ottoman Empire\'s rule in Damascus, governor As\'ad Pasha al-Azem oversaw the project which was completed in 1752 and served as a guesthouse, commerce center, and storage facility for merchants traveling through the city. The structure follows the typical layout of a khan or caravanserai and was situated in the heart of the historic trading center along the Suq al-Buzuriyyah. The first floor consists of a courtyard populated with shops and was dedicated to commerce and storage while people mainly used the second floor for lodging. By the twentieth century the Khan As\'ad Pasha no longer functioned as a haven for traveling merchants and in 1980, the Department of Museums and Antiquities used it as a manufacture and storage space. Restoration continues on the khan including restoring the domes which had been damaged in an earthquake, reinforcing the supporting piers, and restoring interior finishes and decor.','2017-08-09','2017-08-14','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/HgISe2K5YFf0IQ','https://cyark.org/projects/khan-as-ad-pasha','khan, caravanserai, damascus, ablaq, governor, ottoman, muqurna, as\'ad pasha al-azm,  ','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('wx4e-hr62','Bagan - Khe Min Ga Zedi','Myanmar','21.177291','94.875676','Upcoming','CyArk conducted a third independent mission to Bagan in 2017, following two earlier expeditions in collaboration with Carleton University. The 2017 mission took place following a major earthquake in 2016 and the documentation was focused on the extent of damage that occurred to previously surveyed monuments.These expeditions assisted UNESCO and the Myanmar Department of Archaeology (DoA) towards conservation efforts at the massive archaeological site. CyArk and partners utilized LiDAR and both aerial and terrestrial photogrammetry to document the monuments. This expedition was funded through the Google Cultural Institute.\r\n','The ancient city of Bagan, was the political, economic, and cultural center of the Bagan Kingdom from approximately 1044 to 1287 CE. The rulers of Bagan oversaw the construction of over 5,000 religious monuments over an area covering about 65 square kilometers on the Bagan plains. More than 2,000 of the original  structures have survived in varying states of repair until the present and can be found in the Bagan Archaeological Zone.  Constructed in the early 11th century during the Transitional Period of kingdoms, Khe Min Ga Zedi is a rectangular two-story Buddhist temple with four vestibules.  \r\n','2017-04-20','2017-04-28','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/KALSm4FCvgIVJg','https://cyark.org/projects/bagan','burma, buddhist, pagan kingdom, pagoda, monastery','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('x03k-3p09','Cloister of St. Trophime','France','43.6767005','4.62779998','Upcoming','The cloister of St Trophime was documented in May 2009 as part of a decades-long international effort led by the World Monuments Fund. The project worked to preserve the church as a valuable architectural example of Christian iconography featuring both Romanesque and Gothic features. In conjunction with Christofori Und Partner, documentation of the cloister, cloister roofs, church portal, interior plaza, and the Place de la R?publique plaza was conducted with laser scanning and digital photography.','One of the oldest and most stunning Romanesque structures in the world, the pilgrimage church of Saint-Trophime in Arles holds a cherished and vital place in the living history of Provence. A magnificent bell tower looms over the church\'s western portal and monastic cloister, both repositories for some of the finest relief sculpture of the Romanesque and early Gothic periods found in all of France. This monument was documented with 3D laser scanners and HD photography as part of a decades-long international effort led by World Monuments Fund to preserve the church as a valuable example of Medieval Christian iconographic and architectural achievement.						','2009-03-27','2009-04-05','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/XgLCxqyN3wrCIQ','https://cyark.org/projects/saint-trophime','arles, romanesque, catholic, church, christianity, bouches-du-rhone, provence','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('x8t5-r843','Kathleen','United States of America','37.806411','-122.423904','Published','The sloop yacht Kathleen documentation project, undertaken by the Historic American Engineering Record (HAER) in 2012, was sponsored by San Francisco Maritime National Historical Park (SAFR), Craig Kenkel, superintendent. Bill Doll, preservation specialist for SAFR, was the project manager. Documentation for HAER was directed by Todd Croteau, who also prepared the largeformat photographs. Dana Lockett, HAER architect, prepared contour data from LIDAR scan point clouds produced by Gauge Point Calibration and Cyark. Richard K. Anderson prepared the measured drawings and Michael R. Harrison wrote the historical report through a cooperative agreement with the Council of American Maritime Museums.\n','The Sloop Kathleen is currently part of the San Francisco maritime National Historic Park and is believed to be the second oldest yacht on San Francisco Bay. The forty-foot sloop was built as a yacht near Fisherman\'s Wharf by Salvatore Pasquinucci in 1904 and served as a pleasure boat on the bay for 107 years. The design of this vessel a centerboard sloop yacht was developed in New York City in the 1840s, the design evolving from local fishing boats noted for their speed under sail. The design was characterized by a wide and shallow hull. Introduced to San Francisco Bay in the 1850s, the sloops worked well on the shallow waters of the Bay and Delta. The popularity of the sloop grew, as more prosperous urban yachtsmen cruised and raced the craft.\n','2012-06-14','2012-06-14','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','yacht, maritime, sloop, kathleen, san francisco','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xgd9-jw35','Pointe du Hoc','France','49.397822','-0.989506','Published','I December 2016, CyArk in collaboration with the The United States Military Academy at West Point documented sites associated with the D-Day landings in Normandy. Terrestrial and aerial photogrammetry and LiDAR laser scanning were deployed to document the the beach point of resistance known as Widerstandsnest 62, The American Normandy Cemetery, and Pointe du Hoc.','Pointe du Hoc is a promontory with a 100-foot cliff overlooking the English Channel on the northwestern coast of Normandy in the Calvados department, France.\n\nDuring World War II it was the highest point between the American sector landings at Utah Beach to the west and Omaha Beach to the east. The German army fortified the area with concrete casemates and gun pits. On D-Day (June 6, 1944), the United States Army Ranger Assault Group attacked and captured Pointe du Hoc after scaling the cliffs.\n','2016-12-20','2016-12-22','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','pointe du hoc, normandy, france, ww2, war, abmc','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xgje-dv75','Chateau-Thierry American Monument','France','49.041962','3.371701','Published','To honor the centennial anniversary of the First World War, CyArk partnered with the American Battle Monuments Commission (ABMC) to document structures dedicated to the American armed forces throughout Europe. The Chateau-Thierry American Monument was documented in February 2018 using LiDAR laser scanning and aerial and terrestrial photogrammetry. CyArk’s digital documentation allows people who are unable to physically visit the site to experience the monument and remember those who gave their lives for their country.','The World War I Chateau-Thierry American Monument, designed by Paul Cret, is located on a hill two miles west of Chateau-Thierry, France, and commands a wide view of the valley of the Marne River. It commemorates the sacrifices and achievements of the Americans and French before and during the Aisne-Marne and Oise-Aisne offensives.\n\nThe monument, also known as the American Aisne-Marne Memorial or Le Monument americain a cote 204, consists of an impressive double colonnade rising above a long terrace. On its west facade are heroic sculptured figures representing the United States and France. On its east facade is a map showing American military operations in this region and an orientation table pointing out the significant battle sites.\n\nGerman advances in late May 1918 led to the 3rd Division joining the fight. Its units assisted French troops in preventing the Germans from crossing the Marne River. The 3rd Division held the south bank of the Marne until the French American counteroffensive forced German withdrawal. It earned the nickname \'Rock of the Marne.\' At the nearby cemeteries rest those Americans who gave their lives in the service of their country.','2018-02-25','2018-03-02','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'https://www.abmc.gov/cemeteries-memorials/europe/chateau-thierry-monument','oise-aisne, america, american, cemetery, abmc, france, ww1, ww2, memorial, chapel','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xhj8-8x48','Montcortès Castle and Santa Anna Church','Spain','41.706614','1.230057','Published','Includes 163 photos taken from drone, and 1248 terrestrial images','The original Montcortès castle was initially documented during the 11th century, in the testament of the knight Guillem Isarn de Trevics. However, as in the case of so many other frontier castles, at the end of the 15th century it was altered and replaced by the building that you can see today.\nNew castle’s works gave as result a magnificent rectangular fortress with two twin towers, a large semicircular Romanesque façade at East, Renaissance type Windows and an arched gallery, work done by Joan Barrufet.\nJust in front the litle church built in the 16th century are placed near the small town of Montornès de Segarra (Catalonia).','2017-02-16','2017-02-16','2020-12-06','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'','castle, church, medieval','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xjrn-0h22','Okazaki komainu','Japan','34.66639','135.46028','Published','In June 2019, Dr. Gildas Sidobre of NRHK completed terrestrial photogrammetry of two Okazaki-style komainu located at the Sanja Jinja shrine in Osaka, Japan. The scans were taken with a Samsung NX500 mirrorless camera.','Like many komainu sculptures, this pair of gatekeepers was constructed to ward off any evil spirits that may have ventured into the Sanja Jinja temple, a Shinto shrine located in the Osaka prefecture of Japan. The pair of sculptures guard the main building -- or the honden -- and are stylistically similar to other komainu from the Kansai region, spanning from Onomichi to Kyoto. In typical komainu fashion, one guardian’s mouth is open, and the other shut. However, the left-hand statue rests its foreleg on a cub, while the other paws at a decorated jewel, iconography that is unique to the shishi-yama style of komainu. ','2019-06-27','2019-06-29','2021-01-21','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'','komainu, Shinto, statue (apotropaic?)','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xm5s-mh78','Medinet Habu - Hypostyle','Egypt','25.71975','32.600658','Published','Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n','Temple of Ramesses III at Medinet Habu. \nSee:\n    http://www.calit2.net/newsroom/rss.php?id=1862  and\n    http://en.wikipedia.org/wiki/Medinet_Habu_(temple)\n\nCAVECam #7 \'LuxorMedinetHabuHypostyle\'\n    This CAVEcam was shot in the Temple of Ramesses III at Medinet\n    Habu. This is outside of the columns CAVEcam shot and the Royal\n    Treasure Halls. ','2011-05-25','2011-05-25','2021-02-28','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/4.0',NULL,'','Medinet Habu, Luxor, Egypt, Thebes, Temple, CaveCam','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xvd8-hn19','Budhuge (LAM-MUN-3)','Maldives','2.013269402','73.5337118','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Drone DJI Phantom 4 Pr for photogrammetry.','The bathing tank (veyo) at Budhuge apprears to be the only surviving stone structure of a Buddhist ritual complex that previously existed on this site. ','2018-09-29','2018-09-30','2019-02-15','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Buddhist Site, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xypg-he49','Nine Dome Mosque - Mosque City of Bagerhat','Bangladesh','22.658487','89.755398','Published','In 2019, CyArk partnered with Google Arts and Culture and ICOMOS to digitally document three structures at the Historic City of Bagerhat in Bangladesh. The structures are particularly at risk due to the impacts of climate change including rising sea levels and increased salinity in water being absorbed into the bricks. CyArk used aerial and terrestrial photogrammetry as well as LiDAR or laser scanning to digitally capture the monuments. The site will utilize the documentation to better understand and address the impacts of climate change and connect people with these places.','The Mosques at the Historic City of Bagerhat are touchstones for understanding the early influences of Islam in Bangladesh and diversity of architectural style in Southeast Asia. The monuments at Bagerhat are some of the finest examples of the Khan Jahan style, named after the Sufi Saint who founded the city in the mid 15th century. With few options for building materials in the area, builders of the city utilized their expertise in brick making. The 60 Dome Mosque is one of 360 buildings that once stood in Bagerhat. Today, the mosque remains an important place of worship for local residents and visitors throughout Bangladesh and the world. ','2019-04-23','2019-05-03','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0','https://artsandculture.google.com/project/heritage-on-the-edge-bagerhat','','bagerhat, khan jahan, khalifatabad, bangladesh','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('xzvt-q669','Mission San Juan Bautista','United States of America','36.845826','-121.536219','Published','In December 2012, CyArk partnered with California State University Monterey Bay, the California Missions Foundation, and the San Juan Bautista parish to digitally document Mission San Juan Bautista. Western Digital supported the project\'s field data collection through the generous donation of portable hard drives. Mission San Juan Bautista is the fourth California Mission to become part of CyArk\'s Digital El Camino Real de California project, which aims to digitally document all twenty-one mission along El Camino Real established by the Spanish in Alta California. ','Remnants of Spanish colonization of the Americas, Mission San Juan Bautista provides a window into the development of the American West and the beginnings of the state of California. From its initial construction in 1797, the area surrounding the building has transformed over time becoming a colonial Spanish mission, Mexican pueblo, and finally an American town. The Mission San Juan Bautista encapsulates the inventive artistic influence of Spanish colonial artists seen in the church\'s collection of apostolate paintings. The church also embodies the effects of Spanish colonist\'s program of religious and cultural conversion on local Native American communities marked in the adobe structure, which local American Indian laborers from the Mutsun tribe mostly constructed. Mission San Juan Bautista and the surrounding historic district are touchstones for understanding the diversity of cultural influences that have shaped life in California today.','2012-12-19','2012-12-21','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/NQJydYx20sqaIg','https://cyark.org/projects/mision-san-juan-bautista-de-ligui','california, spanish, ohlone, San Benito County, Franciscan, Saint John the Baptist, Diocese of Monterey, colonization','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('y65f-hh13','Waikiki Natatorium War Memorial','United States of America','21.2644443','-157.82194','Published','In 2015 CyArk partnered with the National Trust for Historic Preservation and teachers from the Mid-Pacific Institute in Oahu to digitally preserve the Waikiki Natatorium War Memorial.  The objective of the project was to not only digitally preserve the historic World War I memorial, but to also train educators from Mid Pacific on new technologies and raise awareness for the threatened site. Over 100 scans were taken around the perimeter of the site as well as all of the interior spaces.','Opened in 1927, the Waikiki Natatorium War Memorial is a public saltwater swimming pool and monument built to commemorate the 10,000 Hawaiians who served in World War I. One of the first \'living memorials\' built in the United States, it was designed to have a lasting use to the people of Hawaii instead of existing as a static monument. The memorial was closed in 1979 due to neglect and has since been the subject of debate as propositions have been made to tear down the memorial.','2015-04-16','2015-04-16','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/bwJi3ZtVygf7LA','https://cyark.org/projects/waikiki-natatorium-war-memorial','natatorium, pool, waikiki, honolulu, hawaii, memorial','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('y6ve-1816','&Ccedil;atalh&ouml;y&uuml;k , East Mound, North Area 2013','Turkey','37.667840795660',' 32.82817747617','Published','This collection includes a mixed remote sensing dataset made of terrestrial laser scanning point clouds, point cloud comparison data, structure from motion-generated polygonal meshes, and related textures and metadata. It was recorded at the Neolithic site of &Ccedil;atalh&ouml;y&uuml;k, Turkey under the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project carried out in 2012-2017 by scholars and students from the University of California Merced and Cardiff University. The historic series of North Area and South Area point clouds were documented by means of a Faro Focus S120 time of flight laser scanning during six consecutive field seasons (2012-2017), while the East Mound and West Mound landscape 3-D models were generated from low-altitude photos captured by an unmanned aerial vehicle (drone) in 2015.\n\nThe goal of the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project was to capture the current state of the site to comply with UNESCO site management guidelines for conservation and to understand and quantitatively assess the deterioration of its mud-brick architecture through time via 3-D data comparison and geo spatial methods. The analyses of laser scanning data focus on the wall features of eight buildings of the North Area (B5, B48, B49, B55, B64, B82, B114, B119), which were chosen as priority by Ashley Lingle, the Head of Conservation at &Ccedil;atalh&ouml;y&uuml;k. Point clouds of wall features were segmented and aligned using the open source software CloudCompare. Pairs of perfectly aligned and identically segmented point clouds were then compared using the M3C2 method in CloudCompare to compute differences (standard deviation) and significant change. The differences among aligned and identical features represent the material loss occurred in those walls in 2012-2017. The point clouds were then analyzed in a GIS platform including environmental data logged in the North Area and vulnerability assessment made in situ by the Conservation Team.','&Ccedil;atalh&ouml;y&uuml;k (Turkish pronunciation:   also &Ccedil;atal H&ouml;y&uuml;k and &Ccedil;atal H&uuml;y&uuml;k; from Turkish &Ccedil;atal \'fork\' + h&ouml;y&uuml;k \'tumulus\') was a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7100 BC to 5700 BC, and flourished around 7000 BC.[2] In July 2012, it was inscribed as a UNESCO World Heritage Site.\n\n&Ccedil;atalh&ouml;y&uuml;k is located overlooking the Konya Plain, southeast of the present-day city of Konya (ancient Iconium) in Turkey, approximately 140 km (87 mi) from the twin-coned volcano of Mount Hasan. The eastern settlement forms a mound which would have risen about 20 m (66 ft) above the plain at the time of the latest Neolithic occupation. There is also a smaller settlement mound to the west and a Byzantine settlement a few hundred meters to the east. The prehistoric mound settlements were abandoned before the Bronze Age. A channel of the &Ccedil;arşamba River once flowed between the two mounds, and the settlement was built on alluvial clay which may have been favorable for early agriculture.\n\nSource: https://en.wikipedia.org/wiki/%C3%87atalh%C3%B6y%C3%BCk','2012-00-00','2012-00-00','2021-02-28','CC BY-NC','https://creativecommons.org/licenses/by/4.0',NULL,'https://library.ucsd.edu/dc/collection/bb62154893','','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('y75k-5550','Cathedral of Beauvais','France','49.432582','2.081513','Published','In 2001, a team of art historians and computer scientists from Columbia University traveled to France to create an accurate 3-D model of the Cathedral of Beauvais. They sought to analyze the building’s structure and assist historic preservation efforts. Gale-force winds off the English channel constantly strain the cathedral\'s flying buttresses, which threaten to collapse. However, LiDAR scans made with a Cyrax 2500 enabled the team to accurately document the site and create models for structural analysis.','Upon its completion in 1247, the twice collapsed and rebuilt Cathedral of Saint-Pierre of Beauvais boasted the tallest choir ever built in Europe, and is still one of the most daring feats in Gothic architecture. Like many gothic cathedrals, the one in Beauvais was designed in the shape of a cross. The 47.5 meter tall nave is interrupted by a transept, which would have separated the pews from the choir and apse. The interior is lavishly decorated with stained glass windows, an intricately carved wooden altarpiece, and a functioning medieval clock.','0000-00-00','0000-00-00','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'http://www1.cs.columbia.edu/~allen/BEAUVAIS/','cathedral, Gothic (architecture), medieval',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('yezt-e606','Corbelled Houses of Karoo - Leifontein','South Africa','-31.26187','22.60622','Published','The African Conservation Trust (ACT) in partnership with the University of KwaZulu-Natal (UKZN) and the Northern Cape Environmental Heritage Trust used 3D laser scanning technology to create permanent digital records of nine corbelled houses representing a range of styles and conditions. Data was collected with a Leica ScanStation C10 and a Z+F Imager 5010C. The corbelled houses project aimed to protect South Africa\'s threatened vernacular architecture and was part of the larger CyArk 500 Challenge. The scan data of the corbelled houses was used to assess damage to the structures.','The historic corbelled houses in the Northern Cape, South Africa, are excellent examples of the ingenuity of the early pioneers who moved into the Karoo semi-desert landscape from about 1820 through to the end of the nineteenth century. They discovered that trees were sparse and set about building their dwellings using the only available material, stone. As there could be no wooden trusses to support the roof, they made use of an ancient method of construction known as corbelling. This technique was implemented by placing successive courses of flat stone, each one extending a little further inward than the layer beneath, until the walls almost met at the apex. The remaining hole over the roof could then be closed with a single slab. \n','0000-00-00','0000-00-00','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','corbel, karoo, northern cape, south africa','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('yh9w-3b63','Tambo Colorado','Peru','-13.705533','-75.829200','Published','During four field seasons from 2001 to 2005, a team from the University of California, Berkeley in partnership with the Tecnologie Applicate ai Beni Culturali (ITABC) in Rome, conducted documentation at the Incan administrative center of Tambo Colorado, Peru. The detailed digital documentation of the site, collected through survey, LiDAR and photogrammetry, was used to support archaeological and architectural research at Tambo Colorado. The research was partially funded by the Kacyra Family Foundation and UC Berkeley.','Tambo Colorado was a strategic Inca center, dominating access to the Inca road leading to the highlands and eventually to the Inca capital in Cuzco. Comparing the state of the complex today with the documents from the original excavations 100 years ago, it is obvious that it has suffered considerable deterioration and damage during the past century. The detailed digital documentation of the site captured by the CyArk and University of California at Berkeley teams is being used to support current archaeological and architectural research at Tambo Colorado.						','2005-08-04','2005-09-04','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/rQIiqXjypwLoLw','https://cyark.org/projects/tambo-colorado','quechua, inca, adobe, puka tampu, pukallaqta, pukawsi','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('yn09-ys46','Mission San Juan Bautista','United States of America','36.845919','-121.535778','Published','In December 2012, CyArk partnered with California State University Monterey Bay, the California Missions Foundation, and the San Juan Bautista parish to digitally document Mission San Juan Bautista. Mission San Juan Bautista is the fourth California Mission to become part of CyArk\'s Digital El Camino Real de California project, which aims to digitally document all twenty-one missions along El Camino Real established by the Spanish in Alta California.        ','Mission San Juan Bautista, located about 90 miles south of San Francisco, was founded in June 1797 by Fr. Fermin de Lasuen. It was the fifteenth of twenty-one missions established in Alta California. Construction of the current church began in 1803 and is the widest of all the mission churches with its three aisles. The mission has been a continuously functioning church since its founding in 1797 and has also been known as the \'Mission of Music\' because of the musical talents of Padre Esteban Tapis. Built directly next to the San Andreas Fault, Mission San Juan Bautista is at constant risk of damage or destruction inflicted by earthquakes. The mission has already suffered such damage over the centuries, visible in the cracks in the Church\'s adobe walls.','2012-12-19','2012-12-21','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','california, mission, spanish, alta california','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('ys52-y774','Palm Beach Bath & Tennis Club','United States of America','26.675460','-80.036214','Published','Restoration of the Bath & Tennis Club began in 2008 and was completed in 2011. That year, CyArk came and scanned the site with a Canon EOS 50D. Architect Keith Spina oversaw the restoration, which addressed structural deficiencies in the building itself and on the beach level. Kemble Interiors used Joseph Urban\'s original designs and color schemes as reference points for the decor. The Bath & Tennis Club received the Preservation Foundation of Palm Beach\'s prestigious Ballinger Award in 2011 which commemorates a restoration or renovation that best exemplifies the traditions of Palm Beach\'s original houses and the architects who designed them.','The construction of this Mediterranean Revival style Bath & Tennis Club commenced around 1925. It sits on a spit of land in Palm Beach, FL, where the fabled Providencia ran aground in 1878, spilling 20,000 coconuts and inspiring the barrier island\'s name. Mr. and Mrs. E. F. Hutton formed the club, scouted its new location, and commissioned Austrian architect Joseph Urban, who gleaned inspiration from projects he had worked on in Austria, Russia, and Egypt. According to Mrs. Hutton, \'It is the first cabana club in this country.\'  The dedication of generations of prominent American families has and will continue to ensure the Bath & Tennis Club\'s importance in Palm Beach society and the island\'s architectural legacy.','2011-07-06','2011-07-06','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0',NULL,'N/A','Florida, cabana, Mediterranean Revival',NULL);
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('ys65-1p53','Temple of Eshmun','Lebanon','33.5855522','35.3979301','Published','The Temple of Eshmun was documented as part of Project Anqa a collaboration between the International Council on Monuments and Sites (ICOMOS), CyArk and Yale University\'s Institute for the Preservation of Cultural Heritage (IPCH). In January 2017, CyArk held a workshop at the UNESCO offices in Beirut, Lebanon to provide training in digital preservation techniques to local heritage professionals from Syria and Lebanon. As part of the training program, The Temple of Eshmun was documented using both terrestrial and aerial photogrammetry and LiDAR laser scanning by CyArk and the Syrian Directorate General of Antiquities and Museums in collaboration with the Lebanese Directorate of Antiquities. Support for this project was provided by the Arcadia Fund.','The Temple of Eshmun was established sometime at the end of the 7th century BCE by Phoenicians who worshiped Eshmun, the god of healing. Phoenicians were sea faring peoples who lived in the Eastern Mediterranean Coast, largely controlling the trade routes in the Mediterranean. They were particularly famous for exporting cloth dyed in Tyrian purple, attained from processing a specific sea snails living in the Mediterranean sea. The Temple of Eshmun is located 2km north of Sidon, a major Phoenician town south of Beirut. The location of the temple was chosen due to its proximity to a water source that would be used in ceremonies. The site was damaged following a large earthquake in the 4th century BCE. However, later cultures continued to build around this important religious site. Today, the site contains a diverse range of structures from different eras.','2017-01-16','2017-01-18','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/wWqqDrt52GwNDyfw7','https://cyark.org/projects/temple-of-echmoun/overview','phoenician, eshmun, echmoun, temple, Sidon, saida, eshmunazar, achaemenid','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('yva5-pc90','Taos Pueblo','United States of America','36.4387435','-105.54540','Published','Working with the Taos Tribal Government, The US National Park Service and World Monuments Fund, CyArk documented the site in collaboration with Nolte Engineering in 2010. CyArk utilized laser scanning and photogrammetry to document the entire complex including the multi-storeyed North house, San Geronimo church and several private homes. URC Ventures further assisted in drone documentation of the site. The project was part of a larger program led by World Monuments Fund to develop a training program for tribal members in conservation and conserve an 11-unit dwelling at the site. The documentation was used to create orthographic images and guide the conservation at the site. CyArk also provided a training to the tribal members on site documentation and data processing techniques.','Taos Pueblo is the largest multi-storied, adobe pueblo in the United States.  It has been continuously inhabited since 1000 CE and is currently the only Native American community to be a UNESCO World Heritage Site and a National Historic Landmark. Taos Pueblo is located on 95,000 acres and is one mile north of the modern city of Taos, New Mexico.						','2010-09-01','2010-09-15','2018-04-16','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/VgJigTI7qaneIQ','https://cyark.org/projects/taos-pueblo','taos, native american, new mexico, pueblo, tiwa, pueblos, puebloan','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('yyvg-1157','Kuagannu Cemetery - Hulhumeedhoo (SEN-HMD-1)','Maldives','-0.581055342','73.22880673','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).','This is the largest historic Muslim cemetery in the Maldives, containig 1,535 carved coral gravestones and a number of other structures including four mosques and a stand-alone minaret, as well as the Medhu Ziyaaraiy - the best-preserved mausoleum on the site which is associated with Yusuf Naib, who is traditionally credited with the early Islamization of the island. As the cemetery remains in active use for contemporary burials, it is vulnerable to ongoing disturbance as old and sometimes elaborately-carved coral stones are sometimes moved and re-used to mark the nearby graves of newly deceased.','2019-07-21','2019-08-05','2019-02-15','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Mosque, Cemetery, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('z0sk-hv44','Banteay Kdei Temple - Angkor','Cambodia','13.430027','103.898614','Published','In March of 2004, a group from the University of California at Berkeley conducted a laser scan project in Angkor, Cambodia in cooperation with Sofia University of Tokyo, Japan. The project gathered HDS scans and photographs of the Angkor Wat Western Causeway and the temple Banteay Kdei. The data set was used to support on-going reconstruction and stabilization of various Angkor monuments by Sofia University. The project was funded by Sofia University.','Angkor was the site for a series of capitals belonging to the Khmer empire for much of the ninth through fifteenth centuries. These ruins are located amid forests and farmland to the north of the Great Lake (Tonle Sap), near present day Siem Reap, Cambodia, and are a UNESCO World Heritage Site. The temples of Angkor, now partially restored, constitute the premier collection of Khmer art and architecture. The resplendent monuments of the Khmer were constructed from AD 879 - 1191, although the site, itself, was inhabited by the Khmers from AD 802 through AD 1431. Yet it was during the twelfth century, when the last temples were built, that the Khmers reached their peak during the reigns of Suryavarman II and Jayavarman VII. And it was from Angkor that these god-kings ruled their grand empire, stretching from the south of Vietnam to Yunan, China and from the western edge of Vietnam to the Bay of Bengal. The monumental temples they built not only proclaimed the king\'s wealth and status, but they also helped solidify his rule as a god-king by providing a sanctuary of worship for his cult after aligning himself with a deity, such as the Hindu god Vishnu or the Buddhist Bodhisattva Avalokiteshavara.','2004-03-05','2004-03-12','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','angkor, khmer, cambodia, causeway','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('z4ay-yf48','Madrasa al-Jaqmaqiya','Syria','33.512545','36.306487','Published','Madrassa al-Jaqmaqia was documented as part of Project Anqa, a collaboration between the International Council on Monuments and Sites (ICOMOS), CyArk and Carleton University, funded by the Arcadia Foundation in the UK. The project began in 2015 in response to the catastrophic loss of heritage in the Middle East and aimed to protect monuments by providing training on digital preservation techniques for local heritage professionals in the region. CyArk provided several training and workshops in Lebanon to Syrian heritage professionals in 2016 and 2017 in partnership with the UNESCO Office for the Preservation of Syrian Cultural Heritage. The Madrassa al-Jaqmaqia in Damascus was documented by the trained members of the Syrian Directorate General of Antiquities and Museums using photogrammetry and LiDAR.','A madrasa, usually defined as an Islamic religious school, may also refer to a multi-function building that incorporates a mosque or mausoleum in addition to spaces for teaching and housing students. The Madrasa al-Jaqmaqiya built between 1418 and 1420 for the governor of Damascus Jaqmaq al-Arghunshawiin Damascus, includes a mausoleum. Dating back to the Mamluk era, the building is characterized by its black and white arches, ablaq masonry which features alternating black and white stone, and mix of floral and geometric motifs. Bands of stone-carved Arabic inscriptions also decorate the building, reflecting the Mamluk appreciation for the symbolic power of architecture. The Madrasa al-Jaqmaqiya has transformed over the years, from additional rooms added to the upper level in the 19th century, to restoration work following damage to the roof and walls during World War II.','2017-08-10','2017-08-22','2019-04-18','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/1gIiTqB8QO_kIg','https://cyark.org/projects/Madrasa-al-Jaqmaqiya','damascus, calligraphy, islam, religious school, madrasa','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('z6s0-j283','Abdullah Didi Miskiyy (SEN-HMD-4)','Maldives','-0.597702336865','73.225477797023','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).','Abdullah Didi Miskiyy is a small coral mosque located in Hulhudhoo area. The mosque is named for its builder, Abdallah Didi. There is ruined of wall surrounding the modern well located in front of the entrencet to the mosque building. The mosque was last used during Mohamed Naasheed\'s presidency (2008-2012)','2019-08-06','2019-08-06','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Mosque, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('z86f-3z78','Okotoks Erratic','Canada','50.70611','-114.07639','Published','Located just off the highway, Okotoks Erratic is seen by many visitors, and suffers regular damage from vandalism and weather. In order to recognize the site’s geological and cultural importance, as well as to encourage its protection, the Government of Alberta declared Okotoks Erratic as a Provincial Historic Site in 1978 under the Alberta Historical Resources Act. The digital preservation of Okotoks Erratic took place in September of 2013, allowing for a high-detail view into its state of preservation, as well as providing conservation materials for ongoing preservation efforts.','Okotoks Erratic, situated 7 km west of Okotoks, Alberta, Canada, is a supreme example of a glacial erratic. Commonly known as Big Rock, this quartzite boulder is the world\'s largest known glacial erratic at 16,500 metric tons. Matching an erratic back to its parent bedrock can shed light on the route of an ice flow; research suggests that this erratic was transported across hundreds of miles of North American landscape, sometime between 16,000 and 10,000 BCE. More recent in its history, Big Rock may have been used as a landmark for the Blackfoot First Nation. In fact, the phrase \'O\'kotok\' translates to \'rock\' in the Blackfoot language. The site is decorated with countless native pictographs, yet to be deciphered. ','0000-00-00','0000-00-00','2021-04-20','CC BY-NC-SA','https://creativecommons.org/licenses/by/4.0','N/A','N/A','Alberta, glacier, erratic','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('zda7-4p73','Kandhuvalu Miskiyy (HAF-UTM-1)','Maldives','6.8348943459596','73.110343833365','Published','Maldives Heritage Survey works to systematically inventory and digitally document the endangered cultural heritage of the Maldives. The materials documented through this work are critically endangered, facing both natural and human threats that jeopardize the survival and accessibility of historical information for this vital node in pre-modern global economic and religious networks at the cross-roads of an interconnected Indian Ocean world. The data made available here was collected by our Field Team using a FARO Focus S350 Lidar scanner and Nikon D750, Drone DJI Phantom 4 Pr for photogrammetry).','Kandhuvalu Miskiyy was the chief mosque in Utheemu and dates from the 16th century, though it has been refrubished at various points with a date of Rajab 1295H (July 1878) on one ceiling beam. The mosque is built of coral stone and has a lacquered ceiling. It was renovated in 1997 by the National Centre for Linguistic and Historical Research. ','2019-12-08','2019-12-09','2020-02-24','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/3.0/',NULL,'https://maldivesheritagedata.oxcis.ac.uk/index.htm','Maldives, Mosque, Indian Ocean','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('zdtd-mt66','Honouliuli Internment Camp','United States of America','21.391664','-158.05972','Published','In the spring of 2015, CyArk partnered with Mid-Pacific High School to train students on digital documentation techniques. Together CyArk and Mid-Pacific students documented the former Honouliuli camp, where Japanese Americans were confined by the US government during World War II. Students documented the site using LiDAR and photogrammetry. CyArk processed the data, and the students conducted research about the site to make infographics and videos about the site’s history and their experiences being part of the project. The project was made possible by a Japanese American Confinement Sites Grant established by congress in 2006 \'To provide for the preservation of the historic confinement sites where Japanese Americans were detained during World War II...in order that present and future generations may learn and gain inspiration from these sites.\'','In February 2015, Hawaiian- President Barack Obama designated Honouliuli at a unit of the National Park Service. Following the Japanese attack on Pearl Harbor in 1941, then President Franklin Deleno Roosevelt signed Executive Order 9066, which allowed the military to forcibly remove and confine over 120,000 Japanese Americans on the West Coast and Hawaii. Honouliuli Internment camp was the largest and and longest-used site of confinement on the Hawaiian Islands where both US citizens and residents of Japanese ancestry as well as people of European ancestry were confined for the duration of the war. The camp was also used for prisoners of war, confining enemy soldiers from Japan, Korea, Okinawa, Taiwan, and Italy. \n','2015-04-08','2015-04-15','2020-06-22','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0',NULL,'','','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('zgha-x487','&Ccedil;atalh&ouml;y&uuml;k , East Mound, South Area 2015','Turkey','37.67222','32.823508','Published','This collection includes a mixed remote sensing dataset made of terrestrial laser scanning point clouds, point cloud comparison data, structure from motion-generated polygonal meshes, and related textures and metadata. It was recorded at the Neolithic site of &Ccedil;atalh&ouml;y&uuml;k, Turkey under the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project carried out in 2012-2017 by scholars and students from the University of California Merced and Cardiff University. The historic series of North Area and South Area point clouds were documented by means of a Faro Focus S120 time of flight laser scanning during six consecutive field seasons (2012-2017), while the East Mound and West Mound landscape 3-D models were generated from low-altitude photos captured by an unmanned aerial vehicle (drone) in 2015.\n\nThe goal of the &Ccedil;atalh&ouml;y&uuml;k Digital Preservation Project was to capture the current state of the site to comply with UNESCO site management guidelines for conservation and to understand and quantitatively assess the deterioration of its mud-brick architecture through time via 3-D data comparison and geo spatial methods. The analyses of laser scanning data focus on the wall features of eight buildings of the North Area (B5, B48, B49, B55, B64, B82, B114, B119), which were chosen as priority by Ashley Lingle, the Head of Conservation at &Ccedil;atalh&ouml;y&uuml;k. Point clouds of wall features were segmented and aligned using the open source software CloudCompare. Pairs of perfectly aligned and identically segmented point clouds were then compared using the M3C2 method in CloudCompare to compute differences (standard deviation) and significant change. The differences among aligned and identical features represent the material loss occurred in those walls in 2012-2017. The point clouds were then analyzed in a GIS platform including environmental data logged in the North Area and vulnerability assessment made in situ by the Conservation Team.','&Ccedil;atalh&ouml;y&uuml;k (Turkish pronunciation:   also &Ccedil;atal H&ouml;y&uuml;k and &Ccedil;atal H&uuml;y&uuml;k; from Turkish &Ccedil;atal \'fork\' + h&ouml;y&uuml;k \'tumulus\') was a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7100 BC to 5700 BC, and flourished around 7000 BC.[2] In July 2012, it was inscribed as a UNESCO World Heritage Site.\n\n&Ccedil;atalh&ouml;y&uuml;k is located overlooking the Konya Plain, southeast of the present-day city of Konya (ancient Iconium) in Turkey, approximately 140 km (87 mi) from the twin-coned volcano of Mount Hasan. The eastern settlement forms a mound which would have risen about 20 m (66 ft) above the plain at the time of the latest Neolithic occupation. There is also a smaller settlement mound to the west and a Byzantine settlement a few hundred meters to the east. The prehistoric mound settlements were abandoned before the Bronze Age. A channel of the &Ccedil;arşamba River once flowed between the two mounds, and the settlement was built on alluvial clay which may have been favorable for early agriculture.\n\nSource: https://en.wikipedia.org/wiki/%C3%87atalh%C3%B6y%C3%BCk','0000-00-00','0000-00-00','2021-02-28','CC BY-NC','https://creativecommons.org/licenses/by/4.0',NULL,'https://library.ucsd.edu/dc/collection/bb62154893','','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('zj4q-4w56','Medinet Habu - Royal Treasure 1','Egypt','25.71995','32.600658','Published','Digital cameras are used to capture images in full stereo surround for use in virtual reality systems. These images can cover any field of view, including 360° by 180° spherical panoramas. Two photographic cylinders are created with identical dimensions, capturing the perspective as seen from each eye position. When these cylinders are mapped to a spherical surface, full stereo in all directions is achieved. This technique allows photographic imaging to create the virtual environment itself. The complete stereo image that is created by this technique can be viewed in any direction that is supported by the virtual reality system design. \n','Temple of Ramesses III at Medinet Habu. \nSee:\n    http://www.calit2.net/newsroom/rss.php?id=1862  and\n    http://en.wikipedia.org/wiki/Medinet_Habu_(temple)\nlocations include:\n\nCAVECam #17 \'LuxorMedinetHabuRoyalTreasure1\'\n    This CAVEcam was shot in the Temple of Ramesses III at Medinet\n    Habu. This is inside one of the Royal Treasure Halls. The\n    particularly brilliant colors were captured by time exposures\n    (about 2 sec. at f/16)\n\n','2011-05-25','2011-05-25','2021-02-28','CC BY-NC-ND','https://creativecommons.org/licenses/by-nc-nd/4.0',NULL,'','Medinet Habu, Luxor, Egypt, Thebes, Temple','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('zjnn-wx58','Temple of Bel Tourist Photo Reconstruction','Syria','34.54738','38.27393','Published','This reconstruction uses over 900 publicly available tourist images taken between 2006 and 2011. Photos were provided by a number of sources, including #NewPalmyra, Oxford University, and the Roman Society\'s Imago Database. Images were masked in Agisoft Metashape, removing skies, vegetation, and tourists. The model was processed with Reality Capture.','The Temple of Bel stood for 2000 years in Palmyra, Syria until its destruction by ISIS in late 2015. It featured many well preserved sculptures and paintings. ','1974-04-14','2014-06-24','2020-10-15','CC BY','https://creativecommons.org/licenses/by/4.0',NULL,'','phototourism, temple, reconstruction','yes');
INSERT INTO `Projects_MASTER` (`doi`, `project_name`, `country`, `latitude`, `longitude`, `status`, `project_description`, `site_description`, `collection_date_start`, `collection_date_end`, `publish_date`, `license_type`, `license_link`, `external_project_link`, `additional_info_link`, `keywords`, `potree_viewer`) VALUES ('zn32-tc25','Cidade Velha - Church','Cabo Verde','14.916542','-23.605231','Published','In March 2015, CyArk digitally documented Cidade Velha in partnership with the African World Heritage Fund. Panoramic photography and LiDAR laser scanning were completed at four locations around the city including the S&eacute Cathedral, Nossa Senhora do Ros&aacuterio Church, Fort Real de S&atildeo Filipe and the Pillory square. CyArk also conducted a training workshop for African World Heritage Fund staff, local experts from Cape Verde and a variety of heritage specialists from the Lusophone community around the world. The workshop focused on digital documentation methods and the how digital data can be used for conservation.','<p>First colonized in the mid-1400s by the Portuguese, Cabo Verde would quickly become the center of the largest human diaspora in history.</p><p>Beginning relatively small scaled, the town, Ribeira Grande, received a Royal Charter in 1466 giving permission to own and trade enslaved captives from Africa. Over the next 100 years, Ribeira Grande would increase in importance through its dominant trade in gold and slaves to the extent of being subject to frequent raids by pirates and other nations, including Sir Francis Drake in 1585, making it necessary to build the strongest fort of its day, <i>Forte de Sao Felipe</i>, in 1590.</p><p>With the building of the fort, Ribeira Grande stood center stage in the industry of human trafficking, the Trans-Atlantic Slave Trade. During the 15th and 16th centuries, the majority of Cabo Verdians were involved in the slave trade in one way or another, from direct purchasing and selling to outfitting ships sailing east or north. </p><p>With an intense mixing of cultures, Cabo Verde became the first colony to establish a creole language and culture that still exists today.</p><p>Due to its strategic location between Europe, Africa, and the Americas, Cabo Verde was an essential stop for early explorers traveling West including Christopher Columbus on his third voyage to the Americas and James Cook. As an international port of call, Cabo Verde also became an experimental ground for new fruits and vegetables heading from and into Europe and the Americas.</p><p>Ribeira Grande began to decline beginning with an attack by the French in 1712. A new capital was founded to the west, Praia, and lured the elite class away from Ribeira Grande, now called <i>Cidade Velha</i>, or old town.</p>','2015-03-01','2015-03-06','2020-06-19','CC BY-NC-SA','https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode','https://artsandculture.google.com/exhibit/WQJyKwAAE8n8Jg','https://cyark.org/projects/cidade-velha','church, fortress, pillar, colonialism, creole','yes');


